十載的暖-大平十週年堂慶                              曲、詞 陸尉俊
我主 原是你差遣心意
成了 明日這家新愛圈
我主 原是你親身旨意
傳頌 全十載的暖

差遣如像昨天 振奮未退之
延續十架犧牲的心志
春風如沐在真理裡 受了施
傳播將愛贈予

當初悉心照料培植 擔當主僕育新
盼望在將來 羽翼滿飛揚 愛再延續遍開

主恩常在我心 有你作我燈
回望滿佈一雙雙足印
歌音繞在眾心 遍遠十里燈
是你將眾聚韻

淺土開闢世內桃段  艱深恩繼引牽
在未久將來 幼葉變果園 愛再延續遍開

天色時日變遷  永遠沒法知
唯獨有你的愛永不變
大地尋覓愛的永遠  在這邊
神在等你未倦

燈芯燃亮也需有你在獻心
傳載著那真理照亮人
拋開麈俗世內異見 為了將
承頌你永的 愛 愈 遠

歌曲簡介:
整首歌曲是想帶出大平當初建堂的心志，目標及旨意，感謝主在十年中的帶領，肯定主愛不變的真理，希望在未來堂友能夠繼續承傳主犧牲的愛去照亮他人。

而曲風是謙和帶起伏 並 有大合唱的風格，希望能夠適合整堂的合唱。


十載的暖(2014) - Luk Wai Chun

回首 - The Memory Of Father(2014)Luk Wai Chun

"Flash” 此曲是為本地音樂劇《我城》其中一幕而寫的樂曲，整幕以此曲貫穿，而當中是描述眾人被剛過世的男主角所舉行的社會攝影展受影響和感動。

"Flash" composed for a scene a local musical "My City". The scene is about people touched by the photo gallery of a dead of the lead male actor.

Flash (2013)-Luk Wai Chun

https://www.youtube.com/watch?v=7Ebx1a0qKBI

The inspiration for "Connection Dance" is based on the ritualistic worship of the Afro-Brazilian religion – Candomblé. The rituals are usually accompanied with music and dance until worshippers enter into a state of trance. The composer tries to use music to portray the interaction between spirit and humans, as well as the dancing. Furthermore, whole-tone and octatonic scale are employed to create a sense of restlessness.

In this piece, the composer intends to use the music to show the different dimensions of the "connection process". The first dimension is the Visual aspect – The Dancing and the second dimension is the Spiritual aspect – The communication between the human soul and the spirit. At the end of this piece, the composer dims the light as the performer literally sleeps to show how the human soul follow the spirit to another places.

Flute:Marco Leung Chun Yin
Piano:Enoch AuYeung
Veune:Lee Hysan Concert Hall

《與靈共舞》的創作靈感來源是來自一個非裔巴西人的宗教Candomblé 在崇拜以音樂舞蹈邀請靈上身的儀式。作曲者嘗試用音樂描繪儀式中人和靈的交通 和 跳舞的情況，並且運用全音階 和 八聲音階來描繪那不安定的感覺。

在這曲中，作曲家借音樂來展現「請靈上身」的不同層面。一個是視覺層面 ─ 跳舞 和另外一個是靈界層面 ─ 人的靈魂和該靈之間在靈界上的溝通。在樂曲結束的時候，作曲家希望將燈光調暗和請表演者扮漸漸昏睡來代表該靈把人的靈魂帶走。

Connection Dance 與靈共舞(2014) Luk Wai Chun

Pixies《精靈》(2014)
一群頑皮的精靈在森林裡會做什麼? 晚上又會做什麼? 希望大家可以幻想一下！
What will a bunch of naughty Pixies do in the forest? What activities they will do at night? Imagine it!

