This was the warm up set from about 20 minutes in to about the 2 hour mark as things started to get a bit more heated.

It's a house party after all, so it's a bumpy ride at times...

Tracklist:
Prince - Controversy (Mighty Mouse edit)
Steve Monite - Only You (Frankie Francis Disco Jam Edit)
Gino Soccio - Try it Out
Metro Area - Dance Reaction
Stephanie Mills - Put Your Body In It (12" Version)
Fatima Yamaha - Love Invaders
Alice Smith - Love Endeavour (Maurice Fulton Remix)
Drake - Passionfruit
Mr White - You Rock Me - Long Version
Parra for Cuva - Cupa Cupa
Sueno Latino - Sueno Latino (Paradise Version)
Bonobo - Cirrus
Keinemusik - Pussy Power (Desiree Remix)
Alison Limerick - Where Love Lives (David Morales Remix)
Genius of Time - Houston We Have A Problem
Joy Orbison - Donell
Romanthony - Bring U Up (Deetron Edit)
Peggy Gou - I Go
Ebo Taylor & Pat Thomas - Eye Nyam Nam "A" Mensuro (Henrik Schwarz Blend)
X-Coast - Velvet Rope
Orion Agassi - Dos Blokes
Barbatuques - Baiana (Pablo Fierro Edit)
Dele Sosimi Afrobeat Orchestra - Too Much Information (Laolu Remix)
Rampa feat Chuala - Les Gout

murg @ ATM, 18-02-2023

It was my first Draaimolen and no one knew it which was great. 
It was also my first encounter with Addit Audio and their sound system installed for the first time in its full glory. I can't recall being brought to tears during one soundcheck.
So there were no news, no algorithms, no expectations to be disappointed. The pit was not announced. It felt like a curious manifestation of something paranormal.
Wonderful sound system, records and sweetest weather.  
Those who found us in the small pit in the middle of the forest most likely didn't know what was going on. 
For the most part of the first 5 hours I figured out that it would be great to play for and with the sound guy, playing right and wrong records and figuring out which one sound good. Research and development mission for Addit Audio.
After 5 hours ISAbella joined for a brief back to back session. Everything can happen in the realm of paranormal. Luckily she stayed and we played together for the next 3 hours until the last song, the one for the deceased. Probably as close as it gets to transcendence. 

Thank you all. You know who you are. 

Vladimir Ivkovic

Vladimir Ivkovic at Draaimolen Festival 2024

Club futurism and a stack of new material from one of São Paulo's boldest shapeshifters.

BADSISTA doesn't do stasis. In fact, he prefers to be in a constant state of motion. It was immediately obvious when the São Paulo artist broke out with his 2016 self-titled EP, in which a bass-heavy melange of baile funk, dembow and trap demonstrated an ability to satiate almost any dance floor.

But BADSISTA continued to evolve through the different moods and textures of the club: from experimental compositions with Brazilian trans icon Linn Da Quebrada to ballroom bass and heads-down funk shellers for TraTraTrax.

This RA Podcast finds BADSISTA in a fluid place once more. The mood starts out slow and moody—one of a slew of unreleased BADSISTA tracks—before seamlessly morphing into the soul-stirring synthwork of Al Lover Meets Cairo Liberation Front. Then he gets playful: tasteful, techy house morphs into smutty baile funk. (And as for the guests, look out for Sully's "XT" and a spicy Batu rework.)

BADSISTA's style is connected by a uniquely Latin sense of rhythm and groove. Here, dramatic synths build up to even more dramatic funk crescendos. Perreo rattles appear in and out of the mix, as if acting as a reminder for people to move. But really, above all, this mix radiates with aliveness.

When you whittle it down to the bare essentials, all that matters is the joy and connectivity you feel within yourself and the world around you. BADSISTA is an excellent facilitator, and you'll hear as much on RA.991.

@badsista

Find the tracklist and interview at ra.co/podcast/986

RA.991 BADSISTA

recorded live at good work in a backyard on a lovely saturday in brooklyn

Loidis @ Good Work - 12 July 2025

London-based artist Sybil is a true storyteller behind the decks, celebrated in equal measure for her cinematic take on techno as she is for crafting deep ambient journeys that soothe the soul. Whether for the dancefloor or for introspective listening, her selections are always guided by a distinct emotional depth, weaving intricate sonics with a healthy dose of psychedelia for good measure. 

