Flux

Enigmo - Ambition feat. Hanzo Reiza, Lyna Galliara & Fiz

Wankelmut - one day

We revisited My Lady At Low Tide, one of our favourite tracks, for inclusion on Hydro-Acoustics, a collection of nautical-themed songs released by The Association For Depth Sound Recordings (http://www.depthsoundrecordings.co.uk).

Hydro-Acoustics was released on Monday 23rd April 2012 and is available for download & physical purchase at http://hydro-acoustics.bandcamp.com.

Hoshal Patrick - My Lady At Low Tide (2012)

Debut single, released on Laissez Faire Club on June 4th. Upcoming shows:

Nottingham (Rescue Rooms - May 7th)
Brighton (Great Escape - May 10th, 2pm)
Manchester (Castle Hotel - single launch party - June 6th)
London (The Enterprise, Camden - single launch party - June 7th)
Wrexham (Best Fit Tour, Central Station - June 8th)
Birmingham (Yardbird - June 20th)

www.jakemattison.co.uk
www.facebook.com/jakemattisonofficial
http://www.youtube.com/user/jakemattisonofficial

JAKE MATTISON - Sorrow

This track is from the album About Time Vol.1 and is available for purchase at www.music.theshallows.co

Free Download

Honestly

This is a sloppy, metronome-ridden recording of a melody that’d been haunting my head one day when I was feeling especially low. I love the all-consuming nature of the line about loving “till there’s nothing left”: it’s love and life and death and the end of the Universe and loving till the destruction of ourselves and others. I love how that line can mean so many different things. One interpretation could be of a kind, beautiful, gentle, selfless, harmless, even unrequited love and another could be of a much darker and self-destructive one. This love could be for a person or a place or a moment in time. That line is just about eternal love, whether or not that love is good or bad for ourselves or others. Loving till our love destroys or loving till we’re destroyed.

I thoughtlessly recorded the vocals for this over five or so minutes, solely to record the melody before I forgot it. I ended up posting this snippet of the melody online, because I found that the more I listened to this sloppy little recording, the more I fell in love with the sound of the messiness of the vocals in it. I think the messiness of the vocals adds something of value in this particular case, that they emphasise the all-consuming nature of this line about love, life and death. The messiness of the vocals convey an honesty and a broken-ness which I think emphasise the seriousness of that line. This was why in the end I felt like this snippet was worth sharing, even in this messy and brief state.

Another thing I find to be an interesting feature of this recording is that, whilst the vocals here sound youthful and innocent, the track still allows for the possibility of the ‘loving till there’s nothing left’ that they’re singing about to be about something sinister. Again, I love how this musical idea is open to so many different interpretations.

Love You Till (UNMIXED IDEA SNIPPET)

Vocals, Production and Mix by Lyna Galliara
Original song by Lee Adams and Charles Strouse

PUT ON A HAPPY FACE COVER (SNIPPET)

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MY MUSIC SOUNDS LIKE LYNA.

I PRODUCE MY OWN STUFF.
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INFLUENCES:

DREAMS.
TRIUMPH-OVER-ADVERSITY.
REGRETS.
AMBITION.
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THE DEBUT ALBUM:

11:11 

LYNA GALLIARA

2013.

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http://www.facebook.com/LynaGalliara

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PUT ON A HAPPY FACE COVER (SNIPPET)

Lyna Galliara

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