Emre

When you say my name

First sample for MA research. Exploring the hauntological presence of sound within space, specifically as a critique of the white cube aesthetic of art curation.
-Sample is one of a series of sounds that is to be played through a parametric speaker system in an empty white cube formatted gallery space.

Radiator Hauntology

Second sample for MA research. Exploring the hauntological presence of sound within space, specifically as a critique of the white cube aesthetic of art curation. This track is best heard with a subwoofer, and reflects the 52 hz whale as a symbol of isolation characterised by sound.
-Sample is one of a series of sounds that is to be played through a subwoofer and parametric speaker system in an empty white cube formatted gallery space.

Whale Hauntology

Third sample for MA research. Exploring the hauntological presence of sound within space, specifically as a critique of the white cube aesthetic of art curation. This track is best heard with a subwoofer, and features a 21 hz tone which is said to be one of the tones researched to associate with how the brain deals with fear. It also features ambient conversational noise which is modulated granularly and drowned out by white noise which has been programmed to imitate wind and then stop as if the noise had been frozen in time.
-Sample is one of a series of sounds that is to be played through a subwoofer and parametric speaker system in an empty white cube formatted gallery space.

White Noise Hauntology

Audio from my first installation in the white cube aesthetic gallery at AUB. For more information about the project go to: https://lkandiah.wixsite.com/researchjournal

White Cube Hauntology

This Composition is for the degree show installation, It will be installed into the White Cube space alongside a poster displaying the title and abstract of my thesis. It will be installed using a parametric speaker and a subwoofer only.

THe streaming platform sadly compresses a lot of the sound, however.

Luke Kandiah

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