0521 31 Lv 1 Crsh Arg 1 (egress)

https://muzaneditions.bandcamp.com/album/before-your-past-lives

Muzan Editions
https://soundcloud.com/muzaneditions

Mastered by Kris Keogh
www.kriskeogh.com

Art by Jo Jarosinska
www.instagram.com/jo_jarosinska/

I(Before Your Past Livess - Muzan Editions)

Manja Ristic - Rings of Water (Excerpt)

1 hour hyperkinetic assault. Chaotic crackhead beats mashed up with psychoactive textures — stuff that I've found inspiring lately, and a chunk of unreleased stuff...

01 Alvin Lucier - Slices
02 Cravune - Quiver
03 Leo - Soil
04 Design Default - Quadrantids
05 Female Band - He Takes Her on the Dance Floor
06 Richard Devine - Floccus
07 Luke Lund - Nowness (Traction)
08 Facta - I am a Strange Loop
09 Horacio Vaggione - Thema
10 David Wessel - Antony
11 Propionic - XY Desolvation
12 PVAS - Day Six
13 Final - B2
14 Basic Rhythm - Moonlight Flit
15 Sorcery - On the Bias
16 Roger Reynolds - The Vanity of Words
17 Ben Vida & Marina Rosenfeld - Leaving
18 Luke Lund - Hold Back
19 Luke Lund - Nocturnal
20 Luke Lund - Truther
21 Skintape - Test (Luke Lund Plague Rave Mix)
22 Luke Lund - Shi (SE13 Squat Live)
23 Luke Lund - Hostile Architecture (Kela Mix Griessmühle Live)
24 Luke Lund - Chimeri
25 Luke Lund - Spawn
26 Luke Lund - Relapse (Rye Wax Live)
27 Luke Lund - Excerpt of a Pulsar Drum Generator
28 Luke Lund - Excerpt of a Pulsar Burster Patch
29 Kindohm - IG
30 Jana Rush - Disorientation
31 Joji Yuasa - A Study in White: The Sea Darkens
32 Bela - 반길군악 / 별달거리
33 Altar of Flies - Sekler
34 Curse of the Golden Vampire - Temple of the Yellow Snake
35 Luke Lund - Timewave Zero
36 Krackhead - Twister
37 Daniel Teruggi - Gestes de l'écrit
38 Rey Sapienz & The Congo Techno Ensemble - Santonge
39 Casual Treatment - Humanity's Decline
40 Ma Sha Ru - Null Azimuth
41 Virtus - Link
42 Σ - 03:17
43 Exael - XxBroodDemuexX (siren)
44 Iannis Xenakis - Mycenae Alpha
45 Luke Lund - Excerpt of a Feedback System

2022.02.17 — Feature Mix — روت Root Radio

PREORDER : wheretonow.bandcamp.com/album/heart-music

Artist : Post Moves
Title : Heart Music
Cat : WTN68
Format : Reverse Board Double LP / Digital
Release Date : 08.04.2022

Written & Recorded by Sam Wenc
Mastered by Lawrence English at Negative Space

Sam Wenc is a composer and multi-instrumentalist working with sound, text, and objects. He utilises guitar, pedal steel guitar, vibraphone, electronics, field recordings, and found objects to compose both structured and formless pieces that attempt to blur concepts of what constitutes “folk music”. He has released music on labels such as Noumenal Loom, Obsolete Staircases, Moon Villain, and his own label, Lobby Art. Below are Wenc’s own thoughts on his work and approach, which frankly do a far better job of capturing the essence of his spiritual, minimal, and transcendent pieces than we could…

“‘Heart Music’ was recorded over the course of 2019 and 2020. The initial intention was not necessarily to produce an album, but rather to explore composing from a percussive perspective and trying to avert relying heavily on the pedal steel guitar and guitar as primary modes of composing. The pedal steel guitar lends itself to such a soft sound palette so even in pieces that are highly structured (Always for Pleasure, Going Right to the Praying Mantis), I wanted to avoid the propensity to let the composition amble along, and rather create a brisk, biting percussive component. This can particularly be heard on "Del Mero Corazon", which pulses along with the droning bowing of the banjo and marimacho before drums kick in and later on the vibraphone.

Thematically, much of the music (to me) takes on a somewhat ceremonial feeling and explores the trajectory of exploring intrapersonal contradictions and what it means to navigate a disharmonious public sphere. Films was also a major inspiration for songs and their titles: Wiilka & Phaxsi (named for the characters in the film Wiñaypacha), Always for Pleasure (named for the Les Blanks film) was an attempt at writing something akin to a processional march, "Going Right to the Praying Mantis" & "That's the Boss, Not Some Human!" was a quote of Milford Graves pulled from the film "Full Mantis". On that note, the title of the album, "Heart Music", is in recognition of Milford's exploration of the internal data, knowledge, and ultimately music that is present within our bodies. More so than on previous albums, I felt myself letting rhythm, intuition, and improvisation guide the work, often resulting in longer form pieces that allows myself (and hopefully the listener) to listen deeply, observing moments of tension and harmony tangled, dependent, and resolved by one another.

