OpenAI

saiko. - NO DIRECTION

holding this pit like a blunt
1. THE HELLP - SSX
2. HYPERPOP SLICK - IN LOVE WITH A CYNIC (ID - MAY demo from the sick mixtape 'TMTHY EAT NUT')
3. SOULWAX - IS IT ALWAYS BINARY (EDIT)
4. FLEETWOOD MAC - DREAMS (EDIT)
5. JUKO - WEEKEND PASS (peppercore 2017 'suck my balls' remix)
6. JUKO - TWIPSY (ORIGINAL DEMO - upscaled to ultra HD 4k)
7. GRAPE MILK - BABY
8. JUKO - THIS IS SERIOUS (prod. STINKY JAKE) still kinda goes maybe maybe
9. JUKO - CURE (aka 'SOMEBODY'S FAVORITE COLOR' segment)(ID FROM THE ALBUM ‘THE BEATLES’)
10. JUKO - WHEN THEY HOLLA (FROM THE ALBUM ‘PEPPER’)
11. JUKO - DECEIVE ME (from the New Album "IN REAL LIFE" by JUKO. Happy 2019!)
12. JUKO - OUT OF TIME (from the New EP "HAVEN" by JUKO. Happy 2012!)
13. GRAPE MILK & JUKO - PHIL I think
14. MAPE GRILK & OKUJ - OVERGLOW (ALOEVERIA REMIX)
15. JUKO - CURE (aka 'HOMESICK' segment) (ID FROM THE ALBUM ‘SPICY’)
16. JUKO - PALATE CLEANSER (2020 DEMO - ID FROM THE ALBUM ‘BANANA PEPPERS')

JUKO @ FESTIVAL 6 (DJ SET)

elemental

voxkai - handover

is this

bladee - dna rain
dream - mask (real)

drain dna nightcore

trndytrndy - minimal beat (lust flip)

squiggle morphology_20211205

sourced_20220305

A sonic exploration into a thunderstorm. Inspired by the numerous paintings of storms.

The Storm over the Sea (Demo)

Another track by Eat the Trees, this one focuses more on rhythm and complex arrangements with a nice level of melody overtop.

Dusk to Madness

A track about cats for  MuTaNT•BReaKS••••#14 Renoise competition

Mating Season-MuTaNT•BReaKS1-14

#djtroopers 
3 w/ @ddertbag
4 w/ @absoluteranks

scary clips (ft ddertbag, absoluteranks)

DRUGS

Pressure_Dubbed_Trapped_.mp3

Jako Maron, was born in St Denis, Reunion Island in 1968. He developed an interest in electronic music composition from the late 90’s and for the last 15 years began experimenting with the tertiary and binary beats of Maloya music via modular synthesis and drum machines. This album compiles for the first time his electro-Maloya experiments.

Traditional Maloya described the songs, music and dances of slaves of sugar plantations of Réunion Island in the 17th Century – Maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play Maloya songs. By the ‘50s, Maloya tracks were appearing on 78rpm releases and, in the ‘60s, it was used as a form of cultural protest music. In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language and may different styles of Maloya music emerged. Jako Maron explores the full spectrum of these styles through his electronic re-interpretations of his native lands music.

Jako Maron - 07 - An Lér Si Lo Bor

Jedwill - Garden (BOXKITTY X INTERSEKT BIG BAG BANGER REMIX)

I̷ ̸a̶m̷ ̶L̸u̶s̷t̸
̶I̶ ̶a̷m̴ ̵d̸e̶s̵i̵r̷e̴
̴F̶o̶r̸ ̵I̵ ̶w̷a̶n̵t̶
̸B̴u̶t̶ ̶n̷e̴v̵e̵r̵ ̵g̴i̴v̸e̷

trndytrndy - minimal beat (lust flip)

lust.

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