Name: Car Cassette w/ Slowmotiondancer by LYL Radio in low bpm
Duration: 1 h
Description: The Prague-based producer Slowmotiondancer is delivering a collage of krautrock, synth-wave, ambient and more from of his own car cassette collection. Between the songs, you can hear the navigation that will take you from Prague to his hometown.

low bpm

mix for the candle object lounge
https://candle-object.com

Candle Object May - sunbathing

half of an hour shared with @infaant on Internet Public Radio
https://www.mixcloud.com/internetpublicradio/infant-30th-may-2021/
0:00-9:00 sam - recent landscapes & mirror foley 
9:00-14:50 tire lady - tornado watch
14:50-16:20 corncob - sterointment
16:20-18:00 Sunatirene - What Do I Know
18:00-24:00 Theodore Cale Schafer - It’s Not a Skill, it’s a Curse
24:00-25:30 Polido - (…)
25:30 Twye - Deer Trough

landscape poetry window_____...(mix) (IPR 5.30.21)

Casualism #5 w/ Natalia Panzer (11/07/21)

Tracklisting available via the LYL Radio site :^)

https://lyl.live/episode/peace-pilgrimage-2

Peace Pilgrimage w/Good Morning Tapes 300721

mix1

https://soundcloud.com/theodoreschafer

https://www.retreatradio.net/casualism

Casualism #6 w/ Paintcan_pothole (05/09/21)

The Prague-based producer Slowmotiondancer is delivering a collage of krautrock, synth-wave, ambient and more from of his own car cassette collection. Between the songs, you can hear the navigation that will take you from Prague to his hometown.

Car Cassette w/ Slowmotiondancer

pw bday fest mix, under the bridge
img https://www.are.na/block/5139226

under the bridge 9.24.21

https://soundcloud.com/nxjames for https://soundcloud.com/theodoreschafer

https://www.retreatradio.net/casualism

Casualism #7 w/ Nick James Scavo (03/10/21)

Back with the first Bandcloud guest mix in a year! What's prompted this return? Who knows. 

https://soundcloud.com/lxv is David Sutton, a Philadelphia-based artist who first came to my attention when he released Sirens, a collaboration with Kara-Lis Coverdale. He also refashioned a track for Emily Berregaard's "Hallowed" release on enmossed.

He's put out something like eight solo albums and a series of EPs/singles/shorter-form releases since 2014, and contributed to the much-loved Blowing Up The Workshop mix series, as well as the "too new to be classic" Beyond/Below series. 

This mix features strange and beautiful music from Mira Calix, More Eaze, Sasha (but not *that* Sasha), Coil and many more artists, most of whom are completely unfamiliar to me. There's an almost even split between haunting melancholy and Italian dream house, perfect for the gorgeous liminality of this particular season.

The Enchanted Sea- Martin Denny
Untitled II- Nikolaienko
BB's Chant- Charles Bernstein
Scmyk- Mira Calix
Priority- More Eaze ft. Ben Bondy
Resounding Seashell- Jacy
Stormfugle- Moniek Darge
A Key to Heaven for a Heavenly Trance- Sasha
Plow Man- Terrestrial Tones
Find What You Love and Let It Kill You- Sylvain Chauveau ft. Myriam Pruvot & Chantal Acda
Sound Holes- Double Leopards
157- Chris Fratesi
Hidden Cove- Forrest Fang & Carl Weingarten
The Worst Idea I Ever Had- Can't (Jessica Rylan)
Ile ma lat?- Księżyc
Amethyst Deceivers- Coil


"Lxv has most recently released “Anxiety Euphoria” a full length available on Bandcamp and Spotify, exploring dream states in process and place, and excavations of exotica and the industrial from the modern era."

Bandcloud Mix October 2021 LXV

"For 0" is a radio show by usof where the most outward fringes of underground art are welcomed and brought together to create two hours of genderless musical submission.

@ca_rolf for the first hour. She is part of the @living_roooom crew and also has the "Hush" residency at Rádio Paranóia.

@quanticaonline
radioquantica.com

"for 0" #16 w/ carolf | Rádio Quântica

◍ What is the inspiration and vision behind Neilll? 
● Neilll is an outlet for me to experiment with and appreciate the otherwise unnoticed sounds in my life. Neilll is a place for me to be free and formless with my expression, exempt from expectation. 

◍ What are some of your utopian dreams?
● I think my utopian dreams have to do with being able to exist without the constant dread of making money or trying to prove my capital worth to people. I think utopia is a hard concept for me because I am deeply cynical, but at the very least I have a dream of one day not worrying about healthcare or rent… I guess just something better than the present.