One other noticeable addition is the introduction of poetry into "Madness is a Fully Instrumented Score" and "Evidence" (both spoken by Anna Jeters of the band Ancient Pools). This was touched on in my last album on the track "David's Death", but by bringing in the voice to create both parallel and perpendicular narratives, it creates another line to follow and bring the listener into a deeper state of listening. I like playing with blurred narratives, homespun ideas of conventional thoughts that are ever changing in a climate where fixed ways of relating to sound and composition can become something new and mangled in its own right.”

If you dig the following then this is most certainly one for you… Susan Alcorn, Alice Coltrane, Phil Cohran, Bobby Hutcherson, Henry Flynt, Jon Gibson, Mind Over Mirrors, Natural Information Society, Johnny Coley, Oren Ambarchi, Tortoise, Yasuaki Shimizu, Califone.

Post Moves 'Going Right To The Praying Mantis'

inter-spatia (2020/22)
Catherine Lamb

performed on March 18th, 2022 at Nykirken, Bergen, Borealis Festival

Microtub (Robin Hayward, Martin Taxt, and Peder Simonsen), Rage Thormbones (Mattie Barbier and Weston Olencki), with MO Abbott and Henrik Nørstebø

tuba trio + trombone quartet

recorded by Weston Olencki

inter-spatia (with Microtub and Rage Thormbones)

DS163 - Will Guthrie & Jean-Luc Guionnet - '1.11.21 - Part 2'

Track taken from Point Source Electronic Arts 3rd Showcase Compilation.

Cienne

two found objects from Petrohradská neighbourhood turned into instruments
rusty rotoped + broken guitar fading into our way of My Way by Frank Sinatra

Qow and Mor Wen ─ 21~07~2022 {live at Petrohradská}

part 2 - improvised live set on guitar /w effects. 

recorded live at Chmury, Warsaw

many many thanks to everyone involved. it really means a lot!

Kuba Grzybowski | live: Pleasure Service | Chmury

OUT January 2021 - All info. https://sagealyte.bandcamp.com



Support us on Bandcamp:

Sage Alyte.

Roxane Metayer - violin / effects
David Jarrin Zabala - banjo / percussions / synth

Recorded and mastered by Christophe Albertijn @ Les Ateliers Claus.

[vlek32] - Sage Alyte - Paume de pierre - SNIPPETS

2022.08.13: London, New River Studios
2022.08.11: Todmorden, Golden Lion
2022.08.06: Liverpool, Quarry
2022.08.05: Bristol, Strange Brew
2022.08.04: London, Iklectik
2021.12.17: Helsinki, Kuudes Linja
2020.10.24: Helsinki, Kalasataman Vapaakaupunki
2̶0̶2̶0̶.̶0̶4̶.̶0̶4̶:̶ ̶H̶e̶l̶s̶i̶n̶k̶i̶,̶ ̶V̶a̶p̶a̶a̶n̶ ̶T̶a̶i̶t̶e̶e̶n̶ ̶T̶i̶l̶a̶ ̶(̶S̶/̶N̶ ̶M̶e̶a̶s̶u̶r̶e̶s̶)̶
2020.02.08: Helsinki, Vapaan Taiteen Tila
2020.01.25: Helsinki, Oranssi (S/N Measures)
2020.01.23: Helsinki, Mascot Bar (Catatonic Dread)
2019.12.06: Helsinki, 100Lotus_Festival
2019.09.28: London, Temporary Autonomous Art
2019.09.21: Bradford, FUSE Art Space
2019.09.19: Lancaster, The Golden Lion
2019.09.15: London, Rye Wax
2019.09.14: Amsterdam, Vondelbunker
2019.09.13: Kassel, Sandershaus
2019.09.12: Berlin, Griessmühle
2019.06.08: Turku, B-galleria
2019.05.29: Tampere, Nightclub Mixei
2019.05.03: Helsinki, Third Space
2019.04.26: Helsinki, Asbestos Art Space
2019.03.09: Helsinki, Kalasataman Vapaakaupunki
2018.10.03: Helsinki, Oranssi

Self-taught producer, art director and label head. Though for the past 14 years his repertoire has drawn references anywhere from club culture's obscure fringes and caustic industrial clatter to musique concrète discretion and knuckle-dragging rock — it all feeds into his sense of sonic intensities and improvisational, organic production values. Lund's work is fixated on close examination of timbre and texture, at sword's point with passive listening. More recently he has shifted into employing contextual methods of capturing and processing sound, twisting into bewildering new forms.

2022.02.17 — Feature Mix — روت Root Radio

Luke Lund

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