last track ID after the Patrice Baumel one?

Ajay 🔥

Mayday Mix : Club Yellow, Tokyo Nov 16 2003-No.3
A continuation of a 12 hour set from the lost tapes of club Yellow in Tokyo, November 16 2003. Disc 3.

Mayday Mix : Club Yellow, Tokyo Nov 16 2003 - No.3

After six years of believing that I was fully done with Burning Man, the stars happened to align this summer when I got a calling to go. 

Back in 2016, I never thought that Burning Man would allow me to press the reset button and relieve myself from many things I was carrying emotionally. Then suddenly when I was out on the playa in my element, I began to feel myself again: connected, worry-free, present. 

Thanks to 11 days of complete disconnection from my computer and phone, I was left at the mercy of nature’s elements which brought me back to a place of peace and serenity.  

It was such a joy to take part in Burning Man’s social experiment, one that unites a community of like minded beings from various backgrounds. 

I loved getting my hands dirty while building the camp, helping out with a friend's art structure and chatting with new and old friends every single day.  This was a whole new experience for me; an experience that filled my heart and inspired me in powerful ways. 

For the first time, I can safely say that I have been transformed by my time on the playa, and for that I feel grateful and humbled. 

Memorable moments like riding solo on my bike, letting go of plans, eating nourishing food, getting totally lost in the city, visiting random camps and more often than not connecting with strangers was pure magic. For me, this is the essence of Burning Man: an experience of contribution, full of serendipity and spontaneity. 
 
Here’s a personal highlight of mine that I’d like to share: 
It’s Friday evening, and I have been chosen to set the mood on the Robot Heart bus (which I must admit was one of my favorite nights out there). Here I am pre-set drinking Sake and sharing stories with my dear friend Benjamin Alexander.  The bus is parked at camp when I jump on top and begin to play for 20 minutes before the wheels start turning. Our drive to the deep playa begins, and with that a brutal dust storm follows.  I was instantly taken back in time to my 2015 Burn when I was fascinated by the fairy-lit bicycles chasing the bus, lighting up the space with an array of moving colors.  Eventually, after an hour of driving around, the wind stops, the dust settles, and the bus finds its parking spot for the night.  I finally remove my dust mask and watch the vast space in front me light up as I finish my set.  An unforgettable moment, visual, crowd…everything was perfect. 
 
To all of you who are reading this who were there dancing and glowing on the playa, I would like to say a huge thank you!  I will cherish that moment for the rest of my life.  You inspired me to smile and shine. 
 
Until next year.
 
Julien aka YokoO xx 
 
FOLLOW YOKOO
soundcloud.com/yokoo 
instagram.com/yokoo_dj/ 
facebook.com/yokoomusic/
yokoo.bandcamp.com/ 
youtube.com/user/YokoODj 
https://djyokoo.com/ 

Photo Credit:
John Dill

YokoO - Robot Heart - Burning Man 2022

M.A.N.D.Y. at Katerblau

Silat Beksi, whose name has become synonymous with quality in the music industry thanks to his unparallaled sound designs as a producer and precision mixing skills as a DJ.

juzzin' 19 - Silat Beksi

“Reflecting on five incredible years with Mayan Warrior,
A cornerstone of the electronic music scene of our generation. Every set is a cherished experience of unity and expression. Gratitude to the beats, the dancefloor, and the shared passion that defines us. Here's to Mayan Warrior.”

MAGA

Maga - Mayan Warrior - Tulum 2024

Download/Stream >> https://fanlink.tv/we-like-to-party

BLOND:ISH and ForgiveMeTommy! join forces to release their highly anticipated new single, ‘We Like To Party (Rework)’ on Abracadabra.

This party starting track offers a contemporary spin on The Vengaboy's much loved hit ‘We Like To Party,’ where BLOND:ISH and ForgiveMeTommy! inject a fresh take, breathing new life into the classic tune with an irresistible and fun burst of energy.

"This isn't just any remix; it's a revival that's set to bridge the gap between nostalgic pop anthems and modern tech grooves.

The idea sprang from Tommy's fascination with the song's unforgettable synth loop, but it took a turn from concept to reality during a moment of personal adversity. What started as a light-hearted endeavor to lift spirits has morphed into an underground sensation, thanks to the collaborative genius of ForgiveMeTommy! and the ever-vibrant Blond:ish, a long-time friend and fellow Montreal native known for her fun and sarcastic take on music.

Their joint effort has transformed a once-jovial pop track into a deep, punchy tech remix that appeals to all party-goers, proving that sometimes, not taking life too seriously can lead to unexpected success. This rework stands as a testament to the power of friendship, fun, and the universal appeal of a good party.

As 2024 dawns, ForgiveMeTommy! promises this collaboration with Blond:ish is just the beginning of what's set to be a groundbreaking year. They invite everyone to join in the celebration, asking the pivotal question: "Do you like to party?" Because their answer is clear: "Yes... we like to party!" And they're confident you will too, once you hear their latest creation.”

