i love getting lost when i look into your eyes

If/Then

Father_Long_Before_Creation 🌹🎻🎶 Padre Tu nos Escogiste antes de la creación 🌹🎻🎶

My granddad’s wooden cars and twine 
but the patio cracked all those times 
and those cars rolled heavy down the bloodline 

My grandma hung it on the line 
but the clothes were dry so I resigned 
and they don't dry unless you dry my eyes 

Close your eyes / you’re not alone 
you’re not alone as long as someone’s home 
cross my heart and hope to die 
your eyes are in the yard so they can dry 

Ol black walnut and power lines are mixed in 
but I’m on the boughs of blue skies 
they yell from the ground that I might die 

Ol Sumter are you in decline? 
yet still you stand / as unmanned 
as your light curls slowly cross the coastline 
and I am found 

Close your eyes / you’re not alone 
you’re not alone as long as someone’s home 
cross my heart and hope to die 
your eyes are in the yard so they can dry 

I’m not where I’m supposed to be 
I’m not where I’m supposed to be 
I am my own colony with my best foot in front of me 

I’m not where I’m supposed to be 
I’m not where I’m supposed to be 
close your eyes in Adelaide, Adelaide, Adelaide

Clothesline - Single

she got me goin....

LYRICS :

she got me goin psycho
she got me goin down down down
got me livin on a tightrope
she got me goin down down down
she got me goin psycho
she got me goin down down down
got me livin on a tightrope
she got me goin down down down

i dont know you like
i want to so i
i might call you tonight
if i do pick up
i got some gin in me
100 bands on me
im feelin myself yea
i might say too much

she got me goin psycho
she got me goin down down down
got me livin on a tightrope
she got me goin down down down
she got me goin psycho
she got me goin down down down
got me livin on a tightrope
she got me goin down down down

i dont know you but i know that youre special
fuck a verse fuck a hook ill use the whole intstrumental
just to reiterate the committment i have to exploring
like would you ride it like a horse like my last name is lauren
im more than interested
baby im infatuated 
you been held back
ill get you to graduation
help you with your cash
steer you clear of tax evasion
death grips on your ass
i call that assassination 
im gettin carried away
lets get married today
fuck
here i go again like whitesnake back in the day
im crazy and youre crazy too but i love that shit
youre bad and youre broken too but i love that shit
just be open to the possibility of me and you
thats all i ask ive had the hoes i got the cash now i want you
just be open to the possibility of me and you
thats all i ask ive had the hoes i got the cash

she got me goin psycho
she got me goin down down down
got me livin on a tightrope
she got me goin down down down
she got me goin psycho
she got me goin down down down
got me livin on a tightrope
she got me goin down down down

Psycho (Pt. 2)

ITUNES

Psycho (Pt. 2) (Prod. Russ)

Juneau is the debut album from Utah-based band Michael Barrow & the Tourists, and is the first release on alexrainbirdRecords.

iTunes: http://hyperurl.co/MichaelBarrowAndTT
Spotify: https://open.spotify.com/album/3kQ6Dn09jLraFhU8DKYp73

Find Michael Barrow & the Tourists on
Facebook: https://www.facebook.com/michaelbarrowmusic/
Instagram: https://www.instagram.com/michaelbarrowmusic/
Website: http://michaelbarrowandthetourists.com

Michael Barrow & the Tourists - The Reason

MOON TO MY SUN 
by Olivia Frances

Ooh darlin’, mhhm, 
I think I love you mhhmm
I’m not sure what you’re made of
But I must be made of it too 
Ooh I’ve only known you for a little while
But all the signs are aligning

So let’s keep stickin’ together 
Could turn into forever
Time will pass anyway 

You’re the MOON TO MY SUN
The cool, fresh air for my lungs
You’re the water, I’m the waves 
My summer nights, my snowy days 
You’re the MOON TO MY SUN

