Dispatch Recordings Official Playlist - 2

Kyrist with Amoss - 25 September 2025

SWU FM → https://www.rinse.fm/channels/swu/
More shows → https://soundcloud.com/critical-music/sets/mixes-radio-shows

Track list: 
Pugilist – Emulsify
Surreal x Luke Truth – Rise Up
Krust – One Stop Mr Driver
Tweakz – Your Eyes
Myriad – Deep Dive
DJ Polo – Side By Side Edit
Pulp – Babies
Daniel Avery x Alison Mosshart – Greasy Off The Racing Line
Anaiis – Green Juice

Demo Review
Sybling – Put Up A Fight

WilfyD – In My System (Reload Sound remix)
Sir Hiss x Logan – I'm That Guy

Spotlight (Guilty Pleasures)
Original Sin – Therapy
Subfocus – Airplane
Energy 52 – Cafe Del Mar (3 in 1 Remix)
Simply Red – Fairground

Foreign Concept – The Volks (Gui Remix)
Danny Goliger x Choopsie – Cycling

SWU FM

Sam Binga & Foreign Concept | SWU FM | 09.10.2025

BLIX – Rhydo EP (DSCI4)

London-born, Brisbane-based producer Blix makes his DSCI4 debut with the Rhydo EP — four tracks of razor-edged, funk-driven drum & bass built for the underground.

From the venomous title cut “Rhydo” (ft. Sal NZ) to the rolling breakbeat energy of “MMS”, the funk-heavy mutations of “Dunken”, and the filthy closer “Eviction”, Blix shows a sound that’s sharp, futuristic, and rooted in pure system pressure.

This is forward-thinking drum & bass with the DSCI4 stamp of quality — and Blix’s arrival is one you won’t want to miss.

Official Release: Friday 17th October 2025

Label: DSCI4 | Format: Digital

https://dsci4.bandcamp.com/album/rhydo-ep



BLIX – Rhydo EP (Mini Mix)

Invadhertz, the Rome-based drum and bass duo, are the latest guests on Sweet N Sour Invites.

Known for their deep, soulful sound and euphoric atmospheres, the pair have released on leading labels such as Shogun Audio, Flexout Audio, and Dispatch Recordings, earning support from the likes of Skankandbass and Drum&Bass Arena. With a signature style defined by rolling drums and rich sound design, Invadhertz continue to make waves across the UK, Europe, and beyond.

Sweet N Sour Invites: Invadhertz

Another 2-Hour 100% Production Mix

Tracklist : 

1. Motiv, Malaky & Luke Truth - Find A Way (C.I.A)
2. Motiv - Bridge To Nowhere (Flaco Remix) (Co-Lab Recordings)
3. Motiv - Sense Of Flow (Fokuz Recordings)
4. Motiv & Luke Truth - Statements Of Nature (Liquid V)
5. Motiv - Illusions (Fokuz Recordings)
6. Motiv & Channell - Forever (Dub)
7. Motiv - All I Want (Liquid V)
8. Motiv - Touch & Feel (Influence Records)
9. Motiv - Pillow Talk (Kool FM)
10. Motiv - I've Always Known (Liquid V)
11. Motiv & Luke Truth - Downpour (C.I.A)
12. Motiv - Polkadot (Vandal Records)
13. Motiv - Dont You (Four Corners Music)
14. Motiv - Three Sixty (Liquid V)
15. Motiv & Sl8r - Lady Blue (Footnotes)
16. Motiv - Left Behind (Vandal Records)
17. Motiv - Parkscapes (Liquid V)
18. Motiv - Afterthought (Fokuz Recordings) 
19. Motiv & Sl8r - To Me (Liquid V)
20. Motiv - Waved (Vandal Records)
21. Motiv - Drop The Hint (Balearic Breaks)
22. Motiv - Jupiter (Celsius Records)
23. Motiv - Dim Light (Dub)
24. Motiv - Apart (Vandal Records)
25. Motiv & Luke Truth - Ephemeral (Dub)
26. Motiv - Forest Feet (Dub)
27. Motiv - Stuck In Lust (Balearic Breaks)
28. Motiv - Squid (Liquid Lab)
29. Motiv, Channell & Luke Truth - Substance (North Quater)
30. Motiv & Surreal - Take Me Away (Fokuz Recordings)
31. Motiv - When You're Around (Celsius Records)
32. Motiv - Know The Way (Flight Pattern)
33. Motiv & Zoe Kypri - Evershifting (Soulvent Records)
34. Motiv - Drawn Together (Celsius Records)
35. Motiv & Surreal - Offroad (Galacy Records)
36. Motiv - Red Kites (Flight Pattern)
37. Motiv - Lightyears (Influence Records)
38. Motiv - Two Day Soul (Vandal Records)
39. Motiv & Luke Truth - The Way (Carnelian Music)
40. Motiv & Sl8r - Look What You've Done (Dread Recordings)
41. Motiv & Surreal - Victoria (Fokuz Recordings)
42. Motiv - The Love Experiment (Fokuz Recordings)
43. Motiv - Save Yourself (Celsius Records)
44. Motiv - Catching Feelings (Celsius Records)
45. Motiv & Collette Warren - Only One (CW Music)

