知識の扉を開きましょう！あなたを戦国時代へとお連れします。
世界初のお勉強ハードコア！踊りながら勉強できます！

2021.10.31(SUN) リリース
MC STONE - 「HIRANO RIGHTS」145 RECORDS (14CD-004)
2021年10月31日 10:30 開場「M3 2021秋」@東京流通センター(TRC)
DYNASTY RECORDSブースにて販売！

Savage States & MC STONE - OKEHAZAMA
Music & Arrangement by Savage States
Lyrics & Vocals by MC STONE

Savage States & MC STONE - OKEHAZAMA

ROCK UP HARD CREWの中でもセンス抜群のhirazoとの初タッグ！
バチクソRAVEなBREAKSが完成しました！
日本語ラップとRAVE BREAKSの相性抜群な一曲！

2021.10.31(SUN) リリース
MC STONE - 「HIRANO RIGHTS」145 RECORDS (14CD-004)
2021年10月31日 10:30 開場「M3 2021秋」@東京流通センター(TRC)
DYNASTY RECORDSブースにて販売！

hirazo & MC STONE - HIGHVOLTAGE
Music & Arrangement by hirazo
Lyrics & Vocals by MC STONE

hirazo & MC STONE - HIGHVOLTAGE

matres - Raving Bleep

Artist/アーティスト: JAKAZiD
Title/タイトル: Maximum Sass EP
Label/レーベル: Aural Adrenaline 
Cat#/品番: A2DR004
Format/フォーマット: MP3/WAV/FLAC 
Release date/盤発売日: 10/10/2014

1. D/D/P/U
2. Have 2 Survive
3. Incomprehensible
4. My Beat

BUY NOW (via Bandcamp): auraladrenaline.bandcamp.com/album/maximum-sass-ep

Following a noticeable quiet period with Aural Adrenaline, the label is back in full swing with a four track EP of all new-material from label founder JAKAZiD. "Maximum Sass EP" rounds up a quartet of exclusive hardcore cuts which are all strikingly different to each other whilst still maintaining his identifiable style of frenzied samples and melodies.

"D/D/P/U" is not too much of a departure from some of JAKAZiD's recent hardcore offerings such as "Make It Werk" or "See It Coming", but still strives to keep things fresh. The track is a hype-constructing assemblage of meticulous vocal chops, joyous riffs and tough kicks which will get you stomping instantly.

"Have 2 Survive" makes a departure from the 4/4 beats in favour of turbulent rolling breakbeats and a sonic collage of stabs before dropping into euphoric pitched-up vocal bliss. This track was originally produced nearly two years ago for a different project and was practically forgotten about until recently, but has given a new lease of life with a rougher, tougher mixdown for the dancefloors of 2014.

"Incomprehensible" boldly makes the move of weaving filtered recognisable disco loops over a pounding, regimented 4/4 hardcore beat. The track echoes the tough over-saturated beats of Rhythm Masters remixes from the 90s, but pitched all the way to 170.

Finally, the EP closer "My Beat" is a genre-defying beast of its own, throwing in bleepy, buzzy sounds and chopped vocals over a heavy disjointed groove that will relentlessly penetrate your eardrums.

JAKAZiD - My Beat

Whō ïs in yoür Drëam?

"We can make it if we try" is the second single from CMD+JAZMINE's upcoming second album, You're not in trouble.

Written largely over the spring of 2025, her second project explores deeper club sounds, after a year of multiple single and EP releases, while holding onto her decade-long roots as a narrative documentary producer and sound designer. Her love of low-end thump remains, as the story of a shifting life unfolds over eight songs.

You're not in trouble trades in the computerized metaphors and dubbed disassociation of previous records towards a directness inspired by dancefloor vulnerability and deep conversation in club booths. Vocal samples and lyrics atmospherically shimmer over shifting drum patterns that range from "Disrespect"'s jungle breaks, the Jersey club bounce of "Escape hatch", and ballroom's skitter on "Seeking affection". The hard techno catharsis from "We can make it if we try" gives way to the sunrise of the second half of the album. "Origami" shines in trance and bright electronica, while "Finding footing in the chaos" is one last kick drum frenzy before heading to coat check. "Crimson" is a deep inhale of fresh air through gritted teeth and wobbly synthesizers, and closer "You can come back to my place if you want...?" is a deep, burning slow jam that slinks with muted drums and warm pads.

You're not in trouble is a journey of emotions that come from the club, and the personal reflection when you get home, deeply looking in the mirror as you put on a face mask.

All tracks produced, arranged, mixed, and mastered by Jazmine (JT) Green.
Consulting production provided by Gavilán Rayna Russom.
Cover photo by Rona Akbari.
Artwork by Jazmine (JT) Green.

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