Name: Sequential Circuits TOM Demo by Luke Matthew Sutton
Duration: 58 s
Description: Just a quick little demo of a few drum patterns on the Sequential Circuits TOM.

<b>The first release since 1996 from the Photek alias Studio Pressure….</b>

Don't just listen through your laptop speakers....

Available to pre-order now at: http://photek.fm/store
Limited Edition artwork poster also available.

Artist: Studio Pressure
A. Presha XIII
B. Borneo
Label: Photek Productions
CAT: PPRO20
Format: Ltd Edition 12” Vinyl + Digi Download
Release: October 2013

https://www.facebook.com/PhotekMusic
https://twitter.com/photek
http://www.youtube.com/photekproductions

Studio Pressure : Presha XIII (Clip)

<b>The first release since 1996 from the Photek alias Studio Pressure….</b>

Don't just listen through your laptop speakers....

Available to pre-order now at: photek.fm/store
Limited Edition artwork poster also available.

Artist: Studio Pressure
A. Presha XIII
B. Borneo
Label: Photek Productions
CAT: PPRO20
Format: Ltd Edition 12” Vinyl + Digi Download
Release: Vinyl October 7th 2013 - Digital October 28th

www.facebook.com/PhotekMusic
twitter.com/photek
www.youtube.com/photekproductions

Studio Pressure : Borneo (Clip)

Portals

Somewhere Bright

Full album → bit.ly/46fW2tB
Artist: QphoriQ
Title: Wonch like Woo
Remix by The Exaltics
Format: Vinyl, 12" / Digital
Artwork: Reszkovy / Valco
Rel date: End of July.
Catalogue: DREA021
Tracklist:
A side >>
A1.Bangladesh 8080
A2.Wonch Like Woo
A3.I don't see shit

B side >>
B1.East Transit
B2.155 Reasons
B3.I don't see shit (The Exaltics Remix)

Vinyl orders include two Diffuse Reality stickers and digital downloads of the full release.

www.diffusereality.net
linktr.ee/diffusereality

Qphoriq - I Don't See Shit (The Exaltics Remix) [Diffuse Reality]

Machinedrum x HOLLY - Blueshift

Freak Me Now

Freak Me Now (Horse Meat Disco Remix) [feat. Róisín Murphy]

Everything Merged Vol 2
(release Dec 2)

‘Everything Merged’ is 3024’s second series of compilations featuring artists from the 3024 Mentoring Program. At the beginning of the pandemic, label owner Martyn started forming a lively online community of artists, providing them with ideas and inspiration. This community grew larger and larger, and musicians started to connect both online and offline, across continents and genres. It resulted in the “It Was Always There” series of compilations in 2021, as well as countless independent releases, radio appearances and gigs, putting a host of artists on the map.

Working on the program made Martyn and partner Jeroen Erosie reconsider the purpose of running a record label in 2022. ‘Are we still interested in putting out records via the usual channels?’ Or should a label become more of an umbrella for various activities by a larger community, both online and IRL, with digital and physical products, in other words merge everything into one.

“Everything Merged vol. 2” features both artists debuting their first tracks on a label as well as mainstays of core local scenes like London, NYC, SF and Berlin. From the percussive mastery of Sister Zo, Arcane Prospect and Manchester's DR MYSTERY to the sly techno mutations of Kudeki, Clay Wilson and Pino Peña, this collection highlights the wide variety of sounds and influences inhibiting the current electronic scene. Especially check out the post-pando exuberance of uuklyph, Henry Kerins and Padua and the bass mutations of Dutch duo TMSV & Case, Kenji Ko, Ragdy and Rex the Bard! 

credits
released December 2, 2022

Everything Merged vol 2

Rex the Bard - Brumal's Rite (3024-MEN5)

Preorder 'Maintain The Golden Ratio': https://Cybotron.lnk.to/MaintainTheGoldenRatio

Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of "Meta". 
 
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan Atkins and Rik Davis were able to re-engineer Cybotron  &ndash;  a combination of the words "Cyborg" and "Cyclotron" (an atomic particle accelerator) &ndash; to be used as a home studio performance music that would change the course of independently produced and distributed electronic music.
 
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron's future forward funkadelic sound "techno" in reference to Alvin Toffler's concept of unlikely "techno rebels" against technocracy. Techno is music that sounds like technology, and its purpose was to help society survive our collision with a universally felt "future shock" by inserting an audio virus into the cultural matrix. 
 
Techno's blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into new sound technologies and create new 'sonic' spatialities where listeners can transport themselves out of the physical world into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized mid-stride, dissolving physical and virtual reality into sonic fiction.
 
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500 formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno music is self-aware.
Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision out of sync with our current rave new world. 

Cybotron's return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan Atkins' initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12" &ndash; uploaded directly into the alleys of your mind.

-	The Rhythmanalyst

BANDCAMP

Cybotron - Maintain

Just a bit of fun :)
respect to everyone x x

K N O P F L E R E F F E K T

Industrial-junglist massive! @slavetosociety00

‘Ghosts Of My Life’ encapsulates Fisher's critique of our modern capitalist society. The heavy beats mirror the relentless grind of capitalism, while the haunting melodies reflect the loss of authentic experiences.

From Slave To Society's Is There No Alternative EP on Scuderia Records. @scuderiarecords

Pre-order: https://scuderia.bandcamp.com/album/is-there-no-alternative

instagram.com/slavetosociety00
instagram.com/scuderia_records

Out 6 October 2023 on digital.

www.loose-lips.co.uk

Is There No Alternative EP

Ghosts Of My Life

Order

PREMIERE: Slave To Society - Ghosts Of My Life [Scuderia Records]

Just a quick little demo of a few drum patterns on the Sequential Circuits TOM.

Sequential Circuits TOM Demo

…> *$*^___----->^*%____----->
___-----> ////

Sequential Circuits TOM Demo

Luke Matthew Sutton

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