Composed by Luk Wai Chun
Piano: Ma Kar Wan
Flute: Chan Wing Man
Cello: Cheng Yan Ho
Veune:Lee Hysan Concert Hall

Pixies《精靈》(2014)- Luk Wai Chun

Schizophrenic patients lives could be filled with hallucinations, auditory hallucinations and delusions. Some hallucinations may appear themselves in different nature; even their thoughts may feel being manipulated, so that they live between reality and fantasy. You may think you are the lucky one, but are you sure that your world is real? If they have a religious world, then what is the significance of religion? Composer would like to use music to portray the "real world" of the schizophrenic patient. This piece uses two tritones in different ways throughout the whole piece and uses of dialogue between instruments to create a compact effect extensively. Also, a famous hymn tune -TERRA BEATA(This is my Father's World) is used in this piece.

Composer: Luk Wai Chun Vincent 
Player: Romer String Quartet
Veune: Lee Hysan Concert in CUHK

Reality - Schizophrenia(2015) - Luk Wai Chun

People like things harmony, clearly visible and predictable.

If the whole world people were wearing masks, you would not see everyone's face and their facial expressions. You cannot even predict the behavior of everyone's thought, because his or her normal expression patterns are covered.
Try to fantasy; you are wearing a mask and live in this world, what is your experience and feeling?

Composer uses first person to experience this world. In the final section of the piece, the composer would like to explore the inner world behind the mask. Using a metal coins to knock the wooden part inside metal hole in piano is to imitate the sound of knocking the mask.

Composer: Luk Wai Chun
Performer: 
Piano: Lee Seen Tung
Flute: Marco Leung
Clarinet Lai Tsoi Yin
Viola: Yung Pok Yin, Jacky
Cello: Cheng Yan Ho


Mask(2015) - Luk Wai Chun

《夢。醒》"Dream. Awakening" (2015)       陸尉俊 Luk Wai Chun

夢，每個人都有經歷過。不過大家對夢的感覺和感受是怎樣。你在夢中記得聽過什麼？你在夢中有沒有奇怪的事情？你在夢中有沒有殺過人？佛洛伊德認為夢一方面可以使令睡者內心得到渴望滿足，另一方面是睡者在夢中重新經歷生命的創痛來保護自己的一個求生機制。

在這首電子音樂作品中，本人嘗試探尋夢的世界，試圖將那虛幻奇怪的感覺以聲音模擬出來。作品的結構是「進入夢香－聽不清的說話－更深層的夢－不安和外擾－突然醒－淺睡」。

而作品中，人的叫聲是整段音樂的高潮，是希望模仿人發惡夢時就來夢醒的時候。

Everyone dreams. Nonetheless, the feelings and experiences that one has whilst dreaming is different. Do you remember what you hear in a dream? Have you ever had a strange experience in a dream? Have you ever killed anyone in a dream? The reputable psychologist Sigmund Freud believes that dreams can satisfy the sleepers’ desires, and can also be a survival mechanism for a sleeper when their traumas in life are re-experienced in a dream.

In this electronic music composition, the composer tries to explore the world of dreams and attempts to recreate the feeling of illusion and strangeness through sound. The structure of the work is "Entering into a dream – Inaudible speech – Deep dreaming – Restlessness and external disturbance – Sudden awakening – Light sleep."

In this work, the yelling of a man is the climax of the piece, it tries to imitate the moment when the nightmares appear --- awakening then occurs.



《夢。醒》"Dream. Awakening" (2015)       陸尉俊 Luk Wai Chun

This composition is inspired by the "Tai Hang Fire Dragon Dance" in Hong Kong on Mid-Autumn Festival. Last year, I went to Tai Hang to watch the fire dragon dance. Accompanied by the loud gongs and drums, I saw a very long dragon stunned with lighted incenses lifted by more than hundreds of people in the street parade and it made a marvelous scene. Therefore, I intend to depict the lively atmosphere in fire dragon dance through music and try to use music to show my imagination of the fire dragon.

In the instrumentation, I attempt to achieve a blending of the sounds produced by a combination of Chinese and Western instruments, while to allow for each instrument’s unique timbre to emerge.

