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Analog Africa Limited Dance Edition No.4 (AADE 04)
1st Long Play recorded and pressed in Angola in 1973
(strictly limited to 1000 copies - 180gr) 
Release Date 29 October 2013

It is with a great sense of privilege that Analog Africa presents this holy grail of Angolan popular urban music. Produced by FADIANG (Fabrica de Discos Angolana) this LP, known by music aficionados as “Rebita 74”, is the 1st LP to be recorded and pressed on Angolan soil. 

Released in 1973, this album is in fact a compilation of tracks by Urbano de Castro, Os Kiezos and Jovens do Prenda, the best selling artists at that particular time, who were asked to compose four songs each,  exclusively for this project. 

The result is a masterpiece - one of the best LP recorded in Angola.

Rumba Macieo - Jovens do Prenda (Taken from the 1st LP recorded and pressed in Angola - 1973)

HAKAWA

Boulpik performing Neg Dafrik
https://www.facebook.com/Boulpik.Official

To buy the single click here : http://smarturl.it/negdafrik?IQid=youtube
NEW VIDEO CLIP : https://www.youtube.com/watch?v=i8suLVf4wX8

Album  « Konpa Lakay » to be released on May 12th, 2014
(C) 2014 Lusafrica
(C) 2014 Lusafrica
-----------------------------------------
Boulpik formed in Port-au-Prince around 10 years ago. They are still perpetuating an almost lost tradition of street music. Their acoustic instruments bring a hand-crafted feel to their music - a "homemade" sound that is also the sound of their country: Konpa Lakay

Nèg dafrik

Boulpik - Nèg Dafrik

Very good track from The Afro Latin master! Enjoy!
Feel free to check ouyt our website for more great records! www.fazgroove.com

GNONNAS PEDRO - Abigbedoto (Afro Latin)

https://analogafrica.bandcamp.com/album/legend-of-funana-the-forbidden-music-of-the-cape-verde-islands

It is 1997. A quiet, unassuming man of 59 years old named Victor Tavares - better know as Bitori - walks into a recording studio for the first time. The result is a musical masterpiece - a recording which many consider to be the best Funaná album ever made.

Bitori´s musical adventure had begun long before this point. It was 1954 when he embarked on a journey across the seas to the island of Sao Tomé & Principe. The young man´s hope was to return to Cabo Verde with an accordion. 

Following two years of hard labour Bitori had succeeded in saving enough money to acquire what was to become his most valued possession, his cherished instrument. The two month journey back to Santiago, his island of birth, proved time enough to master it.

Self taught, Bitori developed his own style, an infectious blaze, that quickly caught the attention of the older generation. Before long Bitori was being asked to share his musical talents, igniting the local festivities around Praia with his music.

But not everybody welcomed the rural accordion-based sound. Perceived as a symbol of the struggle for Cape Verdean independence and frowned upon as music of uneducated peasants, Funaná was prohibited by the Portuguese colonial rulers. Performing it in public or in urban centres had serious consequences - often jail time and torture awaited musicians that were “caught in the act”. In light of such persecution the genre of Funaná began to slowly disappear.

In 1975 Cabo Verde achieved independence from Portuguese colonial rule. Along with Cabo Verde’s independence came a lifting of the ban placed on Funaná. The musical repercussions in Cabo Verde were plenty - many upcoming artists embraced Funaná, translating and adapting its musical form in new ways. It was not to be until the mid-1990’s, however, that Funaná in its traditional form was actually recorded.

It was a young singer from Tarafal, Chando Graciosa, who was to play a key role in this event. Upon hearing Bitori, Graciosa immediately felt drawn to Bitori's unique playing style - a raw and passionate sound accompanied by honest lyrics that reflected the harsh reality of the Cabo Verdean working class. He eagerly approached Bitori suggesting they join forces and travel overseas with the objective of taking Funaná beyond its rural roots.

The two of them, with others in tow, achieved their goal and travelled to Europe, introducing a receptive European audience to the vibrant energy of Funaná. Eventually Bitori returned to his beloved Cabo Verde. Graciosa opted to settle in Rotterdam in order to pursue his career - he vowed, however, to bring Bitori across to Holland at a later date to record an album.

In 1997 the time was ripe to immortalise the sound Bitori had shaped over a time span of four decades. Built around a formidable rhythm section, formed of drummer Grace Evora and bass player Danilo Tavares, "Bitori Nha Bibinha" was recorded. The recording catapulted Chando Graciosa to stardom, making him Cabo Verde´s No.1 interpreter of Funaná. The success in Cabo Verde was phenomenal and Funaná rapidly gained the recognition it deserved, especially in urban dance clubs. Bitori´s songs quickly became standards - classics known and loved throughout the country. The musical success, however, was solely limited to the Cabo Verdean islands - until now!

Analog Africa is proud to contribute to the worldwide promotion of Funaná - the once forbidden sound of the Cabo Verde archipelago - by releasing a worldwide re-issue of Bitori and Chando Graciosa´s legendary recording. 

The release will herald Bitori´s first European Tour taking place during the summer of 2016. Watch this space! And listen!

Legend of Funaná

Bitori - Bitori Nha Bibinha (Leave a comment for Victor Tavares aka "Bitori"....we will forward)

El 7elwa di

Bonga's brand new album "Hora Kota", a remedy for the blues.
Release date : February 13th, 2012

Hora Kota: The Time of the Elders.

This is Bonga’s thirtieth album - his fifth on the Lusafrica label - featuring eleven faultless new songs reporting on the state of his native Angola where he is again living after a very long absence. Bonga is a sincere man with broad shoulders. 

In this song we learn  that Bonga has founded the “Bean International”, focused on the legumes that unify the Portuguese-speaking world: the black beans used in Brazil’s feijoada; makunde, the source of Angolan flour; the white beans that fill Cape Verdean catchupa; Portuguese cured beans; and so on. Betinho Feijo performs on guitar, Juvenio Cabral bass and Malauia percussion, while Bonga sings and plays the dikanza, a very long reco-reco rubbed with a stick. Flavoured with accordion and guitar, the sound is joyous as a Midsummer festival, sad as the lament of a South American exile - and uncompromising too. 




Bonga - Boto Boto

Mulemba Xangóla by C.Y.S

Morabeza

Reggadera

Nos Paraiso

Super Mama Djombo  N'Tchintche

Reda Taliani ------- Josephine

Sofrimento

Bana - Cabinda a Cunene

LUSAFRICA - World Music Label
Cape Verde, Africa, South America, Caribbeans ...

LUSAFRICA was created in 1988. At first based on cape verdean music, the label meets its first success in 1991 with Cesaria Evora who becomes a major World Music icon on the planet. After her, a number of Cape verdean talents rise such as Teofilo Chantre, Bau, Fantcha, Tcheka, Lura. The company also enlarged its fields of action with other areas represented by artists like Sally Nyolo (Cameroon), Meiway (Ivory Coast), Zedess (Burkina Faso), Patick St Eloi (French West Indies)...

Boulpik - Nèg Dafrik

Lusafrica

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