Hey would live to know what effects your using on the guitar or is it post sonething? Thanks love your sound 👌✨💗✨ love the driving forward and warpdness :) sunset vibes 

If you can love some kids more than others I pick this one but don't tell my other kids

 7 months on from TP#4, Demdike return with the 5th instalment in their ongoing research and development series - a double-headed monster split between gnarly reductions on the A-side, and industrial strength edits on the flip. ‘Procrastination’ edges through Grimey detritus and gunshot snares within a vast open space perfectly primed for that Demdike slow build. ‘Past Majesty’ on the flip offers up a feral take on some kind of cyber-industrial insanity, somewhere between Ministry and Powell - with a denouement which should probably come with a public health warning attached to it. All we’re saying is - watch yr eardrums.

Past Majesty

THE VON GODARD EXPERIENCEMENT - V.A.REINCE 2013 - 02 THERIAS (REVERBALIZATION EDIT)

This track appears on LIES011.5

http://www.discogs.com/Torn-Hawk-Tarifa/release/3674468

A Piece of the Storm

7" due early 2016.

More info:
http://acolourfulstorm.com/releases/denial-california-dreaming-the-weatherman

Purchase:
bit.ly/1QZLfnI

Denial - California Dreaming

Brannten Schnüre  - Die Milchlinse. Taken from the album "Muschelsammlung" released on Enfant Terrible / Vrystaete  (Vrystaete06 / 2017).

More information and sound previews here: http://www.enfant-terrible.nl/releases/brannten-schnure-muschelsammlung/

Brannten Schnüre - Die Milchlinse

Encantada

Premiered by @resident-advisor 
https://www.residentadvisor.net/tracks/893826

"I made this track from samples of a piano board I recorded in EMS Stockholm with LAIR while we were working on our project. And some microphone hiss for the beats. I have been making purely percussive tracks recently for my upcoming album, so for this track I wanted to have an emotive melodic element as well. The title refers to the difficulty it seems as a human to live as you truly want, as opposed to how you think you should." - @eomac

Eomac - Don't Fear Your Own Heart

Taken from the Assimilation LP
Available here - wheretonow.bandcamp.com/album/assimilation

London based artist Ben Vince is best known for his minimal & transcendent saxophone soundscapes. With ‘Assimilation’ we find Ben treading new ground with his recorded output, moving away from the limitations of solo Saxophone, instead embracing collaboration and communication to forge new paths. Whilst Vince’s Sax work still undeniably holds ‘Assimilation’ together, the new territories explored by working with an artistically diverse range of collaborators allows new life and influence to flow through Ben’s work. The album features collaborations with Micachu (Mica Levi), Rupert Clervaux, Merlin Nova, Valentina Magaletti, and Cam Deas. Ben Vince has also recently collaborated on a 12” with Joy O (forthcoming on Hessle Audio).

Ben explains 'Assimilation' as being a “demotion from creator to vector, being bounced off by different forces, whilst also allowing the wilder elements of my playing to flourish, which I could previously only get to as band member in other endeavours I’m involved in - Housewives (Rocket Recordings) or Data Quack (with Charles Hayward).“

‘Assimilation’ dives right in with Vince assuming downtown skronk, perfectly complementing the commanding no-wave theatrical vocal prowess of Merlin Nova. ‘Alive & Ready’ serves as an avant-garde energy blast, launching us into orbit.

Ben’s next spatial movement glides towards ‘What I can see’, a collaboration with Mica Levi, here donning her Micachu moniker to deliver her signature downcast experimental pop dexterity across Vince’s beautifully treated sax scape. The results are a moving, considered, crafted piece which undeniably nods towards Arthur Russell’s ‘World of Echo’, encompassing that same timeless, ethereal beauty.

Mica and Ben’s moment of longing melancholy is short lived, as we’re shuffled along to ‘Sensory Crossing’, a collaboration with Rupert Clervaux in which he evidences his groundings in Jazz percussion, experimental electronics, and deep interest in ethnomusicology - further exploring and expanding on the basin navigated during his collaborative album with Beatrice Dillon ‘Studies I-XVII for Samplers and Percussion’ to create a blanket of bubbling, wired, frenzied yet fluid motorik groove. Vince’s improvisation here remains restrained throughout, conversing with Rupert’s movements rather than attempting to shadow or overshadow them, an idea which perhaps is cemented in his exclamation that “Collaboration, and also the wider idea of 'communicating' in general, is, for me, assimilating the other, becoming the other, at least temporarily, to forge a point of connection. When we are able to let down our barriers, let ourselves affect and be affected, we can truly communicate.”

‘Tower of Cells’, another percussion led collaboration features drummer Valentina Magaletti (Editions Mego), and sonic explorer Cam Deas (Death of Rave). Magaletti’s immersive, hypnotic, & deep styling holds firm Deas’ synth transmissions & Vince’s wandering, brooding, layered sax drone across 10 minutes of truly refreshing alien Jazz – Think the Necks mixed by Scientist on this one.

‘Assimilation’ rolls us out in fine style with Vince riding solo. Fluttering tonal Sax lines build and build before become interspersed with layers of fourth world styled exotic flurries. Held together by a single perpetual hypnotic bass thud ‘Assimilation’ brings to mind the similarly exotic experimental works of Muslimgauze & Jon Hassell. This final track essentially serves as a space for some reflection, joyously winding down a journey which manages to truly make the ethereal and the intense run alongside each other in perfect harmony.

Tracklist:
1. Alive & Ready (feat. Merlin Nova) 
2. What I Can See (feat. Micachu)
3. Sensory Crossing (feat. Rupert Clervaux) 
4. Tower Of Cells (feat. Valentina Magaletti & Cam Deas) 
5. Assimilation

Ben Vince 'Assimilation'

Bendik Giske - Up

Taken from the upcoming album Both Lines Will Be Blue, out July 12th on Smalltown Supersound. Produced by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

Observable Future

From "Ses Kondi" cassette album.
Released on ORILA records, summer 2019.
https://soundcloud.com/orila
orilarecords.bandcamp.com/album/ses-kondi

Ses Kondi

Lord

Listen to the latest Torn Hawk statement here: https://lnk.to/VV050. 
I make music as TORN HAWK, LUKE WYATT, SLADAZJ, INFINITI, etc, and release statements by myself and other artists on the label Valcrond Video.  http://www.valcrondvideo.com/
Live inquiries: LukeJWyatt@gmail.com

A Piece of the Storm

Torn Hawk

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