Rhythm is the focus in this piece which can be shown in the frequent use of rhythmic dialogues and rapid changes of rhythm. Also, the musical element of luogu (Chinese percussion ensemble) is added to imitate the gongs and drums in Fire Dragon Dance. In the final section, I would like to use another perspective to experience the Fire Dragon Dance through a soft and peaceful pipa passage.

You can listen to another performance version played by Red Chamber in ISCM 2017
https://www.youtube.com/watch?v=iJy4RrJQ-v4

Composer: Luk Wai Chun
Violin: Kwok Chi Fung Samuel
Viola: Yung Pok Yin Jacky
Cello: Yip Ka Wai Wayne
Sheng: Kenneth Chan
Pipa: Pang Wing Man
Zhongruan: Lam Ka Siu Ryan

Fire Dragon Dance (2016) - Luk Wai Chun (CUHK Version)

“Yuanyang Xi Shui (Two Mandarin ducks playing in water)”, an ancient Chinese idiom originated from a kind of perching duck “Yuanyang”(Mandarin duck) that always appear in pairs, chasing as well as playing in the water, describes such habits of the pair of ducks and implies the romantic love of a couple. As “Yuanyang” had always been used in ancient poetry to praise the enviable love of a couple, for example, the highly-delighted verse from "Chang-an Gu Yi" by a Tang poet Lu Zhaolin (637-689) “Were we mandarin ducks, being immortal we wouldn't extol"^, “Xi Shui Yuanyang” serves both as the title of this piece of music and a metaphor of a couple in an enviable love and harmony. Composer uses this music to show the intimacy relationship, the enviable love and some brickering moments of a couple(Yuanyang), thus hopes to bring out the idea that small quarrels between lovers can also be the sublimation of love catalyst like yuanyang playing in the water.

        In this piece, dialogues between instruments represent the interaction of the couple and stimulates the audience to imagine themselves listening to a radio drama. Furthermore, there is an improvisational section of the solo violin and solo cello which imitate the interaction between the couple from flirting to arguing using the vocal style of Cantonese Opera - Nianbai.

        In music, Composer added the feeling (happiness, lively) and musical elements (small glissando, decorated note and melody) of Guangdong music to create the happy atmosphere, thus musical elements of Cantonese Opera are also involved, e.g. Luogu (Chinese percussion part) and Nianbai (Stage speech). Also, there are several musical passages which imitates the sound of splashing water by Yuanyang flapping wings.

Composer: Luk Wai Chun
Peformer: Hong Kong Chordophonia

Video of this performance
https://www.youtube.com/watch?v=UwLVYZWL9Zg

Xi Shui Yuan Yang (2017) - Luk Wai Chun

Violin: Kwok Chi Fung Samuel
Viola: Ng Chun Wai
Cello: Tang Chor Yin Wesley
Piano  Leung Pak Hei Alvin


"Yangzhou massacre" is a ten-day slaughter which 800,000 people were killed in the 17th century in China. During the transition between Ming and Qing dynasty, the confrontation between Manchu against Han made this massacre happened and it became a brutal history of the Qing Dynasty.

I use this history as an idea of my composition, and use music to depict the scenes in this massacre, such as the scene of giving command, powerful army, and panic situations of people. 

This work utilizes the use of a Western instrumental ensemble, often playing elements from Chinese opera-in particular, nianbai (stage speech) and luogu (Chinese percussion ensemble). For the elements of nianbai, it is used to imitate the voice of giving command and the wailing of people. Also, the element of luogu (Chinese percussion ensemble in Chinese Opera) is used in the musical dialogue and parts to make the music more dramatic and increases the tension of music.