◍ Can you share a little bit about what you’ve included in this mix?
● This mix is full of what I’ve been listening to a lot in 2022! Some older stuff and some new stuff.
 
◍ Any exciting things we can look forward to from Neilll in 2022?
● I have an album coming out with Slowfoam hopefully sometime in 2022! I also have a few concepts in mind for other Neilll projects, so stay on the lookout!

Tracklist:
Gway Lo - Triad God 
Plonk I - Huerco S. 
Playing with Sublimity - Neilll and Slowfoam
Ibiza - Racine
Grube - Phil Struck 
77xiu-point9 - pent
Bellwether - John Object
Guts - Mitchell Keaney
Array - Page
Papillion - exael
Bleak Chain - city & i.o
Bet League - Serwed
Helio’s Trip - JJ + JS

Our Tomorrow w/ Neilll (Los Angeles)

Arohanui Recordings - August 20th 2023

For this edition of The Bunker Podcast we're releasing @otodojo's live set from their album release party at The Bunker in April.

artist video explanation accompaniment:
https://youtu.be/h-xMUetPiTg?si=9qj-4DNHj2dHUBtT

artist statement:

In February 2023 I focused on developing a new live set for my debut with @thebunkerny for an album release, named one of the best releases of 2023 by @mixmag-1. I trained the set with performances at Bossa Nova Civic Club with Perfect Party Look Book and at Forest City Lodge with Microtones in Ithaca.

Maybe describing this can help you process some live set ideas.

My previous approach to delivering this material live (originally at The Long Count Cycle, then at Technically Yeah) was using stems as a bedrock and improvisation on top. Even though this worked fine, it got a bit stale for me and I wanted to be as satisfied as a listener when a groove sets in. So I decided to go fully based on MIDI information and instruments, with an added challenge that my CPU can’t take too much of a load, so I needed to make sure I disabled certain instruments before bringing others in. A disclaimer is that I am not fully endorsing all of the equipment in this list, there are some caveats that I’m happy to discuss.

In Ableton I created custom instruments through stock plugins like operator, collision, wavetable - these instruments are divided into ones I cycle through and ones that are constant throughout the set.

The constant ones exist in instrument racks and are freely interchangeable through chains - all of the parameters are mapped to the same knobs on my Novation Launch Control XL enabling me to wash through several instruments running varying sounds. I also have stored macro variations for those instruments in case I need some sound immediately without menu diving (like 1/16 note hi hats).

The cycled instruments instruments are mostly from my tracks in Amphibious / Aural Spirits that are all controlled by four channels on my Xone K1. Initially I tried using Tip by K-Devices and Map-8 to disable a swath of devices (thanks One Child Policy for the tip!). Yet I found that the CPU load was comparable with just leaving the devices on and simply stopping clips. This made for a much better workflow.

I slowly progress through the cycled instruments while improvising with the constant instruments and the main drums / accenting discussed below.

My iPad is running Werkbench by Karl Scholz @karlalamusic, a sequencer sampler app that can easily form interesting polyrhythms and is great for anything sample-related, like live accenting, bass lines, drums, etc.

For the main drums I didn’t want to be too focused on sequencing as it takes up a lot of time, so I just wanted to scroll through patterns that I generate beforehand. I opted to use a modified version of Instant Haus by @alexkid which stores drum patterns for four-five instruments. Modifying this was a bit challenging as it is difficult to determine what kind of patterns I think can stay interesting over an hour time period. This is playing Smackos 808 Simulator by @legowelt-official as well as other custom drum instruments.

For acid lines I am using a Roland TB03 on lend from Indy Nyles and sequencing the 303 with Sting by Iftah Gabbai  as well as his Microtuner device coupled with note echos (I believe this is the most CPU intensive part of the set).I am using Ableton Push as a means to do miscellaneous control and Jaw Harp / Mic for some added organic-ness.

I am running all of this through an Apollo Twin Duo and Allen & Heath Xone 96 at the club.

The Bunker Podcast 227

The Bunker Podcast 227: Otodojo

It's about saving the world through music.

only one planet

Born in 86, starter, thank God, love all.

viogitz.github.io

For live streaming, all our archives along with the tracklists, hit our website: http://lyl.live

Broadcasting live from Unité Centrale in Lyon,
Studio le 29 in Paris, Brasserie Atlas in Brussels and Les Ateliers de la Ville in Marseille.

Car Cassette w/ Slowmotiondancer

LYL Radio

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