Double Bouble

Zolod's Requiem

dreamcast

Eine Elektronische Komposition aus NUR selbst aufgenommen Wassergeräuschen. Alle Klänge, Geräusche und Sounds sind mit Hilfe von Ableton Stock-Plugins und Max4Live-Tools modifizierte Wasseraufnahmen. Es entwickelt sich von klar zu erkennenden Geräuschen zu abstrakte und verfremdeten Sounds und Rhythmen. 
Besonders der Granulator || war ein grosse Teil dieser Arbeit! 
Viel Spass :)

Nexum Alienorum

archive3.eyerate

new Various Artists release on area127 with experi~mental focus
buy: area127.bandcamp.com/album/127va003

artist: @solatzz

Solatz - Magnoliopsida [127VA003]

Download

I.E - Swamp Dealer [IE006]

Marking both a new chapter and a deepening of our collective’s spirit, we’re proud to present Emergence, the latest EP from Sioc, and to welcome him as our newest resident.

Each piece charts its own terrain, yet all are bound by a thread of immersive depth, a sound equally suited to the floor as to introspection.

Welcoming him into the residency feels like the natural progression of a connection built over time: from contributing to our V/A Extravision, playing at past events, to now shaping our future line-ups and releases. His approach - meticulous, immersive, and deeply textural - embodies the ethos we hold at our core.

@sioc28
Pre-order now: https://vhmnc.bandcamp.com

Premiere: Sioc - Aura [VHMNC005]

Had the best time playing this set at Kune Festival this summer <3 

https://soundcloud.com/kunekbh
https://www.instagram.com/kunekbh

Matriark @ Kune Festival 2025

Living Room n°88 ~ @user-195275547

q. pls introduce yourself…
Hello, we are forest.exe (Sven and Silvan). We run a label that focuses on ambient, avant-garde and experimental music. It is called Jurassic Ambient Records. The name is inspired by the Jura forests in Switzerland, where we live and grew up. We create our own mixes and also release guest mixes as well as music from friends and anyone interested. We started about four years ago. Over time, we gradually moved away from technoid sounds and club culture, and began experimenting and mixing together within the genres of ambient, experimental and drone, where we felt more at home. For us, it is essential to connect music with the wellbeing in nature, which is also the origin of everything.

q. is there a story behind the mix?
This time we created the mix with Ableton in Sven’s home studio, nestled near the Jurassic forest — not, as we usually do, in a rehearsal room with a Pioneer setup. It was a warm and luminous day at the very beginning of summer. Surrounded by nature, we let the atmosphere guide us, working spontaneously and intuitively. Instead of CDJs, we wanted to explore a new approach, giving ourselves more time and space to shape the flow. This allowed us to engage more deeply with each track and to sculpt the transitions with greater precision.
The result is a mix that feels reduced and calming, almost dreamlike, yet still carries a quiet strength. It mirrors the uncertainties and concerns we feel about the world, and the question of how we might navigate through them. We dedicated an entire day to the process, with pauses, a few beers, and long conversations about the value of music and the character we wanted this mix to embody.

q. what’s the best way to enjoy your mix?
Step into the forest, put on your headphones, leave the world behind and sink into natural, calming sounds. You might wander along the paths and lose yourself in the embrace of nature, or sit quietly on a tree stump, listening to the mix while observing the subtle life unfolding around you. This is, in essence, what our name forest.exe is meant to evoke.

q. describe a favourite object in your living room...
Silvan: My favourite object in my living room is a handmade ceramic piece with an organic, natural design. I discovered it in Krakow last year during my visit to the Unsound Festival.
Sven: Hehe… epic indeed. My favorite object in my living room is a triptych of three Japanese woodblock prints. In the first, several farmers brandishing katanas burst forth with fierce cries. In the second, a lone farmer leaps dramatically over a waterfall, sword in hand. And in the third, a bear flees from the oncoming attackers. The imagery is raw and powerful, yet strangely inspiring. I don’t know the artist or when the pieces were created — but stumbling upon them in an antique shop felt like a stroke of fortune, as if they had been waiting there for me.

q. are you working on any projects right now (music or not music)?
We are both working on new music, though it often takes a lot of time — which can be challenging, since we both work more or less full-time as social workers, and Sven also has children. Still, we meet regularly to create ambient mixes, discuss musical developments, and continue shaping our vision for the label. Through it, we keep releasing new mixes as well as music (EPs) from ourselves and from other artists.
What we love is that this project has been with us for quite some time, and we can move at our own pace — deciding how much energy to put in, or when to slow things down. That way, it never becomes stressful, because we are not chasing success, but rather sharing our musical principles and offering others a fresh listening experience. We are also searching for a spot in the forest where we can record outdoor mixes, letting nature inspire our music even more directly.

Living Room n°88 ~ forest.exe

HbA-21: Various Artists - Refraction of Light Vol. II (Amniote Editions 2025)

@bluhol

Voslaarum - Helocrene Spring (Presented by BluhoI)

As a central figure in international underground scene, Matriark has steadily built a name through a thoughtful, no-nonsense approach to djing. Her sets are marked by a deep affinity for stripped-back techno, warm percussion, and hypnotic grooves, often balancing minimalism with emotional depth. Whether in a sweaty basement, an open-air rave, or a tightly curated club night, she brings a distinct presence—focused, precise, and always listening. Alongside her work behind the decks, Matriark is also known for her curatorial role in several local initiatives, helping to shape and support a more inclusive and sustainable club culture in Copenhagen.

“My mixes don’t always need to represent what I would play in my DJ sets, because that depends on many other aspects (the party, set time, location, etc.). But I like to have a theme, mood, or genre for myself to keep it interesting. It’s been a long time since I made a trance mix, and for this platform it makes a lot of sense to me. This mix is inspired by all the amazing trance I’ve been hearing on the dancefloor this summer. Hope you like it!”

@matriarkcph

dreamcast

m0ritz

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