[FEELYREARS] LWS - Palloon EP

My dark UKG remix of Aria Rostami's "Bolbol" out on Shaytoon.

Bolbol

Aria Rostami - Bolbol (Sepehr Dark UKG Mix)

Ascension is about moving our consciousness from one reality to another. Since reality is a dimension, what we are undertaking is essentially a full dimensional shift.

@cleamy
@dj-phiene
@toupaz
@lindenberg-support
@user_delusion
@jonny-megabyte
@jdotbalance

Huge thanks to the artists involved for their patience, trust and amazing trax and art that they have so generously contributed to make all this happen!

Tracks 2, 4 ,6 ,7 mastered by Dj Anunak.
Tracks 1, 3, 5, 8 mastered by Weightausend.

Artwork by Annex.

Nothing is random everithing is connected and ether is the nothing that connects everything...

released November 28, 2023

V/A - Ascension [8ther-001] Previews

LWS debuts on can you feel the sun. We hear nature being carved like a pumpkin. We hear the exhalation in an easy breath, the inhalation through a morning mist. We hear it’s time to eat and the table is heaving with grapes and custards. We thank the DJs who have been playing this to the moon and the stars and the dancers wide awake.

Palloon EP

Steady On

Palloon

Faster, Dryer

Unstuck

Again

Bakk Heia's https://soundcloud.com/schuttle lands on Third Place with Noisome Pools!

Newcastle-via-Manchester artist schuttle co-founded https://soundcloud.com/bakkheia_records with Jorg Kuning, Bitzer Malo, and Samuel Tomsky, stemming from Bitzer's now 8-year-running Bakk Heia party at Salford's The White Hotel, where the four regularly deliver their signature mix of swampy euphoria.

schuttle's releases effortlessly blur the lines between club and home listening and have received support from Ben UFO, Joe Delon, Jane Fitz, Kiernan Laveaux, Barker, Pariah, and more.

Dive in!


schuttle - Noisome Pools EP [Clips] [TPDD011] 🏊

First single from Hutan Timur by Raissa Febriani ~ Out March 5th on Human Pitch.
https://raissafebriani.bandcamp.com/album/hutan-timur

Artwork by Infant
Mixed by Sattle
Mastered by Tristan Arp

Raissa Febriani - Momachine

In a flurry of angular beats and space age synth licks, Livity Sound welcomes Willis Anne to the fold under the guise of a new alias, Foreigner. Operating within the thriving scene around his current base Naarm, Anne brings a live, jammed-out focus to machine-rooted electronic performance that translates into his productions. All four tracks on this new EP crackle with improvised energy, whether it manifests in the dramatic synth shapes on 'Last Peoples' or tangled up in the beat exploration on 'Visible'. At its core, the EP makes its mark thanks to the clarity of Anne's ideas as he swerves the temptation to over-work the sound, ringing true with the immediate, spacious approach of Livity Sound's many-side catalogue.  

Buy / Stream

FOREIGNER - Désintégration

BUY: https://roamingdata.bandcamp.com/album/once-again-ep

Faux Poly presents the fourth release of 2025, an inspired four-tracker from Bristol based Roaming Data. The EP blends 4x4 with UK Bass and the palette of big room Electronica.

Titled ‘Once Again’, the EP’s lead single’s raw tech energy and percussive intensity are a distinctive signature that has remained a hallmark across his releases on Method808 and his own Circula Records label. ‘UGOT’ flips the mood with its break driven broken style of a darker warehouse influence with another incredible vocal that pierces through the mix. ‘Nazca Lines’ and ‘London Orbital’ complete the project, channeling the singles’ energy through a more heads-down, focused approach that perfectly balances this EP.

Words from Roaming Data:

"Once Again" wasn't born from any specific theme or concept. Music production for me is an expression of genres and artists that I take inspiration from, which in turn evolves into my own personal creative fusion. Flavours of acid house, leftfield techno and percussive drum workouts all amalgamate to form what I consider, my sound.

My hardware has been the catalyst for a lot of ideas behind these productions. Programming drums through the Digitakt, sequencing arps through my MS20 or just running random sounds into my RE-20 delay pedal, have birthed many creative ideas.

...................................

soundcloud.com/roamingdataa
Instagram.com/_roamingdata  

soundcloud.com/fauxpoly

Pre-Order

Roaming Data - Once Again [FP018] (Previews)

* Subscribe for more premieres: @BoltingBits
* Read more: https://boltingbits.com/first-epoque-al-tarif-redstone-press
* Listen on Youtube: https://youtu.be/77qK3T-CQ6Y
* Pre-order: https://firstepoque.bandcamp.com/album/the-antonelli-scrolls

Redstone Press uncorks another anomaly with the latest offering from First Epoque – The Antonelli Scrolls; an expansive four-track EP of riddled percussive tension and mythic resonance. A relic from an unknown era, like finding a USB stick inside a fossil. Precision-tooled dread, dubbed through unknowable years.

“To The Sea” opens like an ancient machine rebooting underwater — initiated by tidal sub-pressure and log-drum basslines, while rusted pads coalesce like liquid metal in the water. Each sound feels scrubbed of excess, chiselled to bone. It’s ritualistic techno, stripped back and hollowed out, possessed by half-remembered visions of Atlantis.

“Al-Tarif” follows with sharpened urgency — syncopated low-end funk coiled inside a lattice of unstable percussion. An encrypted script traced in stuttering kicks, cavernous bass drops and vapour-trailed synths; its structure feels less composed than summoned. The rhythm moves like a ritual procession: reverent and deliberate. Each percussive accent lands like a glyph etched into ancient stone.

“WRONGMANOEUVRE” — a misstep in the timeline, or a doorway left ajar. The track opens in disarray: detuned pads flicker like emergency lighting in a decompression chamber, while subaquatic kick-drums stutter and buckle under their own weight. The groove is broken but determined, dragging itself forward with a sense of mechanical dread.

Final transmission “Époque No. 25” hits like a rupture in the temple wall — a burst of high-velocity techno carved from scorched circuitry and panic-coded rhythm. It barrels upwards with relentless thrust. There’s no refuge here — only pursuit, propulsion. An overwhelming sense that something unknowable is closing in.

There’s no overt genre allegiance on The Antonelli Scrolls — just the steady unravelling of linear time. One for the initiates. Not easily explained. Not meant to be.

Palloon

LWS

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