Brainfeeder

All props to GLK, I had nothing to do with this instrumental. This was just a track I wrote to, to help me cope with the loss of my best friend. RIP Joe

Gaslamp Killer - Dead Vets (Invaded by "V")

Crux Remix

https://connaharaway.bandcamp.com/album/shifted

Three sanguine slices of dub techno from Glasgow-based wunder Conna Haraway. And featuring XENIA REAPER providing vibes and synths on the lush long elevation "Redirect" that sits on the record’s A side.

Shifted follows on from Spatial Fix; Conna’s first solo 12” in March ’25 that released on Theory Therapy. Where that EP was a dense and rich web of texture and atmosphere across the two long sides, this one focuses in on forms of propulsion and a patient, silvery endlessness.

A side track "Redirect" was cut from a longer Sunday night session with XENIA REAPER. Two laptops Ableton linked, chilling in the flat in Glasgow. The amazing synth line is all XENIA, everything else is Conna; looping the synth & bass for about an hour and bringing other elements in and out. The final tune is gorgeous, floating in the blissful ether before the sub and pulse kicks through. Eleven and a half minutes of enveloping pressure, refreshment and delight.

"Detach" and "Duration" both turn to a rediscovered love for 4x4 techno and an experiment in a more classic and subtle sound from the perspective of a producer who might be expected to take bigger emotive and experimental swings that follow the patterns of contemporary ambient and bass. The result is beautiful and delicate vectors of music, satisfyingly easy to slide into a set. Swung techno filled with detail and poise. Tunes that can scale and transform and sit in a sort of home listening club track zone. After hours nrg.
credits
releases September 12, 2025

Mastered by Miles.

Art by The Designers Republic.

Conna Haraway - Redirect ft. XENIA REAPER (Short 3)

Bringing indigenous club, percussive and bass-driven genres to the forefront of his sets, representing the sonic wairua of marginalised communities from Aotearoa and abroad. Never limited by genre or tempo, Lakeboon’s (@lakeboon) releases with Teeth Clippers, Glitz Club and Ōtautahi's own, Big Fresh Collective, showcase a variety of electronic influences. He’s the core founder of Insession; a platform for emerging talent in Pōneke - championing diverse and inclusive dancefloor spaces, much like his performances, holding manaakitanga for all to enjoy.

Ｔг𝓐ｃ𝔨𝓛ι𝐬ţ :
Captain Tama’s Crew - E Papa (Live Kuki version)
wear pounamu - tangaroa
nic - jade
Objekt - Ganzfeld (Ulla "Girl at Müller" Remix)
MA & Mauri Aura - Mur 1 (underwater scene) [unreleased]
Lakeboon & Zeb - Saudade [unreleased]
She's Drunk & Nobel - The Thunder
Fourtet - Parallel Jalebi
Cousin - ~U.x.U~
Ebb - Locus
Leftfield - Afro Left (Hodge & Peverelist Mix)
Calibre - Feeling Normal
ijji & wear pounamu - [unreleased]
WAIWHAI & wear pounamu - [unreleased]
Clay - Reticulat
WAIWHAI - VIZIONZ ft. Brandon Shiraz [unreleased]
Andre 3000 - Vibrate
500 - 21 Insecurities
Tracey - When I choose to be here with you
Night Tapes - easy time to be alive
Connan Mockasin - It's Your Body 4 


RA MIX 061: Lakeboon - Oro Mauri

James Massiah meets Lord Tusk - Might Be The One

Beefcake discourse with no less than Torn Hawk (@lukewyatt), known to some as Luke Wyatt, known after this podcast was conducted as an absolute flippin weapon, yeah?

T Hawk entered the temporary Crown Heights CFHQ in a crisp Zegna suit, eyes full of wonder, a briefcase full of dreams, and a mouth full of words that were said to us with zeal and conviction. What emerges is a feverish dialogue, a display of vim and vigour, and an enduring symbol of the sheer potential that male-on-male engagement holds.
Within: Life in the early-00s DC freak scene, being on towel-lock with his nemesis for a month at bootcamp, orifice-threatened self-defence scenarios, early 20th century sartorial codes, working construction, hiring people on deviant art to mimic biblically-accurate cherubims, Fellini’s Satyricon, Michael Mann’s Heat, white dreams, being smarter than your AI assistant, going to bars where everyone dresses like Mad Men, supporting his ex-gf mother’s swing dancing career, cutting yourself, album artwork that’s better than the album, bees, pig skin, John “Jack” Callahan.

Full ep: https://www.patreon.com/c/CloutFarm
Preview also streaming everywhere there is streaming.

full ep

Episode 43: "DR ALBINO" feat. Torn Hawk *PREVIEW — FULL EPISODE ON PATREON*

Rest Here

from my upcoming album XO Salt Llif3 available for preorder on the 3XL bandcamp out August 29th. 

preorder XO Salt Llif3

Ur Ghost Is My Shadow feat. Kissen

Jelly

Sozzy

Levels feat. Brother May (Fergus Jones Remix)

Chord

Veto

In anticipation of the release of his debut full-length album Breakthrough, the Gaslamp Killer offers a taste of the ominous urgency that infiltrates his sound with “Flange Face / Seven Years of Bad Luck for Fun.”

“Flange Face (with Miguel Atwood-Ferguson)” rattles into being from a scratchy dissonance and soon descends into a distorted, doom-filled drama. Twisted with tension and hemmed in by a smack of solemn strings, the track operates on a frequency of pure horror. “Flange Face (Low End Theory Edit)” takes it to the club, a bass-heavy gut puncher stripped down to the beats.

With loose drums and a rash of razor-covered synths, “Seven Years of Bad Luck for Fun (with Dimlite)” unsettles into a bath of cold shudders. Inky shadows lurk just beneath the surface, dark reflections of the monsters that are strung between the beats.

Suggestively sinister, the Gaslamp Killer’s latest release is a glimpse of the artist’s contorted sonic landscape, a frightening world of chattering evil and chills that bite into the spine.

Veto

Lukid

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