Dispatch Recordings Official Playlist - 2

Sofa Sound Bristol with DLR & Business As Usual - 15 October 2025

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Strictly Business w/ Qua Rush & Flipz MC - 11/10/2025

Bredren is a dynamic Drum & Bass trio from Belgium, rooted in Brussels. Known for their genre-blurring sets, they deliver high-energy performances that shift seamlessly from deep rollers to percussive steppers, keeping the dance floor locked in a rhythmic trance.

soundcloud : https://soundcloud.com/bredrenbe
instagram : https://www.instagram.com/bredrenbe/

Contour with Bredren @ GIMIC - 22 October 2025

functionrecordsuk.bandcamp.com
youtube.com/evankiljoy
twitch.tv/evankiljoy
instagram.com/evankiljoy
facebook.com/evankiljoy
mixcloud.com/evankiljoy

00:00:00 MAD VIBES - BREAK FREE
00:03:41 CAUSE 4 CONCERN - SKEWER
00:07:41 DIGITAL & SPIRIT - REMOTE CONTROL (KILJOY REMIX)
00:09:26 ZELDIN - TENDER
00:14:27 IP - JUST DON'T KNOW
00:17:47 DIGITAL - WASTEMAN
00:20:57 MAD VIBES - GREEN VINE DUB
00:22:42 TIM CLAY - RUN DAT
00:25:37 DIGITAL & BAILEY - DEADMAN
00:27:57 DJ TRACE - DIBBY (HLZ RMX)
00:31:12 KILJOY - CRY OUT
00:35:27 KILJOY - MOONBOOT
00:37:58 UNIVERSAL PROJECT - GERM REMIX
00:39:03 DIGITAL - GATEMAN (KEATON REMIX)
00:43:03 JPURCELL & R4NS0M - FC TYPE BEAT
00:46:38 CONRAD SUBS - RAGE
00:49:48 MAD VIBES - TRAINWRECK
00:53:28 MAD VIBES - BIG DATA (OUTRAGE REMIX)
00:56:38 OUTRAGE - AMAZON (MAD VIBES REMIX)
01:00:03 FUTURE FORCES - POINT OF ORIGIN
01:01:54 CHASE & STATUS, BOU - BADDADAN
01:04:04 SPIRIT - INTERNATIONAL (LONDON MIX)
01:07:39 DIGITAL - BAG O MONEY
01:09:44 J.PURCELL & R4NS0M - METRO LIVING
01:11:54 CONRAD SUBS - BEAM
01:16:14 MAD VIBES - EUPHORIA
01:17:39 KILJOY - BEHOLDER
01:19:50 OUTRAGE - ALL I EVER WANT (IP REMIX)
01:23:05 DJ CRYSTL, DIGITAL & OUTRAGE - FOREVER
01:26:40 SPIRIT - RAYGUN (DIGITAL & KILJOY REMIX)
01:29:55 ADAM F, J MAJIK & OUTRAGE - METROSOUND (REBOOT)
01:32:25 TIM CLAY & PHILTH - STREET SCIENCE
01:34:35 IP & KILJOY - BLACK DRAGON
01:39:55 RAY KEITH - DO IT (LEMON D REMIX)
01:42:51 DIGITAL & JOHN B - YOU AND ME (GREMLINZ REMIX)
01:45:21 IP - SAPPHIRE
01:50:21 TIM CLAY - SEASONAL AFFECTED
01:53:16 DIGITAL & KILJOY - REFLECTION


The Zone - 3rd November 2025

ArpXP & Visionobi once again at SUNANDBASS, 2025 Closing Night

ArpXP & Visionobi SUNANDBASS 2025

SWU FM → https://www.rinse.fm/channels/swu/
More shows → https://soundcloud.com/critical-music/sets/mixes-radio-shows

Track list:
Fracture & Neptune – Erase Everything
Kathryn Brenna x Genic – Coincidence
Trim x Polo – Darkside
Dismantle – Tomorrow Will Be Different
Sam Binga x Addison Groove x Sirius Soundz – Sacude
Mala x Magugu – Militant Don
Om Unit – The Chase (Alter Echo x E3 AEE3 remix)
Kofi Stone – Flowers Flow
The Dream -  Yamaha

== Demo Review ==
Dedman – This Sound

Spotlight – Toulouse

Visages x Strategy – Lewis Capaldi
Redeyes – Change Ilusion
Trail x Visages – Comet
Foreign Concept x Monty – Ron Millionario

Ehua – Aria
D'Angelo – Devil's Pie (Behling x Simpson Remix)

SWU FM

Sam Binga & Foreign Concept with Star Eyes | SWU FM | 13.12.2025

NC-17 Old School Mix

DASH MIX FOR DEEPER DRUM N BASS 2025

J:Kenzo & Basic Rhythm join forces for the first time on two crucial cuts inspired by the iconic 2000 AD comic series - forthcoming via Metalheadz. Get it here: https://bfan.link/strontiumdog

