XLR8R+ Submissions: November

This song is made with a different concept. IDM and soundscape works are really in the details of sounds that appear and disappear quickly, like glitches do. The basis of this song is to be found in Techno, EDM and many other sub-genres of EDM, such as Dubstep, especially in terms of the type of sounds.

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Produced by @Quizzik
Mastered by Moustache Mastering
Artwork by Quizzik

6 Plusten Records
Release date sep 30th 2021

Quizzik - Dodging Bullets 101 (Original mix)

Marigold

Blutch unveils a new track from his forthcoming debut album ‘Terre Promise’ (January 2022) with ‘Poplar’, one of the most eclectic track from the album.

After breakbeat and UKG explorations on ‘Cobalan’ and ‘River’, Blutch unveils a new colours palette on ‘Poplar’: an introduction sounding like a tribute to Boards of Canada’s ‘Dayvan Cowboy’ or ‘Baba O’Riley’ by The Who, mixed with one of the cultures that has animated him the most since his teen years, hip-hop. At the crossroads of styles, Blutch signs a new libertarian and borderless piece, fundamentally contemporary.

‘Poplar’ refers to the street where he grew up. As a nod to the youth, a piece thought to give strength and energy through its great piano’s chords, sublimated by Fabien Lahaye and recorded at Brest’s Conservatory in France.

Airy and melancholic, smooth and organic, a meticulous production with great alchemy between plenty of influences, from hip hop to electronic or pop.

Two remixes of ‘Poplar’ will be released in November by two well respected French producers: Correspondant label head Jennifer Cardini and Maud Geffray, member of Scratch Massive.

Terre Promise

PREMIERE : Blutch - Poplar

World Of Thirds

Instate

First moments out there. My eyelids squeeze to let in just the minimum amount of light. While walking towards the shade I get curious about new surroundings. The sounds that reach my ears are mellow and pulsating. I assume this might be a friendly habitat. Upon reaching the shade I sit down and relax. Feeling the warm air full of smells I've never encountered before going in and out of my nose with each breath, I begin to calmly observe. The colors start to dance around me and together with intensifying sounds form a rapidly moving vortex. Without hesitation I enter it and am lifted high at the top within milliseconds. Riding the vortex across this magical new world feels surprisingly right. I belong here.

https://www.youtube.com/watch?v=ziBRJB71TBE

Release

follow - https://ullip-percussion-artist.bandcamp.com/track/vom-dunkel-ins-licht
follow - https://youtu.be/E-rkxZLv7u4


Single : Vom Dunkel ins Licht
This Tune is the result of collaboration with a  good friend in my musical universe.

The first part is recorded, produced and mixed in my Studio in Andalusia/ Spain  at "Bergtonstudio"

The second part is recorded produced and mixed in Dortmund Germany by S. Hendricks:

the Final track produce by Stephan Hendricks in Dortmund

Mastering  by Ullip

Music  by Ullip and Hendricks ©

EAN  : 4061707546792
ISRC : DEAR42112046
Release 05.03.2021
Gema reposted ©

Stephan_Hendricks is a German musician, music producer, singer, composer and lyricist. Born in Dortmund, he first became known to a wide audience as the frontman of the band "Jelly Planet" before he started as a solo artist. He has released several albums with companies such as Sony Music, Virgin Records and so on. Together with his former band he wrote and composed a title for the Hollywood blockbuster "Igby Goes Down".

"The melody of rhythm" - "Percussion drives emotions": this is a musical arc of tension that goes far beyond the boundaries of the usual. The percussionist Ullip is on the one hand inspired by diverse influences such as world music and jazz, classical and experimental, but always seeks and finds his own way to express moods in tempos and feelings in the specific sound of the percussion instruments

Vom Dunkel ins Licht

Even in this time in wich it seems that being visible to the world is the most, there is also what is best developed in anonimity, wich remains gray for the target of the virtual eye, indiscernible to ear trained to judge.
There are some substances that taste better when they are discovered little by little and without the need for overconsumption, a portion of them is enough to reveal the value of their meaning.
There in the sea of primeval reality, in the vein of numbers and statistics, there are lives invisible to the big eye, lives that are only known through conventional way, treasures reserved for those who understand the imperceptible, for those who observe through empathy.
Become visible to the eyes for which we have become invisible.
Become visible.

Become visible Live

Scene-Setting

Katsaridaphobia

Morg@n
https://linktr.ee/Morgan299579

Don't Give Up
https://distrokid.com/hyperfollow/morgn2/dont-give-up?utm_source=SendGrid&utm_medium=Email+&utm_campaign=website

Don't Give Up



A new collaboration between Tommy Haks from Chile and Maick-I from the Netherlands.
They've joined forces again to produce this stunner. 
It's a combination of tech, future Rave and a bit of trance.



Space Time -Tommy haks & Maick-I

Human for Human - Anna Maria Dogonadze

LYRICS

Like a bullet in the shoulder, laid there bleeding out.
Like a waif when you look in the mirror, staring out.
Like your ankle in a bear trap, oh you're screaming out.
Like another deal to wrangle, hopes are fading out. 

Oh this is no surprise to me.
You wake me from my reverie. 

Oh you wake up in the back seat, oh you're fading out.
There's a rope around your wrists, and you lay there fading out. 
Can't remember how you got there, oh your fading out.
Oh it takes a while to figure out, you're fading out. 

Oh this is no surprise to me.
You wake me from my reverie.


Rêverie [with The Fall of Saigon]

GUNSHOT

Slow Motion

Accelerating music & culture for twenty-five years.

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Release

Lun Moonatik

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