una sesión real! la perfección solo es personal. 

OECUS Podcast #248 with FLORIAN MEINDL

Florian Meindl is a multi-talented and multi-faceted artist, who is renowned for his technical prowess. Producing for over fourteen years, Florian has become known for his deep, grooving powerful techno. His productions are characterised by his love of analogue, which represents his true signature sound.

Touch FLORIAN MEINDL: @florian-meindl
Touch OECUS: www.oecusmusic.com
Artwork: Ava Krohn
www.instagram.com/ava.krohn/

OECUS Podcast 248 // FLORIAN MEINDL

My buddy ROD_A from Saarbrücken joins my radioshow The Grasshopper Warbler with an exceptional session.

I still remember my first appearance at the mighty Unsichtbar Club in 2010 when he appeared as a guest.
Now, 11 years later, i truly admire his skills and taste! 
He has become a resident at the mighty Mauerpfeiffer club and hosts his own event series called "Adapter Events".

The Grasshopper Warbler is distributed by syndicast.co.uk.

www.soundcloud.com/rodarodaroda
www.soundcloud.com/adapterevents

www.heron-music.com
www.facebook.com/thegrasshopperwarbler

www.heron-music.com

iTunes

Heron presents: The Grasshopper Warbler 094 w/ ROD_A

This is my 2 hours recording from the first "Lust" event which took place at Kantine Augsburg with SNTS (Sacred Court), David Strasser (Lust), Incarnation (Lust, Teufelswerk) Closure (Untreated, WIR), Algerics (Fefe), Cumtothedarkside (Sweat).

My opening set of the event was on the main room before David Strasser and SNTS.
Opening the night is always something special for me, it was a pure pleasure for me to send you through a journey of a variety of moods i´ve been digging around.

This mix includes the incredible work of artists i admire.

30drop, Anthony Tring, Arthur Robert, Asagaoaudio, Assumption, Bas Mooy, Conceptual, Chris Liebing, Conrad Van Orton, Deano, Deluka, Diego Amura, Falling Echoes, Grindvik, Hekum, James Ruskin, Jerm, Kaiser, Kander, Kwartz, Leiras, Lewis Fautzi, LSD, Michel Lauriola, Noneoftheabove, Norbak, Oscar Mulero, Pfirter, Ribe, Roll Dann, Scalameriya, Sev Dah, Stranger, Sven Väth, Stanislav Tolkachev, Steve Rachmad, Tensal, The Unborn Child, Troy, VSK, Wrong Assessment, Yanamaste

This one is for everyone who missed to come around or for those who want to relive the moment again.
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Follow Lust for further events in future: https://www.facebook.com/lusttechno

XRISTOS. @ Lust pres. SNTS | Kantine, Augsburg | 19.11.2021

twitch.tv/LUNAatTECHNOdotEARTH
facebook.com/luna.techno
∞ < • ø ≠🌖 🌗 🌘 🌑 🌒 🌓 🌔≠ ø • > ∞
and the voice says:
Corona sucks, stay home and dance your socks off!

20211211 - Luna@Kreiselfunk – "Headlight Direction/Record Selection"(Mauerpfeiffer/SB - 11.12.2021)

My next guest on Yax Invites is Varik Grey, an artist from Magdeburg, Germany.

Varik Grey, formerly known as VoidFox, started playing techno music back in 2015 and became a resident of Geheimclub in 2018. Since then he is known for his hypnotic but yet always groovy techno sets which set the listeners in trance each time anew. With his new alias Varik Grey he took his sound a step further and explores wider fields of techno, always maintaining a perpetual flow.

https://soundcloud.com/varikgrey

Yax Invites #047 - Varik Grey

An extract from my residency playing at RSO in Berlin for Ellen Allien's infamous night We Are Not Alone!

RSO, Berlin - Opening We Are Not Alone - 14-15.05.22

@oliverdeutschmann : Consumed Music Podcast #64

Berlin's Oliver Deutschmann has gained a reputation over the last 15 years through his pure passion, diverse track selection and an unambiguous mixing ability. Years before he released his first EPs he had already set himself on a path that would see him DJ all over the world, eventually leading to his adopted home of Berghain where he has lit up both rooms of the club dozens of times since first playing there almost ten years ago. Deutschmann displays a distinct unwillingness to be pigeonholed in any one style, and is right at home whether he's warming things up with an understated house groove or thrashing the big rooms with his grandiose brand of techno. 

While honing his abilities at the controls, he also began testing the waters of production and label ownership, and has since created four labels: Vidab, Falkplatz, Slim Audio and the vinyl only imprint GKNSTR. Releases on Soma, Aim, Caduceus, Etruria Beat, Mobilee, and his own imprints culminated in his 2013 debut album, 'Out of the Dark,' that Resident Advisor described to be "as potent as any techno album released in the last few years." As an impassioned DJ, producer, and label owner, Deutschmann has ensured that his position in the forefront was never a fleeting one, and with numerous EP's and a second album on the way, it looks like things will stay that way.