100% Motiv Production Mix (2)

Ready To Roll and Forbidden Frequencies are, once again, joining forces, this time with Flexout Audio, to bring a top notch lineup to Ghent for a full flavor label takeover on November 8th! Expect top notch minimal, deep subs and aggy midranges. To celebrate, here is an amazing promo mix by Drumslave and MC Fokus on the vocals.

♕ Event Link:
https://www.facebook.com/events/718494617855817

♫ Buy Tickets:
https://ready-to-roll-presents-flexout.eventsquare.store/rvmpwk3kxfrj

► Drumslave:
Facebook - https://www.facebook.com/readytorollbe
Instagram - https://www.instagram.com/readytoroll_be
Soundcloud -  https://soundcloud.com/readytoroll_be

► MC Fokus:
Facebook - https://www.facebook.com/mcfokuspage
Instagram - https://www.instagram.com/mcfokus
Soundcloud -  https://soundcloud.com/mc-fokus

► Ready to Roll:
Facebook - https://www.facebook.com/
Instagram - https://www.instagram.com/alex.drumslave
Soundcloud -  https://soundcloud.com/drumslavednb

► Forbidden Frequencies:
Link Tree - https://linktr.ee/forbiddenfrequenciesdnb
Youtube - https://www.youtube.com/forbiddenfrequenciesdnb
Facebook - https://www.facebook.com/forbiddenfrequenciesdnb
Soundcloud - https://soundcloud.com/forbiddenfrequenciesdnb
Instagram - https://www.instagram.com/forbiddenfrequenciesdnb
Bandcamp - https://forbiddenfrequenciesdnb.bandcamp.com/
Spotify - https://open.spotify.com/playlist/0rMkEq00yGc6AXrdYPF8H8
Patreon - https://www.patreon.com/forbiddenfrequenciesdnb
Email - forbiddenfrequenciesdnb@gmail.com

♫ Submit your music: 
https://forms.gle/tJH8C1g7CrEv12JC7

✔ Donate Via PayPal
https://shorturl.at/gCGY0

Ready To Roll Presents: Flexout Audio - Drumslave (ft. MC Fokus) Promo Mix

For this edition of Headspace, we’re thrilled to welcome Skeptical, Monty, Visages and more for an unforgettable night at Ampere on December 19th.

To set the mood, the young wizard Styke, freshly signed to Lenzman’s The North Quarter, has cooked up a special promomix - a smooth journey through deep, soulful, and rolling drum & bass to get you warmed up for what’s to come.

🎟️ Grab your tickets now — 2nd wave tickets are still available but moving fast: https://shop.paylogic.com/f08a89c96b9f459d95484fc7448830e9

#DrumAndBass #Headspace #Styke #TheNorthQuarter #Promomix #Ampere #Skeptical #Monty #Visages

Styke – Headspace Promomix (Headspace invites Skeptical, Monty, Visages + more - 19/12/2025)

Download

Break - LDNB4A Album Release Party Mix

Sofa Sound Bristol with DLR & LD50 - 19 November 2025

The return of the Carbon Music mix series comes courtesy of D.Side.

This mix comes fresh off the back of his superb debut single 'Loyal / Wide Awake'. 

