Name: MAMMAGAMMARRACUDA (LUXXURY EDIT) by XX EDITS in EDITS
Duration: 4 min 47 s
Description: https://xxedits.bandcamp.com/album/xx-edits-volume-three

Yes. Yes. Yeeeeeesssssss! Ohhh. So good. 

hello where can I buy this song? Bandcamp link is broken :(

assume the bandcamp link got a copyright warning or something? This edit is fire

An ongoing series.
Collect them all.

- Love,
LUXXURY

Artwork by https://www.facebook.com/daiana.feuer

Download

EDITS

Remixed as part of a Live DJ set.
Number 1 in an ongoing series.
Collect them all.

- Love,
LUXXURY

Artwork by www.facebook.com/daiana.feuer

VOGUE (LUXXURY LIVE EDIT)

oo Slow To Disco Edits 06: LUXXURY

Baby Please Don’t Go (Oooh No)

PREMIERE: LUXXURY - Baby Please Don’t Go (Oooh No) [Too Slow To Disco]

A remix of an iconic pop classic, the groove on this track is meant to channel moist summer air charged with thunder and lightning. It should have all your AOR disco early warning lights flashing red.

Heart Beat Drives U Mad (The Starkiller's Dreams in the Key of Thunder Remix)

Remixed as part of a Live DJ set.
Number 13 in an ongoing series. 
Collect them all. 

- Love, 
LUXXURY

BAD GIRLS (LUXXURY LIVE EDIT)

We've got a tasty exclusive for you today from Luxxury. His much lauded edit of 'Riders On The Storm' made some waves last year and then it vanished into a haze of legal ambiguity and only strong supporters of the track like Greg Wilson had it. Well we've got our hands on a live remix version from one of his 'Live Remix' shows to give you. His first every European Tour is coming up in September and I look forward to seeing this one in person. The first show of the tour is a show at Festival Number 6 where he's playing the Super Weird Happening Stage. 

Luxxury's version is one of the most interesting edits we've heard for a long time. Sultry as hell with vocoder vocals and a feeling that echoes in your head long after the track has finished. His additions are beautifully produced and this version brings to the fore background melodies from the original and puts them front and centre. Accomplished stuff

FREE DOWNLOAD

The Doors - Riders on the Storm (Luxxury Live Remix)

Now available through my Bandcamp subscription!

https://peza70.bandcamp.com/subscribe

An alternative version of Filmed Message...my edit using Numan's 'Films' and Melle Mel's 'The Message'....now benefiting from the magic touch of the legendary Greg Wilson...!

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Filmed Message - Peza (Greg Wilson Edit)

Stevie Wonder - Superstition (Todd Terje Edit)

HOW DOES IT FEEL? (LUXXURY EDIT)

Having been one of his biggest festival tunes in the summer of 2014, the Luxxury mix of Greg Wilson’s 'Summer Came My Way' - which originally surfaced on last year’s 'Schooled In The Classics' 12” - was put on the back burner throughout the winter in readiness for a full 2015 release. 

Given the fact it's become a firm seasonal favourite for Greg, we've decided to upload an ambient mix Luxxury put together back in 2015, which hasn't previously been heard before.

Sometimes composition is a long and arduous process, other times a song arrives fully formed. The latter was the case for Greg when he imagined 'Summer Came My Way' as a vehicle for hitherto unknown vocal forces of nature, The Reynolds - twins Katherine and the song’s lead singer Carmel - who, by beautiful serendipity happened to live within a mile of Greg’s Merseyside home.

Bursting out of LA with a lavish twelve-part re-edit series in 2014, Luxxury’s brand of hazy, slo-mo reworks - a West Coast Balaeric fusion - has catapulted him onto the world stage. Opening his mammoth eight- hour Berghain set in 2013 with Luxxury’s 'Hotel California' rework, Greg helped bring his Los Angeles vibes to wider attention, bolstered by his subsequent support of other reworks; 'Night Fever' and 'Riders On The Storm'.

A victim of his own success, 'Hotel California' gained Luxxury a little too much notoriety and, after a Wall Street Journal interview began circulating, Warner came down on him like a ton of bricks on finding out he’d used The Eagles’ multitracks. All was resolved however and his career has grown from strength to strength since then. The Luxxury approach perfectly fitted Greg’s vision of the song and the result is a glorious nine-minute epic, just in time for the summer. 