Ooh darling, mhhm
I could just hold you, mhhm
With your honey skin touchin’ mine
And sweet cosmic kisses too 
Ooh I’m feeling something bigger now 
And you said you know what I mean

So let’s keep sticking together 
Could turn into forever
Time will pass anyway

Chorus

I’ll always remember that night we first met 
Thank god our paths crossed when they did

Chorus

Moon To My Sun

Moon to My Sun

www.plasimusic.com

Lyrics:

I think it is the time of year when promises are kept
The daylight almost disappears, but I have barely slept
I wish that I could be around, but you're so hard to reach
Close to one means way too far from each

I think it is the time of year when feelings would be shared
For me that's more the time of fear, I realize that I'm scared
I wish I could control my veins, my heart's so hard to teach
Close to one means way too far from each
Close to one means way too far from each

I know it is the time of year when light comes from the ground
But even if I'm always there, I'm also not around
I wish I've had a single time, when one's enough to preach
Close to one means way too far from each
Close to one means way too far from each
Close to one means way too far from each
Close to one means way too far from each

Too Far

► Spotify

I have always gravitated toward records that were grand and a bit overly ambitious. With "Swallow the Sea" I didn't want to go the route of the low-fi indie record. The title represents what I was going for. I also have to stay true to my roots. I'm a product of the 80's and my musical taste was shaped largely by bands like The Pixies, REM, U2, Echo and the Bunnymen and other underground bands of that time. It was the era of epic art-rock and smart pop. I ate it up. This record certainly nods to my influences without apology."

Ambition is evident in Matthew Perryman Jones' third record, but first proper release. From the sense of hope that swells from the darkness of the opening track to the epic reinterpretation of the spiritual, “Motherless Child” to the closing track’s two minute mantra, “Where can you go? Can you Swallow the Sea?”, this record is the sound of Jones simultaneously putting his neck on the line and shedding musical inhibitions, and finding his voice in doing so.

Regarding "Swallow the Sea" Jones confesses, "It seems I can’t get away from dealing with darker elements. The only way I can approach them, in my life and in my writing, is to approach them from a hopeful perspective. I think that’s apparent on this record. Otherwise, I think the inclination is to not want to address those things…not wanting to go there if you can’t see a way out.”

Jones was born near Philadelphia and relocated to Atlanta at the age of 11. As a teenager he fell in love with the bands of the nearby Athens, Georgia music scene, including R.E.M., and the likes of Guadalcanal Diary and Mary My Hope. He began writing songs in high school, where he also formed his first band, and was 15 when they recorded their first five-song demo (produced by Indigo Girls producer Don McCollister.) 

By the mid-90s, he was fronting an Atlanta folk-rock band with steady gigs at the legendary Eddie’s Attic. As his own songwriting began to bloom and solo shows at Eddie’s followed, friends encouraged the burgeoning artist to pursue his music full-time. Before long, Jones had packed his things and was headed for Nashville. After relocating, Jones soon found a pocket of independent artists who quickly became his musical community. Touring and writing with these contemporaries has contributed to Jones' growth as an artist. In collaborating with local talents, he eventually became acquainted with producer Neilson Hubbard with whom he soon began working.

Swallow the Sea is Jones’ second consecutive album with Hubbard (Garrison Starr, Glen Phillips, Matthew Ryan). “With this record there was a bit of a struggle in that (musically) subtlety seems to be en vogue these days and I wanted to make a bigger record because those are the records I’ve always been into.” As he did on 2006’s Throwing Punches in the Dark, the disc finds Jones writing in a stream-of-consciousness manner, coming up with song ideas in a spur-of-the-moment fashion. “It’s kind of like getting in your car and driving around and seeing what you can find.”

“Save You” (co-written with Hubbard) was the first track on the record to garner attention via multiple television placements (Kyle XY, Private Practice) and resulted in an internet groundswell, as well as being the impetus for this new album. Jones’ strength as a writer is further showcased on this record from the aggressive pop of “Without a Clue” to the breezy “Amelia” and the quirky “When it Falls Apart”.