Its our final release of 2025 - big ups to everyone supporting so far!

CARBON MUSIC MIX: D.SIDE

Bad Faith EP

The Moment

Bloodlust

Bad Faith

The 101 - EP

Looking Back

Smiling On My Happiness

Diffraction - EP

Few Things On My Mind (feat. MC Gusto)

linktr.ee/mzinednb


Nostalgia is a thing that influences our cultural creation and consumption today, but nostalgia is also how Drum & Bass finds a way to reinvigorate itself, and M-zine expresses this feeling immaculately. M-zine’s work is meticulous and transportive. He is an artist plucked from the deepest depths of Drum & bass music, and taking influences from genres like Techno, Hip-Hop, Soul & Funk, M-zine has carved his own niche in the Drum & Bass scene.
M-zine started his journey as a Drum & Bass producer in 2011 with Proximity Recordings with two funky releases in Peristaltic and Riddance. His first Vinyl release came in 2012 with Swiss-based label Demand Records. Endings, a hypnotic low-end roller was heavily supported by some of the heavyweights in Drum & Bass like Doc Scott, Skeptical, Spinline, and Loxy.
M-zine’s watershed moment as producer came in 2013; when he saw his music being released on labels like Dispatch Recordings, 31 Recordings, and Warm Communications, with a special mention by Tom Yorke’s “Pissing In The Wind On A Monday” for his release on 31 Recordings.
With big releases on labels like Dispatch Recordings, Commercial Suicide, Critical Recordings, 31 Records, a thumping release with Belgian trio Bredren that topped the Beatport charts, one LP plus several EPs and singles on Sofa Sound Bristol, and an EP coming out on Subtitles Recordings, M-zine has comfortably registered his name as one of the finest producers in Drum & Bass.


La nostalgie influence nos créations culturelles et notre consommation actuelle, mais elle est aussi un moyen pour la Drum & Bass de se revitaliser, et M-zine exprime ce sentiment à merveille. M-zine travaille de façon méticuleuse et expressive. C'est un artiste qui vient des profondeurs de la Drum & Bass, et en puise ses influences dans divers genres tels que la Techno, le Hip-Hop, la Soul et le Funk, il s'est taillé une niche bien à lui dans la scène Drum & Bass.
M-zine a commencé son parcours de producteur de Drum & Bass en 2011 sur Proximity Recordings avec deux sorties funky ; Peristaltic et Riddance. Sa première sortie vinyle a eu lieu en 2012 sur le label Demand Records, basé en Suisse. Endings, un roller hypnotique, a été fortement soutenu par certains poids lourds de la Drum & Bass comme Doc Scott, Skeptical, Spinline, et Loxy.
Le moment décisif pour M-zine en tant que producteur s'est produit en 2013 ; quand il a vu sortir ces morceaux sur des labels de renom tels que Dispatch Recordings, 31 Recordings, et Warm Communications, avec une mention dans Tom Yorke's "Pissing In The Wind On A Monday" pour sa sortie sur 31 Recordings.
Avec de grosses sorties chez Dispatch Recordings, Commercial Suicide, Critical Recordings, 31 Records, une sortie fracassante avec le trio belge Bredren qui atteint le sommet des charts Beatport, un LP ainsi que plusieurs EPs et singles chez Sofa Sound Bristol, et un EP à venir chez Subtitles Recordings, M-zine a confortablement inscrit son nom comme l'un des plus fins producteurs en matière de Drum & Bass.