J:Kenzo:
Facebook → https://www.facebook.com/jkenzo/
SoundCloud → https://soundcloud.com/jkenzo

Basic Rhythm:
Instagram → https://www.instagram.com/basic.rhythm/
SoundCloud → https://soundcloud.com/basicrhythm

Metalheadz:
Facebook → https://www.facebook.com/metalheadz.music/
SoundCloud → https://soundcloud.com/metalheadz
Instagram → https://www.instagram.com/metalheadzmusic/

Drum&BassArena:
Join the family → www.family.breakbeat.co.uk/
Spotify → www.open.spotify.com/user/officialdnba
YouTube → www.youtube.com/user/officialdnbtv
Instagram → www.instagram.com/officialdnba/
Mixcloud → www.mixcloud.com/drumandbassarena/
Facebook → www.facebook.com/officialdnba
Twitter → www.twitter.com/OfficialDnBA
Music news → www.breakbeat.co.uk/
Send us a demo: demos@breakbeat.co.uk

J:Kenzo & Basic Rhythm - Strontium Dog

Boutique label 'The North Quarter’ showcases the soulful and deeper side of Drum & Bass in their monthly session on https://echobox.radio/

The North Quarter #50 Lenzman & Vanity Roxane w/ imo-Lu // Echobox Radio 20/11/25

Bad Faith EP

The Moment

Bloodlust

Bad Faith

The 101 - EP

Looking Back

Smiling On My Happiness

Diffraction - EP

Few Things On My Mind (feat. MC Gusto)

linktr.ee/mzinednb


Nostalgia is a thing that influences our cultural creation and consumption today, but nostalgia is also how Drum & Bass finds a way to reinvigorate itself, and M-zine expresses this feeling immaculately. M-zine’s work is meticulous and transportive. He is an artist plucked from the deepest depths of Drum & bass music, and taking influences from genres like Techno, Hip-Hop, Soul & Funk, M-zine has carved his own niche in the Drum & Bass scene.
M-zine started his journey as a Drum & Bass producer in 2011 with Proximity Recordings with two funky releases in Peristaltic and Riddance. His first Vinyl release came in 2012 with Swiss-based label Demand Records. Endings, a hypnotic low-end roller was heavily supported by some of the heavyweights in Drum & Bass like Doc Scott, Skeptical, Spinline, and Loxy.
M-zine’s watershed moment as producer came in 2013; when he saw his music being released on labels like Dispatch Recordings, 31 Recordings, and Warm Communications, with a special mention by Tom Yorke’s “Pissing In The Wind On A Monday” for his release on 31 Recordings.
With big releases on labels like Dispatch Recordings, Commercial Suicide, Critical Recordings, 31 Records, a thumping release with Belgian trio Bredren that topped the Beatport charts, one LP plus several EPs and singles on Sofa Sound Bristol, and an EP coming out on Subtitles Recordings, M-zine has comfortably registered his name as one of the finest producers in Drum & Bass.


La nostalgie influence nos créations culturelles et notre consommation actuelle, mais elle est aussi un moyen pour la Drum & Bass de se revitaliser, et M-zine exprime ce sentiment à merveille. M-zine travaille de façon méticuleuse et expressive. C'est un artiste qui vient des profondeurs de la Drum & Bass, et en puise ses influences dans divers genres tels que la Techno, le Hip-Hop, la Soul et le Funk, il s'est taillé une niche bien à lui dans la scène Drum & Bass.
M-zine a commencé son parcours de producteur de Drum & Bass en 2011 sur Proximity Recordings avec deux sorties funky ; Peristaltic et Riddance. Sa première sortie vinyle a eu lieu en 2012 sur le label Demand Records, basé en Suisse. Endings, un roller hypnotique, a été fortement soutenu par certains poids lourds de la Drum & Bass comme Doc Scott, Skeptical, Spinline, et Loxy.
Le moment décisif pour M-zine en tant que producteur s'est produit en 2013 ; quand il a vu sortir ces morceaux sur des labels de renom tels que Dispatch Recordings, 31 Recordings, et Warm Communications, avec une mention dans Tom Yorke's "Pissing In The Wind On A Monday" pour sa sortie sur 31 Recordings.
Avec de grosses sorties chez Dispatch Recordings, Commercial Suicide, Critical Recordings, 31 Records, une sortie fracassante avec le trio belge Bredren qui atteint le sommet des charts Beatport, un LP ainsi que plusieurs EPs et singles chez Sofa Sound Bristol, et un EP à venir chez Subtitles Recordings, M-zine a confortablement inscrit son nom comme l'un des plus fins producteurs en matière de Drum & Bass.