Only You (Bonus Track)

Mree - You Are (Feat. Jared Foldy)

“If it takes a little myth and ritual to get us through a night that seems endless, who among us cannot sympathize and understand”

Screensaver Prelude

Oh, the Myths We Need

dodie - if i'm being honest(chloe moriondo cover)

lyrics:

Let me make some changes
I feel like I did it again
I feel so ghosted/Running away
everything changes/Flimsy skin

Let me make some changes
Find a reason for me to stay
My soul seems to run away/Flimsy skin
I feel so ghosted/I just want to run away
Everything changes.


Cover art by: https://www.instagram.com/mais.habib/

Changes

A small collection of sleepy lofi beats for the colder months and longer nights <3

SPOTIFY: https://open.spotify.com/album/5f9sHe...

APPLE MUSIC: https://itunes.apple.com/az/album/fal...

Bandcamp: https://w00ds.bandcamp.com/album/fall-ep

YouTube: https://www.youtube.com/watch?v=SmOixUuOT2c

download

sleepless

Lyrics:
If only I could just convey
What has kept me for some time
But oh my thoughts have run away 
To a place that I can't find

If only I could change myself
And I didn't need the help
Of love to open me

But there's a reason it's so hard
To do all this apart
From how it's supposed to be

Yeah I need You

Do You trust the words I say?
Do You see me for my faults?
Well I've been hoping for a place
Where I could be the man I saw

If only I could change myself
And I didn't need the help
Of love to open me

Yeah there's a reason it's so hard
To do all this apart
From how it's supposed to be

I need You

I Need You

Taken from the Album Salt catch Michael Baker on tour
March 19th The Brunswick Brighton
http://bit.ly/39wJpfG
March 29th The Duke Whitstable
free admission
March 30th The Finsbury London 
http://bit.ly/3awkRUf
April 5th The Loft (Above The Kings) Portsmouth

BIOGRAPHY, by NME’s Andrew Trendell
“I lived in my van for two and a half years to pay for the making of my first record,” casually laughs singer-songwriter Michael Baker. “I moved into the van after a typical period of heartache. I had nowhere to go, but it was pretty good actually!” 

From this, you can gather a lot about the Anglo-French troubadour. Mainly, he takes nothing for granted and lives for his music.  

Spending his childhood near Brighton (where he went to the same school as Rag N’ Bone Man), Michael got his first guitar aged eight after seeing Oasis live and needing to learn ‘Wonderwall’. In his teens, the songs soon started to flow. It wasn’t long before the purity of his voice, the direct rawness of his writing and the sheer scope of his sound found him regular gigs and a devoted fanbase – one that only grew bigger and more in love with the release of his magnificent debut album Dust & Bone. 

A soaring collection of heart-wrenching indie-folk and cinematic sounds, Dust & Bone was recorded with Massive Attack collaborator Dan Brown, and was a staggering first showcase of Baker’s ambition and soulful style. “I’m really proud of the songwriting on that record,” he admits. “I was in such a bad place in my life when I made it, but it got such a great response from the people who heard it.”

Early sessions for Salt started when Baker hit the studio with Dan Brown and Oliver Baldwin, who had recently finished making Aldous Harding’s acclaimed album Party with PJ Harvey collaborator John Parish. While promising Michael says ‘’It felt like I needed more time to experiment than we had scheduled in.” So Baker headed back to record and produce the album with long-time friend Ed Martin. 