Yangzhou Massacre (2016) - Luk Wai Chun

Pipa is a Chinese traditional plucked string instrument. The musical style of pipa solo can be generally categorized as wen (文, civil - lyrical, slow and expressive) or wu (武, martial –rhythmic, fast). Pipa solo pieces usually express serious topics such as love, scene of nature, battle, etc
.
In an attempt to extend the playing capabilities of pipa, improvisational passages, swing rhythms, and chord progressions are combined with the  traditional pipa music idioms in this piece.

Composer: Luk Wai Chun Vincent
Performer: Zhang Ying 張瑩
www.youtube.com/watch?v=QIoYuTCTETU

玥 — 張瑩琵琶獨奏《爵士琵琶》
「play吧！2」音樂會
日期：2018年7月2日（一）
時間：下午三時正
地點：上環文娛中心5樓演講廳

Jazz Pipa(2015) - Luk Wai Chun

Bian Lian (2018) Luk Wai Chun

The inspiration of this composition is from the stage performance of "Bian Lian"(change of masks). It is a part of the performance in Sichuan traditional opera. The actor will change masks rapidly on the stage to express the emotional changes of the character in the scene, and the masks represent different feelings of the character in the opera. It brings audiences to experience the emotional changes of the character in an expressive way and create tension in the scene.

Composer: Luk Wai Chun Vincent
Conductor: Moon Young HA
Violin: Maria Im
Cello: Maria Hadge
Flute: Kelley Barnett
Clarinet: Eric Umble
Piano: Yumi Suehiro
Percussion: Jeff Stern

Bian Lian (2018) - LUK Wai Chun

《搖滾琵琶 — FIGHT！》Rock Pipa — FIGHT!

Composer: 陸尉俊 Luk Wai Chun
Performer: 林灒桐 Mavis Lam Tsan Tong
Instrumentation: 琵琶獨奏 Pipa solo

香港藝術發展局「Arts Go Digital 藝術數碼平台計劃」
HKADC Arts Go Digital Platform Scheme

【創樂背後：現代音樂展演交流平台】
Decoding Creativity: Interactive Platform for Contemporary Music Appreciation

香港作曲家聯會
Hong Kong Composer's Guild

https://www.youtube.com/watch?v=YNVr3pFRNhE

Rock Pipa – FIGHT! (2020) - Luk Wai Chun

Luk Wai Chun 陸尉俊

Luk Wai Chun(Vincent) is currently a doctoral candidate in composition at The Chinese University of Hong Kong (CUHK), focusing on the fusion of an eclectic of stylistic elements in world music. He loves exploring different kinds of musical style. The recent works of Vincent are influenced by Chinese regional folk music, Chinese opera, ethnic music, Japanese Gagaku music, and jazz music. Vincent collaborated with different music groups, artists and organizations from Hong Kong, USA and Canada, for example, Hong Kong Wind Karameta, Hong Kong Chordophonia, Windpipe Chinese Music Ensemble, Romer string Quartet, Contrast Trio, Zhang Ying, Art Museum of The Chinese University of Hong Kong, Exploration theatre, Zhuxi Wang (USA), Ensemble Mise-en (USA) and Red Chamber (Canada).
 
Luk was awarded of the "Composers and Authors Society of Hong Kong Scholarship" twice. His composition "Jazz Pipa" got the silver award on Pipa Solo Piece in the 1st Dunhuang Cup National Pipa Competition - Composition Review which was organized by the Professional Pipa Committee in China Nationalities Orchestra Society (CNOS). Also, his Chinese and Western instrumental chamber work "Fire Dragon Dance" was performed in the ISCM World New Music Days 2017 in Vancouver, Canada in November. "Dance of Yi in Honghe" which featured the musical element in Yunnan got the David Gwilt Composition Prize and Audience Prize in 2018. Lately, his piece "Bian Lian" for Pierrot ensemble and Chinese percussion was named an Honorable Mention in Left Coast Chamber Ensemble's 2019 Composition Contest. His compositions was also featured in HK Contemporary Music Festival and Intercultural Music Conference and Concerts(USA).

Luk Wai Chun (Vincent)

Popular tracks