Name: Sahara by Lulu Ilanda
Duration: 6 min 41 s
Description: What Blue Mountains based experimental rock band Feast of Fools and all rounder legend and bass player Aiden Abbey had to say on Lulu Ilanda's dreamy folk songs

A ping pong mixed mix by the French experimental duo Jean Marie Mercimek from Marseille to Brest and back, with some of their unreleased stuff;

Jean - Marie Mercimek [Je Ne Veux Plus Voir Le Ciel] [06.10.2021]

Guest mix from Con Pani

@conpani

Full show and tracklist: https://www.pbsfm.org.au/program/the-blend/2021-12-13/22-00-00

The Blend 13.12.21 w Con Pani

all his decisions

noroomforerror

Hop on board the rave caboose for this steam-infused mix. Unlock your chakras by loading in this disc full of trance, breakbeat and old-school goa. Battery acid, electric shields and radioactive bugs have taken hold of the power station, where only the fittest survive. Computerized voices lead you deeper and deeper, but you must battle this downward spiral once more. The twisted system is neverending. You run for your life, breathing harder and harder, wishing to finally be free.

Turbo mode unleashed.

Let's go.

D-GRADE & WINGNUT PRESENT WINGS OF D'SIRE - CC MIX 021

Some mix ideas heading into the Honey Trap Sound System firstdraft gallery gig with Ile.Ilu, Queen Bee, St.Bedlam & Sofia Gonzalez.

A few tracks that didn't make the live session in here, as well as cuts from St.Bedlam and some big dancefloor hitters.

A Bandit & A Bedlam

For number one hundred & thirty nine comes the lovely Eora/ Sydney based  @tangeladj. The bubbly & hardworking Talia is highly active in the local scene, hosting radio show citrus on @fbiradiosydney, co-founder of multifunctional event space/ collective @dstreet_eora & club < monthly on @nomadradiofm, and playing regularly across the east coast. 

Talia has a beautiful range of styles & impressive technical ability, here showcasing spectacular blends of wiggly, charming oddities, idm, and trance gems in a pulsating & reptilian journey.

Thanks for the mix Talia! <3

Animix One Hundred & Thirty Nine: Tangela

First piece from 'Deer Heart' released 14/10/2016 through @hobbledehoyrecords
For press please contact Ken or Ali at Hermana PR
tel: +44 (0) 208 6538455 e: ken@hermana.co.uk / office@hermana.co.uk

Violin: Una Sveinbjarnardóttir
Viola: Þórunn Ósk Marinósdóttir
Cello: Júlía Mogensen 
Bass: Borgar Magnason
Clarinet/Bass Clarinet: Jóel Pálsson
Percussion: Frank Aarnink
Ondes Martenot on 'Orison': Jacob Abela

All other instruments, field recordings and body sounds: Tilman Robinson

Composed and produced by Tilman Robinson
Additional production by Paul Evans

Recorded by Paul Evans at Greenhouse Studios, Reykjavík
Additional recording by Tilman Robinson in Melbourne, Berlin, Reykjavík and Banff
Piano on "Her Heart Was Warm (until it stopped beating)" recorded by Zach Miley at the Banff Centre
Assistants at Greenhouse Studios: Sam Slater and Jan Leitner

Mixed by Valgeir Sigurðsson & Paul Evans at Greenhouse Studios, Reykjavík
Mastered by Lawrence English at 158, Brisbane

Photography by WILK

Deer Heart

Buy DL/CD/LP

Where We Began

aYia - Ruins

aYia head out on tour this spring with Icelandic legends GUS GUS.

25.04. La Cigale, Paris, France
29.04. Essigfabrik, Cologne, Germany
02.05. Astra, Berlin, Germany
03.05. Uebel & Gefährlich, Hamburg, Germany
04.05. UT Connewitz, Leipzig, Germany
21.05. B17, Poznan, Poland
22.05. B90, Gdank, Poland
24.05. Progresja, Warsaw, Poland
25.05. Studio, Krakow, Poland
26.05. A2 Wroclaw, Poland


"Quite simply, they all know what the fuck they’re doing on stage. Ásta Fanney’s stage presence is otherworldly without being off-putting, their sounds are fresh without being confusing, and unlike many one-single-new-electronic bands, they actually had a full, diverse set of songs to perform. They range from slow, pulsing soundscapes to properly dance-able synthpop, but always with a fresh twist. Basically, what I’m saying is that aYia is not just another new Icelandic electronic band, they’re THE new Icelandic electronic band."   - Grayson Del Faro, The Reykjavík Grapevine



"Although I already had incredibly high expectations, the three-part outfit somehow managed to meet and exceed them. Further contemplating their performance, I come to realise that they manage the nigh insurmountable task of making electronic music truly pop when performed live."  - Gabríel Benjamin, The Line of Best Fit



"..their debut single, “Water Plant”, today’s featured song, immediately blew us away. Moody yet kinetic, the electronically produced melody dips and rises majestically, as the vocals soar into the ether. Listening to “Water Plant” is truly an out-of-body experience difficult to describe.."  - Jim Beckmann, KEXP

aYia - Sparkle

What Blue Mountains based experimental rock band Feast of Fools and all rounder legend and bass player Aiden Abbey had to say on Lulu Ilanda's dreamy folk songs

Sahara

CLATHRATE GUN taken from Tilman Robinson album CULTURECIDE on @Bedroom-Community.

Vinyl/Video etc here: http://fanlink.to/culturecide

The clathrate gun hypothesis describes scenarios in which climate change induced thawing of permafrost releases methane deposits into the atmosphere at unimaginable quantity and speed. While the threat is still a topic of scientific debate, the potential burden on the atmosphere and the effects on climate change would be catastrophic.

The melodic content of Clathrate Gun was developed from a musical cryptogram created from the Paris Accord. Climate change is real. Australia burns. We stand on the precipice of global catastrophe.

Composed for prepared Disklavier, various synthesisers, coins and electronic instruments built from recordings of medical equipment.

Composed, produced, arranged, recorded and performed by Tilman Robinson with Matthias Schack-Arnott (percussion).

Synthesisers recorded at MESS (Melbourne Electronic Sound Studio)

Mixed by Daniel Rejmer and Tilman Robinson
Mastered by Lawrence English at Negative Space

Sahara

Lulu Ilanda

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