After discovering that his childhood home would be empty for a few weeks while his parents were in the process of moving away. He went in and stripped everything away, begged and borrowed all the equipment he needed, crammed the band in, drank a lot of wine, got a little stoned and naturally just flowed through the album – playing all day and all night. The recordings were so impressive, that Baldwin agreed to mix the record at Real World Studios and gave the songs a whole new dimension (as well as inviting Jack White’s pedal steel player Maggie Björklund to play on the album too). 
“I absolutely love artists like Cat Stevens and Bon Iver,” says Baker. Salt is a record that maps Baker’s journey through darkness and vulnerability to something a lot more hopeful. 
Among the key tracks that show Baker’s road to recovery, ‘Baby Books’ was inspired by being in close proximity to someone taking their own life – and totally changing the way he saw the world. Single ‘They Look Just Like They Know’ also deals with how “the mind can be a deadly place” and “feeling trapped in the prison of your own vision”. He’s looking for the sunrise on the horizon, too. Baker’s personal favourite ‘Claire’ celebrates the “the beauty of space in a relationship” and the escapist ecstasy of ‘One Good Damn’ has won over scores of new fans with its feel-good magnetism. 

Salt is a towering accomplishment that will win hearts with its adept handling of love, loss and hope, and there’s more to come. For now though, you’re about to get to know the real Michael Baker. “I feel like I have too much of a personal relationship with anyone who says they like my music,” concludes Baker. “I’ve been getting letters and messages from people saying that my songs have got them through a very hard time, and I don’t know how to reply to them other than as if I’d known them my whole life. That’s the way that I would do it. I hope that my music gives them as much as it’s given me.”

Past the Evening

Listen to Arbour Season's new single 'Arcadian', released February 21, 2020

❤️ Support Arbour Season
╎ https://www.arbourseason.com
╎ https://www.facebook.com/arbourseason
╎ https://www.instagram.com/arbourseason

🎧 'Arcadian', released 21-02-2020
╎ Buy here: [pipe:74]
╎ Listen on Spotify: https://spoti.fi/3cuWdoH

❤️ Follow Indie Folk Central
╎ https://youtube.com/indiefolkcentral
╎ https://facebook.com/indiefolkcentral
╎ https://instagram.com/indiefolkcentral
╎ https://soundcloud.com/indiefolkcentral
╎ https://spoti.fi/2UwktAT

⭐ Become a Supporter!
Read our story on Patreon. We need your help to be able to continue sharing the best new indie folk. The future of our YouTube, Spotify and SoundCloud channel depends on it!
╎ https://www.patreon.com/indiefolkcentral

🎧 Enjoy more of our music
╎YouTube: http://youtube.com/indiefolkcentral
╎Spotify: https://indiefolkcentral.com/spotify

✏️ Feel free to contact me: 
╎Mail: rufus@indiefolkcentral.com
╎Song Submissions: www.submithub.com/blog/indiefolkcentral

📝 Lyrics:

I saw you today when I wasn’t looking
There was a sway in the trees about that told
Told me you were near
And I heard your voice when I wasn’t listening
There was a sweet noise I’d never heard before
Singing in the breeze

Oh the pain, oh the needless pain we bear
Oh this world so full with all its cares
But you make me innocent again

And I thought I found you but you found me
Oh I thought I found you but you found me

Well I tasted sweetness when I was thirsty
The warm summer rain on my window pain is life
Falling from the sky
And I felt your hand when I couldn’t feel a thing
It was the touch of my baby boy
He loves me and doesn’t yet know why

Oh the pain, oh the needless pain we bear
Oh this world so full with all its cares
But you make me innocent again

And I thought I found you but you found me
Oh I thought I found you but you found me

Even the darkness cannot hide your face
And in the shadows I’ll rest in your grace
Oh even the darkness cannot hide your face
And in the shadows I’ll rest in your grace

Oh the pain, oh the needless pain we bear
Oh this world so full with all its cares
But you make me innocent again

And I thought I found you but you found me
Oh I thought I found you but you found me
Oh I thought I found you but you found me Lord,
I thought I found you but you found me

Mree - You Are (Feat. Jared Foldy)

Io

Recent comments

👰🏻

Luhan Fahira

👰🏻

Mariah Elizabeth

Related tracks