Consumed Music Podcast #64 : Oliver Deutschmann [Berlin, GERMANY]

UNKLAR - 003 G( ORIGINAL MIX V2)

Absence of Facts label head Orion returns to his home imprint, delivering a three-track statement with the 'Broken Horn' EP. 

Featured: https://klubikon.com/2025/10/13/premiere-orion-twisted-together 

'Broken Horn' EP will be available after October 15th https://absenceoffacts.bandcamp.com/album/orion-broken-horn 

KLUBIKON 
https://klubikon.com 
https://www.facebook.com/klubikon 
https://www.instagram.com/klubikon 
https://www.tiktok.com/@klubikon 
https://www.youtube.com/klubikon 
https://soundcloud.com/klubikon

Featured

PREMIERE: Orion - Twisted Together

A. Kat Race
B. Alarms Cyclone

Overview
Jeff Mills’ “The Bells” is one of the most iconic tracks in techno history, often called the genre’s anthem. Known for its hypnotic bell melody, driving kick, and euphoric build, it became a staple in DJ sets worldwide. The track was first played live by Mills in 1995 (e.g., at Liquid Room in Tokyo), but it wasn’t officially released until 1997 as part of the Kat Moda EP on his Purpose Maker label. This EP is the original record pressing you’re asking about—no standalone “The Bells” single exists from that era. It has since been repressed multiple times due to massive demand (over 500,000 copies sold across versions).


Original Pressing Details
* Release Year: 1997 (though the track dates to 1995 performances and test pressings)
* Format: 12” vinyl EP, 33 ⅓ RPM
* Label: Purpose Maker
* Catalog Number: PM-002
* Country: US
* Pressing Notes: First pressing on standard black vinyl. Matrix runouts indicate a repress or variant: A side - PM 002-A (RE I) NSC; B side - PM 002-B (RE I) NSC (etched, with NSC circled). The mastering has been criticized as “shit” by some collectors for its raw, unpolished sound—typical of ’90s techno but quieter than modern represses, often requiring gain boosts in DJ sets. Sold out quickly at shops like Cisco in Tokyo upon release.

Tracklist
Side	Track	Duration
A1	The Bells	4:46
A2	Kat Race	4:22
B1	Alarms (aka “Masterplan” in later compilations)	5:32
B2	Cyclone	4:48


* 	•	Production Credits: Written, produced, and edited by Jeff Mills. Published by Millsart/BMG-Ariola.
* Why Buried on an EP? Mills reportedly avoided hype-sticker promotion to let the track’s organic popularity (from crowd reactions) drive sales. Purpose Maker was for floor-focused material, contrasting his experimental Axis label.

How to Identify an Original Pressing
* Visual Cues: Gold-on-black label design. No “10th Anniversary” or remix mentions. Check for wear from heavy club play—originals often show it.
* Sound Cues: Raw, dynamic mix with prominent kick and bells; lower loudness (not -5 LUFS like some digital remasters). Test pressings exist but are rare and unnumbered.
* Value (as of Oct 2025): $20–$50 USD for VG+ condition on Discogs/Reverb; mint originals can hit $100+ due to collector demand. Recent sales: Median $30–$40.

Later Versions and Represses
The track exploded in popularity, leading to reissues. Key ones:
* 1999 Repress: Same EP format (PM-002), minor matrix tweaks. Often mistaken for original.
* 2006 (10th Anniversary): Standalone 12” on Purpose Maker (PM-020). Includes reworked B-sides (“Gift of the Hills,” “Circus”). Louder mastering; promo versions exist. ~$15–$30.
* 2006 DVD Edition: Axis (AXDV-002). Enhanced with visuals from 1997–98 footage; limited audio/video hybrid.
* 2019 Remaster: On Sight, Sound & Space compilation (Axis). Cleaner, higher fidelity; first vinyl appearance of orchestral “Blue Potential” version.
* 2025 Remaster: Digital-only (e.g., SoundCloud edits); no new vinyl confirmed.

If you’re hunting for an original, check Discogs for verified sellers—avoid fakes by matching matrix numbers. For audio, stream the 1997 version on Beatport or Spotify. Got a specific copy or need value check? Share details! 🔔

Recording 14-10-25, 11.34.55 am

Ben Reymann is a Berlin-based artist with a focus on creating a
balanced combination of a more original and modern club-orientated
sound. For the last six years, he has explored and experimented using
various styles of techno. Intuitive and unique, his productions have
been largely inspired by a Eurorack Modular Synthesiser.

Straight Sequences 003 - Ben Reymann

DJ weil es keiner verstand seine Lightshows musikalisch zu begleiten..

20211211 - Luna@Kreiselfunk – "Headlight Direction/Record Selection"(Mauerpfeiffer/SB - 11.12.2021)

LUNA (@techno.earth)

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