Nostalgie heeft vandaag een grote invloed op onze culturele creatie en consumptie, maar nostalgie is ook hoe Drum & Bass een manier vindt om zichzelf te vernieuwen, en M-zine drukt dit gevoel perfect uit. Het werk van M-zine is nauwgezet en transportief. Hij is een artiest die uit de diepste krochten van Drum & Bass is geplukt, en met invloeden uit genres als Techno, Hip-Hop, Soul & Funk heeft M-zine zijn eigen niche in de Drum & Bass-scene ontwikkeld.
M-zine begon zijn reis als Drum & Bass-producer in 2011 bij Proximity Recordings met twee funky releases : Peristaltic en Riddance. Zijn eerste Vinyl release kwam in 2012 met het Zwitserse label Demand Records. Endings, een hypnotiserende low-end roller werd zwaar ondersteund door zwaargewichten in Drum & Bass zoals Doc Scott, Skeptical, Spinline en Loxy.
M-zine's keerpunt als producer kwam toen hij in 2013 zijn muziek begon uit te brengen op labels als Dispatch Recordings, 31 Recordings en Warm Communications, met een vermelding in Tom Yorke's "Pissing In The Wind On A Monday" voor zijn release op 31 Recordings.
Met grote releases op labels als Dispatch Recordings, Commercial Suicide, Critical Recordings, 31 Records, een dreunende release met het Belgische trio Bredren die de top van de Beatport charts haalde, een LP en meerdere EP's en singles op Sofa Sound Bristol, en een EP die uitkomt op Subtitles Recordings, heeft M-zine met gemak zijn naam geregistreerd als een van de fijnste producers in Drum & Bass.



Bookings & other enqueries:

Deyaert.Joeri@gmail.com

After a background in traditional piano training and progression onto the electronic organ during childhood, I got my first 16-bit computer aged 13 in the form of the Commodore Amiga 500.
Somebody gave me copies of Soundtracker software and the ST range of sample disks, and along with my best friend, we began making our own tunes. Then along came MED Sound Studio and we started really getting to grips with producing using just the Amiga and simple keyboards.

As our output grew and the next few years unfurled, so we created first Q-P-I Music (Quadrosonix Productions Inc), 'Headlong Recordings', and finally 'Unborn Records', all basically label names for our growing output of experimental, late 80's/early 90's rave-influenced tunes. I became CJ Shadow, making hardcore, techno and jungle style tracks, while CJ Trinity made remixes of more commercial sounding tunes like that of The Prodigy and laid-back house/techno stuff, and developed a more general electronica-like, ambient, trance-style sound.

By the time we left school in 1992, aged 16, we had produced well over twenty C90 cassette albums of material. The next year or so saw investment in our kit as we upgraded to Amiga 1200 computers, better synths, and for the first time the introduction of simple mixers and decent monitor speakers. The quantity of our output certainly reduced, but the quality significantly increased.

Though our paths in life diverged significantly at aged 17, we continued to produce an evolving sound, improving and honing our individual styles and incorporating our personal influences as jobs and money allowed investment in better software and hardware. By the time the internet was a thing and even before ADSL (broadband) I was releasing the best of our music on unsigned music websites like MP3.com. Uploading several hours of music on a dial-up connection, now that was fun :)

By the turn of the millenium we had our own website, unbornrecords.net, and ran it as our label and home online to promote our music. CJ Trinity's material was by now very much in the house/trance and dance remix genres, whilst mine was definitively a breakbeat-driven, jungle and drum&amp;bass sound, reflecting the scene I was busy raving in every weekend, and immersed in fanatically. We sold a few CD albums, got quite a lot of downloads and generally enjoyed what we did, but life got in the way of it ever becoming more than a hobby.

Though our music continued to increase in quality and get some serious attention from a few people in the right places, sadly by 2005 we both had so much going on in our separate lives and so little time for music production that the website fizzled out, and along with the demise of several of the unsigned artist sites we had our material on, our music basically fell off the edge of a cliff. CJ Trinity's unfinished but astonishingly good final album, 'Atmospheric Hi Trip', really showed how far and complete his particular dance sound had come. My last CJ Shadow album, entitled 'Kitchen For No Reason', was completed that year and actually reflects how complete and professional my DnB-based sound was becoming. Even today, everyone who hears it seems to agree that it truly is a crying shame that I never continued making music.

Since 2005 I remain infatuated with the Drum & Bass scene, keeping up with the massive online output and trends, going out whenever possible to the dances and just loving everything I'm hearing and seeing. Recent months have seen me going through the old hard drives, listening to our old music, and a dawning realisation that I cannot allow this part of my life to die. And having now stumbled on a folder of projects and work from 2005 that basically constitutes what would have been my next album, I have decided to plug myself back into production.

2025 sees the 20th anniversary of the release of Kitchen For No Reason. I can confirm that a new LP is on its way, produced under my new Ignomius Darka moniker.

https://ignomius.com

Few Things On My Mind (feat. MC Gusto)

M-zine

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