77 Hours of Confusion

This is side B of the split EP with TYSK RAIDER onmindcolormusic

aux449

ergotine

From the album "Wave Shaped Serotonin" available now on Band Camp |
Limited Md PRMD-74 edition ▲ ◘ ▲ 
https://open.spotify.com/album/4OnsVHujH4VEwnRk3eW1ez?si=_ZxEOhmmQgeDi65OSNcS0w

Wave Shaped Serotonin

Counterintelligence

Proper Format

[ATPN003]
VODOR L ZECK_Psychodelic Shareholders EP

1.Roundup
2.Frightagupeinz
3.Keepoptimism
4.Yurlie
5.Tlixadventures
6.Takeawaywiththedog

For the third release of our catalog, we are proud to share this beautiful work from VODOR L ZECK.
The man behind the « zanderhytm » cassettes project delivers us a beautiful and generous bunch of tunes.
This 6 tracks EP drives you into an introspective journey, where stunning breaks are intelligently mix with sweet melodies and deep pads.
« Psychodelic Shareholders EP » is fully made of feelings, so expect melancholy on this one.
Keep optimism & Spread love.

©+Ⓟ Antipattern.dpt 2019. All rights reserved. 
Written and produced by VODOR L ZECK, Berlin. 
Mastering by TEMUDO, Portugal. 
Artwork by Pierre Louis Thirion. 
Graphic Design by Hugo Fauvez. 
Antipattern.dpt logotype by Martin Payot.

[ATPN003] VODOR L ZECK_Psychodelic Shareholders EP (snippets)

Dominique Vaccaro, Overlapped Memories

Master Victor Outters
Artwork Marilou Gosselin

yab / yvanko - Necton

@ https://soundcloud.com/karlfousek

Established as a key voice in modern synthesizer music, Karl Fousek’s focus lies on the sense of movement inherent in his modular. And it is indeed ‘movement’, along with its close cousin ‘time’, that seems to inform the pure experimentalism with sound generated on Another Use For Time. Fousek’s tones flurry back and forth across and inside each other, with the Canadian composer oscillating between the macro and micro gestures of his instrument to create a sonic sculpture in constant motion. Fousek himself describes it as an album made in transition: “It's kind of a reflection of my past work and taste and techniques, while also trying to move forward.” 

Unusually for Fousek, these three pieces were recorded at separate times, straddling a period of transition as the artist left Montreal to move back west to Vancouver. 

The album’s opening 18-minute exploration, ‘What Was Once Or Twice’, was recorded in Seattle, and is split into two movements. The first sees Fousek introduce a variety of whooshes, bleeps, and frozen tones, and the second sends them spiralling out of control, and receding back into the outer reaches of his setup, short circuiting and colliding into mind bending new forms that seem to fold space-time. The entire piece is built around a custom software delay network that “reacts automatically and changes itself based on the incoming signal”. 

The brief interlude at the centre of the record – ‘Circling’ – dates further back to 2016 and deploys those embryonic delay techniques Fousek would later develop, while the second two-parter dates to Montreal in 2018. Constructed from noisier jams, “Time For Another User” is dense with ideas; an attempt to make a “classic” electroacoustic composition devoid of narrative and structure. Algorithms and spontaneity are deployed to encourage maximum disruption, making it a sonic smorgasbord that rewards close listens. Every modest, Fousek views it differently. “Hopefully,” he says, “it just floats by.” 

credits
releases May 1, 2020 

What Was Once Or Twice recorded 2019 at The Chapel, Seattle. Circling recorded 2016, Montreal. 

Time For Another User recorded 2017-18, Montreal; Philippe Vandal contributed additional synthesizer. 

All tracks compiled, edited and mixed 2020 at Deep Blue, Vancouver. 

Mastered by Josh Stevenson at Otic Sound. 

Artwork by Maurizio Vicerè from the HOLOGRAMS series. 
www.akavice.com

Another Use For Time

_ph002 Karl Fousek - What Was Once Or Twice Part 1

Short excerpt of a 40 minutes live improv 
15 October 2019 @ Les Instants Chavirés
Sharing the bill with Kate Carr, a concert produced by La Fabrique Agitée
https://www.instantschavires.com/kate-carrvalerie-vivancos/

Valerie Vivancos Live Instants Chavirés  15 Oct 2019 (excerpt)

Splinters as a composition has a dream like quality, dark and enigmatic. Electronic noise colours the drone and bubbling soundscapes of a somewhere. Repeating musical phrases mix with recognisable sounds from life - a spoken utterance, a rumbling train. As a listener you drift with the current through misty scenes, on a journey down a river towards some marshland on the edge of an urban sprawl.

Made in response to an invitation from TACO! - an artist space in Thamesmead in South East London - Splinters documents Kate Carr’s relationship with that space, and the area of London it is located in. Over an 18 month period Kate kept a growing sonic diary of her journeys to the space from her home, her construction of work in the gallery, her wanderings around the green spaces and urban architecture, the coming and goings of visitors and the artistic material from other artists and musicians working at the space. This work is a sonic portrait of a time and a place, and the actions and events within it.


Splinters includes audio samples from concerts and exhibitions held at TACO! Featuring material from live sets by Liz Helman, Tom White, Rebecca Lennon, Pouya Ehsaei, Jonathan Higgins and Hannah Dargavel-Leafe, and audio material from the exhibitions Scratch! by George Barber, and Heavy View by Laura Yuile.

Mat Jenner, director, TACO!
--------------------------------------
Mastered by Simon Scott at SPS Mastering.
Design by Louise Mason.
A huge thanks to Liz Helman, Tom White, Rebecca Lennon, Pouya Ehsaei, Jonathan Higgins and Hannah Dargavel-Leafe for permission to use short excerpts of audio material from their wonderful live sets, and to George Barber and Laura Yuile for access to audio from their installations. 
Also massive thanks to Mat Jenner for inviting me to TACO in the first place!

Detritus Clouds from Splinters out Sept 3

1986754

Night Foundation - Hold That Thought

M T Hall is a  multidisciplinary artist, producer and DJ based in Liverpool.

77 Hours of Confusion

M T Hall

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