2019–2021
Multimedia generative participatory installation. 
8 sound-monitors, digital interface, microcomputer with screen, digital sound. Five steel rods in ‘T’ shape. 2 trumpet-shaped horns, 2 amplifiers. Dimensions: variable. Duration: undetermined.

Prix Ars Electronica 2021. Honorary Mention. Category Digital Musics and Sound Art.

Binaural version. 
Duration: 3:00 minutes. 

(c) Luz María Sánchez

Vis.[un]necessary force_4

In progress. First iteration 2023. 
Multichannel sound. 
Exhibition at Elektroakustisk Trondheim. July 31, 2023. Planetarium at the Trondheim Science Center, Trondheim, Norway. 
Stereo sound sample.
Duration: 9:20 minutes.

the lure of Progress [I]

2006
Immersive, multi-channel sound, public space intervention.

Stereo sound sample. 
Duration: 1:00 minute.

(c) Luz María Sánchez

4.20.2004

Radio1

Untitled [4 Sounds], 00:40 seconds.

Vivir III, 1:30 minutes, stereophonic version.

Vivir II, 1:30 minutes, stereophonic version.

Vivir I, 1:30 minutes, stereophonic version.

BABY X, 00:15 seconds.

BABY IX, 00:15 seconds.

BABY VIII, 00:15 seconds.

BABY VII, 00:15 seconds.

BABY VI, 00:15 seconds.

BABY V, 00:15 seconds.

BABY IV, 00:15 seconds.

BABY III, 00:15 seconds.

BABY II, 00:15 seconds.

BABY I, 00:15 seconds.

2005–2012
Multi-channel sound installation.

Stereo sound sample. 
Duration: 8:38 minutes. 

(c) Luz María Sánchez

Untitled [Police Frequencies]

2487 speaks the names of two thousand four hundred eighty-seven persons who were found dead throughout the border region of Mexico and the United States. This eight-channel sound piece was the first of a series made at the border US-MX, specifically between the Texas and Tamaulipas states. Exploring this binational-arena allowed me to start focusing on the similarities on the problems that individuals experience in both sides of the border.

2487, stereophonic version.

2010 
Multi-channel Sound Installation.
48 speakers, 3 amplifiers, 3 CD players, urn, table, bench. Dimensions: variable. Duration: undetermined.

Stereo sound sample. 
Duration: 4:50 minutes. 

(c) Luz María Sánchez

Untitled [Cardinal's Message]

LYS HVITT · LYD HVIT // LIGHT WHITE · SOUND WHITE 2023

LH - LH Sample

VOX INANIS

Author: Luz Maria Sanchez
Year: 2010
Multichannel sound installation. 
Media: 48 speakers, 3 amplifiers, 3 CD players, bench, table, urn.
Dimensions vary
Duration undetermined
Installation view: Museo de la Ciudad, Guadalajara, Mexico. 

2017–2024
Interactive, participatory, multimedia installation.
100 portable white PLA digital speakers in the shape of a Caracal 9mm pistol, 100 Micro-SD cards, 100 mp3 sound files, texts, map, variable modular structure. Dimensions: variable. Duration: undetermined.

Stereo sound sample. 
Duration: 3:06 minutes.

Image: Installation view. Exhibition: In the Absence of the State (Artworks 2006–2024). 24 May–07 July, 2024. Curator: Ryszard W. Kluszczyński. Galeria Miejska Arsenał, Poznan, Poland. 

Photo: Jakub Krzyżanowski. 
(c) Luz María Sánchez

Vis.[un]necessary force_1.01

In progress – first iteration 2024.
Text-based, participatory, generative, immersive audio-visual 
First iteration at the solo exhibition lys hvitt · lyd hvit // light white · sound white February 09–March 31, 2024. Curator: Espen Gangvik. Trondheim Electronic Arts Centre (TEKS.studio). 

Stereo sound sample, 2024. 
Duration: 3:20 minutes.

(c) Luz María Sánchez

lys hvitt · lyd hvit // light white · sound white

Title: Nuweiba radio
Year: 2004
8-channel sound installation (Installation view: CCCB/Barcelona)

luzmariasanchez

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