Two years on, this ambient mix captures the mood in dying days of summer, placing The Reynolds in a more mellow and ever so slightly melancholic context.

Check out our Super Weird sounds at: https://superweirdsubstance.bandcamp.com
Stay up to date with the latest at: http://www.superweirdsubstance.com

Greg Wilson Feat The Reynolds 'Summer Came My Way' (Luxxury Ambient Mix)

https://xxedits.bandcamp.com/album/xx-edits-volume-three

MAMMAGAMMARRACUDA (LUXXURY EDIT)

Here’s the second of the reworks I’ve recently put together with Henry Greenwood. This time it’s a brooding Balearic treasure from the late-‘70s, recorded by a group who experienced a fleeting moment of fame with this pop/rock treat and its addictive downtempo dance beat. It’s these qualities we’ve tried to enhance, making the track more contemporary for DJs to play out now, whilst retaining the distinctive essence of the original.

Before we set about the rework, I played it last year as my final track when I appeared at Glitterbox in Hi! Ibiza (I’m back this year for the closing party on Sept 28th). It was after hearing how well this worked as my Glitterbox finale (mix here: https://soundcloud.com/glitterboxibiza/greg-wilson-glitterbox-hi-ibiza-150917) that I approached Henry, who has a wonderful feel for downtempo grooves, to work on an update with me. Anyhow, I think it’s definitely mission accomplished, feedback since I’ve been playing it extremely positive.

Released on EMI’s progressive label, Harvest, in 1978, Marshall Hain’s ‘Dancing In The City’ was a huge UK hit, reaching #3 on the singles chart, as well as scoring big in Europe, Australia and South Africa, and just missing out on the US top 40. 

The duo behind the track, keyboardist Julian Marshall and vocalist/bassist Kit Hain had met as pupils at Dartington Hall School in Totnes, Devon, just a few years beforehand, but their success would be short-lived. A follow-up, ‘Coming Home’, was less memorable, just about scraping into the top 40 before, as with the band itself, completely vanishing from the pop realm, indifference to their album, ‘Free Ride’, the final nail in the coffin.

Marshall would become a member of The Flying Lizards, whose oddball post-punk/avant-garde cover of the R&B classic, ‘Money (That’s What I Want)’, released on Virgin, went top 5 in 1979, before forming Eye To Eye, who released 2 albums for Warner Bros. in the early-‘80s. Hain pursued a solo career, recording the albums ‘Spirits Walking Out’ for Deram (1981) and ‘School For Spies’ for Mercury (1983), before subsequently moving to the US and turning her attention to songwriting.

Available to pre-order on 12" here: https://www.juno.co.uk/products/gw-henry-disco-mondo/739367-01/

Pre-Order

Marshall Hain 'Dancing In The City' (greg wilson & henry greenwood rework)

***Drop me a line if you want to buy any of these ones!
(1 euro each or 20 euros for the whole playlist)

https://soundcloud.com/mrkrokett/sets/last-train-to-80-s-private

The Cure - Lullaby (Rayko Special Poison Re - Edit)

96k for preview.

My edit of the Eurythmics classic..!

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Stranger - Peza Re-touch - Subway EP

Ok ok, after some requests I put it on my Bandcamp for download ;) Enjoy!

Bandcamp

Falco - No Answer/Hallo Deutschland (Jack Tennis Edit)

LUXXURY (Kitsuné, Future Disco, Boogie Angst, Eskimo, Deep&Disco, Big Beat) makes dance music for adults. Raw, funky bass-lines plucked with grown-man finesse. A mastery of space disco native only to those who lived through the late '70s/early '80s. Dust in the glitter that vibrates in the space between string stabs, bongo slaps, and guitar jabs—while the steady pulse and astral effects feel beamed in from a more cybernetic future Los Angeles. That's where the nu-disco wizard born Blake Robin dwells when he isn't on the road opening for Giorgio Moroder or the Juan MacLean, leading his 4 piece band on late-night TV or remixing live at DJ sets in Mexico City, New York and London. In fact, you might've first felt his deft touch via the controversial  LUXXURY Edits—where he uses multi-tracks (stems) of classic hits to create dubby slow-disco versions—but his original music is no less arresting, with a sound that reflects not only a newfound earnestness of expression but a lifelong love for the craft of disco.

MAMMAGAMMARRACUDA (LUXXURY EDIT)

XX EDITS

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