Nostalgie heeft vandaag een grote invloed op onze culturele creatie en consumptie, maar nostalgie is ook hoe Drum & Bass een manier vindt om zichzelf te vernieuwen, en M-zine drukt dit gevoel perfect uit. Het werk van M-zine is nauwgezet en transportief. Hij is een artiest die uit de diepste krochten van Drum & Bass is geplukt, en met invloeden uit genres als Techno, Hip-Hop, Soul & Funk heeft M-zine zijn eigen niche in de Drum & Bass-scene ontwikkeld.
M-zine begon zijn reis als Drum & Bass-producer in 2011 bij Proximity Recordings met twee funky releases : Peristaltic en Riddance. Zijn eerste Vinyl release kwam in 2012 met het Zwitserse label Demand Records. Endings, een hypnotiserende low-end roller werd zwaar ondersteund door zwaargewichten in Drum & Bass zoals Doc Scott, Skeptical, Spinline en Loxy.
M-zine's keerpunt als producer kwam toen hij in 2013 zijn muziek begon uit te brengen op labels als Dispatch Recordings, 31 Recordings en Warm Communications, met een vermelding in Tom Yorke's "Pissing In The Wind On A Monday" voor zijn release op 31 Recordings.
Met grote releases op labels als Dispatch Recordings, Commercial Suicide, Critical Recordings, 31 Records, een dreunende release met het Belgische trio Bredren die de top van de Beatport charts haalde, een LP en meerdere EP's en singles op Sofa Sound Bristol, en een EP die uitkomt op Subtitles Recordings, heeft M-zine met gemak zijn naam geregistreerd als een van de fijnste producers in Drum & Bass.



Bookings & other enqueries:

Deyaert.Joeri@gmail.com

After a background in traditional piano training and progression onto the electronic organ during childhood, I got my first 16-bit computer aged 13 in the form of the Commodore Amiga 500.
Somebody gave me copies of Soundtracker software and the ST range of sample disks, and along with my best friend, we began making our own tunes. Then along came MED Sound Studio and we started really getting to grips with producing using just the Amiga and simple keyboards.

As our output grew and the next few years unfurled, so we created first Q-P-I Music (Quadrosonix Productions Inc), 'Headlong Recordings', and finally 'Unborn Records', all basically label names for our growing output of experimental, late 80's/early 90's rave-influenced tunes. I became CJ Shadow, making hardcore, techno and jungle style tracks, while CJ Trinity made remixes of more commercial sounding tunes like that of The Prodigy and laid-back house/techno stuff, and developed a more general electronica-like, ambient, trance-style sound.

By the time we left school in 1992, aged 16, we had produced well over twenty C90 cassette albums of material. The next year or so saw investment in our kit as we upgraded to Amiga 1200 computers, better synths, and for the first time the introduction of simple mixers and decent monitor speakers. The quantity of our output certainly reduced, but the quality significantly increased.

Though our paths in life diverged significantly at aged 17, we continued to produce an evolving sound, improving and honing our individual styles and incorporating our personal influences as jobs and money allowed investment in better software and hardware. By the time the internet was a thing and even before ADSL (broadband) I was releasing the best of our music on unsigned music websites like MP3.com. Uploading several hours of music on a dial-up connection, now that was fun :)

By the turn of the millenium we had our own website, unbornrecords.net, and ran it as our label and home online to promote our music. CJ Trinity's material was by now very much in the house/trance and dance remix genres, whilst mine was definitively a breakbeat-driven, jungle and drum&amp;bass sound, reflecting the scene I was busy raving in every weekend, and immersed in fanatically. We sold a few CD albums, got quite a lot of downloads and generally enjoyed what we did, but life got in the way of it ever becoming more than a hobby.

Though our music continued to increase in quality and get some serious attention from a few people in the right places, sadly by 2005 we both had so much going on in our separate lives and so little time for music production that the website fizzled out, and along with the demise of several of the unsigned artist sites we had our material on, our music basically fell off the edge of a cliff. CJ Trinity's unfinished but astonishingly good final album, 'Atmospheric Hi Trip', really showed how far and complete his particular dance sound had come. My last CJ Shadow album, entitled 'Kitchen For No Reason', was completed that year and actually reflects how complete and professional my DnB-based sound was becoming. Even today, everyone who hears it seems to agree that it truly is a crying shame that I never continued making music.

Since 2005 I remain infatuated with the Drum & Bass scene, keeping up with the massive online output and trends, going out whenever possible to the dances and just loving everything I'm hearing and seeing. Recent months have seen me going through the old hard drives, listening to our old music, and a dawning realisation that I cannot allow this part of my life to die. And having now stumbled on a folder of projects and work from 2005 that basically constitutes what would have been my next album, I have decided to plug myself back into production.

2025 sees the 20th anniversary of the release of Kitchen For No Reason. I can confirm that a new LP is on its way, produced under my new Ignomius Darka moniker.

https://ignomius.com

Few Things On My Mind (feat. MC Gusto)

M-zine

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