Exploring the inspiration for this flawless session, Sybil describes it as:

“I’ve dived deep into the ocean for this mix, a wave through time, flowing between psychedelia of the 70s, 90s, present-day and beyond. A modern take on 90s chillout mix CDs, a meditation on the ocean, a sun-soaked holographic daydream by the sea ~~~”

Tune in now for a timeless deep trip through the past, present, and future.

Follow:
https://soundcloud.com/syberkid
https://soundcloud.com/deep-mind-music
www.instagram.com/sybil_dj
www.facebook.com/sybil.dj


Monument Waves 005 : Sybil

Hi all,

Heart Somersault Radio is a new personal mix series from me ft unreleased music, club tracks, new productions, and DJ sets I’ve recorded live at shows.   I’ve been in more of a dance floor headspace for a while, so decided to do something with that energy.

Enjoy,

Tom

Heart Somersault Radio 01 (Tom VR)

RA.1000 launches with Theo Parrish, live at fabric: a vanishingly rare club mix from the king of deep crates and impossible transitions.

There are DJ sets and then there are Theo sets. No matter how many times you've caught him in action, every time still feels like the first. Running hot, levels smoking, isolator working over time. You think you know dance music? Think again.

Parrish's long-awaited debut on the RA Podcast is a milestone for the series, one we've sought for over 15 years. So it was only right that Theo led off our 1000th celebrations, the first of ten mixes this week. Recorded live at fabric last December as part of RA's collaborative party with the London club for their 25th anniversary, this three-hour segment documents the crescendo of his eight-hour marathon. 

The Detroit legend doesn't release mixes often, and when he does, they're usually studio recordings: think NTS shows, his 100% Detroit edition of DJ-Kicks or classic tapes Body (1997) and Methods of Movement (2020). A capture of the Sound Signature boss on the dancefloor is hard to come back. On RA.1000, you'll hear Theo in his element.

Sure, there's galvanising build-ups and crowd-pleasers, but laced throughout a Parrish beatdown are rarities designed to shock the system. In a business dominated by image-driven marketing, the vinyl master towers above thanks to a relentless hunger for lustrous melodies, moods and textures of all stripes, which he and he alone can fold into an inspiring and exhilarating joyride.

On RA.1000, blissful reggae precedes new wave disco; '80s R&B morphs into synthy techno; bleepy Chicago jack makes way for a poignant vocal ballad. Theo, once again, proves that anything and everything is possible with the right records.

@theoparrish @fabric @soundsignaturedetroit @crownruler

Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co

RA.1000 Theo Parrish

Wednesday morning was something else. DJ Tennis curated a full day of back-to-back sets on the Robot Heart bus, calling it Tennis Doubles. The highlight was the sunrise set with Simon, aka Bonobo. It was Simon’s first Burn and the rest is history. 🎾🌞❤️

In DJ Tennis’ words, “Robot Heart is family. When they asked me to curate the Wednesday lineup, I knew I had to bring Simon for his first Burn. That sunrise was pure magic playing side by side with an artist I deeply admire, as the desert came alive, felt like it was always meant to be. After more than a decade here, the Burn still takes my breath away like no other place.”

YT: youtu.be/0F6KyA4g71g
https://soundcloud.com/djtennisdjtennis / instagram.com/djtennis
https://soundcloud.com/bonobo / instagram.com/si_bonobo

Cover photo: John Dill @johndill / www.sliceofdill.com

DJ Tennis B2B Bonobo - Robot Heart - Burning Man 2024

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. Full send — this one's special.

Gabriel Szatan, Editor (RA): When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes, chronicling a moment when the resting heart rate of dance floors plunged lower than potentially any comparable point in the 21st century. A masterclass, and entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like a racecar.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. We sought to render an accurate picture of DJ culture in 2025 for the longhaul.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

Sublime rhythms from the London selector.

murg @ ATM, 18-02-2023

murg

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