We Like To Party (Rework)

Download/Stream

BLOND:ISH & ForgiveMeTommy! - We Like To Party (Rework) (ABRA053) [Edit]

artist @MatthewDekay
www.facebook.com/MatthewDekay

artist @LeeBurridge
www.facebook.com/DJLeeBurridge

label(homepage)
www.alldayidream.com

label (facebook)
www.facebook.com/alldayidream

Lee Burridge b2b Matthew Dekay live @ All Day I Dream BPM 2015

Hello Hot Dogs! I've waited for this day for over 14 years: mix #100 is live. When I released my first mix in 2010, I titled it [001] instead of [01]. Using three digits was aspirational, a quiet promise to myself that I might one day reach triple digits.

These mixes trace the narrative of my adult life. They've been the thread connecting me with so many of you—some I'll never meet, others who've become close friends (and even roommates—hi Dan, hi James).

Back when I released my first mix in 2010, we were still buying mix CDs for our cars. Soundcloud was just emerging, and I committed to monthly releases to this new platform. I may be overreaching here, but I can’t remember any other DJs presenting conceptual mixes, monthly, as packaged works of art: a conceptual title, description, and artwork. That consistency and novelty helped build a following outside of my local scene, and when my 2012 Robot Heart recording came out, things really took off internationally.

By 2015, the momentum led me to leave my software engineering job for full-time DJing—largely thanks to these Soundcloud mixes. I was purely a DJ then with a nascent Manjumasi label formed with Mark Slee, not releasing my first original track “Peculiar Colors” until 2017.

The landscape in 2024 looks different. As Soundcloud rotted to hell and Spotify rose, the value of mixes has sharply declined. With thousands released daily, they've become ubiquitous. The career path for electronic artists now revolves around original productions and social media presence.

This industry evolution pushed me toward producing my own music, opening up new creative paths I'm grateful for. The social media aspect has felt natural, as it's been an integral part of my project from the start. These last few years, the touring schedule, studio time, and home life as a husband and father slowed me down from my monthly cadence, but each mix still feels like a deep-rooted part of my message to the world, (mostly) through other people's music. 

Mix [100] was recorded September 7, 2024, at Public Works in San Francisco, the city that "raised me" as a club kid, where I first learned to DJ. This 5-hour set marked my last show in North America before taking an indefinite mental health break from touring. Playing this set was emotional, to the point of tears in the DJ booth, with support pouring in from both new listeners and those who've been there since the beginning. I couldn’t think of a better way to reach 100.

I've also created http://www.atish100.com to house all my mixes and their 1,400+ tracklists in one place, which I'll keep updating as new mixes go up on Soundcloud and YouTube.

This mix marks a meaningful milestone for me. Thank you for making this journey possible. You, and the 1400+ artists and labels I referenced helped create a life I never imagined.

Tracklist

atish - [100] - Atish All Night (Live in SF, 5 hours)

FANTA SEA

Buy: https://www.beatport.com/track/cuatro/20665867

MASOUL - Cuatro  [Music is 4 Lovers]

Âme X Dixon  Essential Mix

Guy Gerber on the bus during the Catacomb of Veils burn - Friday morning sunrise

soundcloud.com/guygerber
www.facebook.com/guygerber

photo:  Aaron Feinberg

Catacomb rises like a rocky outcropping off the desert floor. It is a ruin, a remnant of our collective search for moments of quiet, introspection and reflection. It is a journey of discovery and a descent into a subterranean world.

Guy Gerber - Robot Heart - Burning Man 2016

Take a trip to Black Rock City on the Robot Heart Bus with Damian Lazarus. This is the first 2 and half hours from his 5 hour set of playa magic for your listening pleasure. This was a very special night for Damian and the entire Liquid Sky camp as they rocked the Robot Heart crew on the Wednesday night through to Thursday afternoon. Enjoy!

Damian Lazarus on the Robot Heart Bus - Burning Man 2011

https://soundcloud.com/djtennisdjtennis
https://www.facebook.com/tennisdj

Photo: Christian Lamb

DJ Tennis - Robot Heart Ten Year Anniversary - Burning Man 2017

Behrouz, Seth Troxler, Guy Gerber & Ryan Crosson B2B live @ Wall Lounge in Miami during the WMC for the Behrouz & Friends show.

Recorded live on Be@Tv: http://www.be-at.tv/brands/wmc/wall-lounge/behrouz-and-friends/behrouz-guy-gerber-and-seth-troxler.go?0

Behrouz, Seth Troxler & Guy Gerber b2b live @ Wall Lounge WMC (19.03.12) Behrouz & Friends WMC 2012

Berlin based label-owner, DJ, producer and Promoter.
Best known for the track "Body Language" and the remake of Laurie Andersons "O Superman". Bodmer and his former band partner Philipp Jung, along with DJ T. and Booka Shade are the founders of Get Physical, which became one of the most popular dance labels in the world. M.A.N.D.Y. subsequently provided mixes for other labels, including „At the Controls“,  „Fabric“ and „Renaissance“. Following collaborations with Bob Moses, and Dubspeeka, as well as remixes for Roxy Music, Röyskopp, The Knife and Underworld to name just a few. The long-awaited debut artist album Double Fantasy was released, incl. collaborations with the iconic Jungle Brothers and the classical and experimental pianist Francesco Tristano . 2018 signaled the beginning of a new era for M.A.N.D.Y, since Patrick Bodmer will continue to fly the flag under M.A.N.D.Y. without his former partner and childhood friend Philipp Jung, who started his solo project „Forever Jung“.

M.A.N.D.Y. at Katerblau

M.A.N.D.Y.

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