Concrete

Track taken from Point Source Electronic Arts 3rd Showcase Compilation.

Cienne

Marco Lucchi : synthesizers and tape

found sounds
https://freesound.org/people/felix.blume/sounds/154961/

Equinozio d'Autunno

The story is told in two acts;

both acts are ‘‘é®±’Ω˙, using only

vaguest of: colours, movements, and shapes.

-

**ACT I**

Colours: blue and orange, interspersed with a bit of red, green and smudgy white;

Movements:

* erratic (chaos)
* multidirectional and short-lasting, as if viewing a galaxy from outside an event horizon*
* swirl that makes sense for only a few moments but keeps swirling,
upholding momentum but no,
no story or:

*no correlation between the sprawling, sculpting lines.*

*dimply smudged, incomplete.
* unwavering
* undisturbed, spacious movements that follow each other almost seamlessly;
* high contrast, stronger hue and light against darkness, clear black and white colours.

* laconic
* exactly two movements are shown before an interval between them.
* after the interval,
a new movement is shown.
* This continues in a repetitive loop.

Shapes:

* a simple, a very simple shape is shown repeatedly.
* the shape is painted a clear colour; the drawing is

almost technological in

a way, purely outlines and

a simple pattern.

Time:
* the first act has two sequential musical compositions by Ocsid.
* the two compositions are shown along with two identically long repetitions: of

music and visuals.

* the compositions stay in medias res.

**ACT II**

Colours: bright, opaque white, pitch black and subtle smudgy beiges.

Movements:

* short, staccato and fast
* light, quick brush
strikes against the paper, adding light, white pigment onto the beige, almost white canvas.

* slightly slower in both moves, but overall very quick and comprised:

of four different movements that are in a repetitive loop.

* controlled
* follows some invisible lines,
sometimes a movement or two branches out and then follows the main line again.

* pixelated

* at first the movement is

a continuosly fluid one, but towards

the end of the composition,

it seems like the movement

is comprised of countless small movements;

technically it still is

a fluid movement, but

visual it seems that these

small movements are

composed of smaller

moves and so on –

the brush-stroke can

be seen as individual blobs:

two in one, four in one, eight, sixteen and so on.

Shapes:

* a line is drawn against

the paper, growing thicker and

thicker as the movements expand and

multiply; it is thick enough

to be called a hexagon,

but with a few quick movements

it becomes a line again.

Time: the second act
* has a longer

composition, which

starts out with

a wibe, and

almost slow,

dragging

movements

and slowly builds

up to a

stronger,

blistering,

pythonian

signature

ﬁnale.

.˛˘ ⁄>\\⁄√/|¸ •.

syntonic 
the acquiescent bend 
of a willow

haiku by Jenn Ryan-Jauregui https://twitter.com/jennfel

picture by SQ He https://unsplash.com/@idwyss465

For more information visit http://www.naviarrecords.com/about/naviar-haiku

flinty nachos

halF syntoniC [naviarhaiku465]

Dighty Water v2 (Live Recording) 20.12.22

Just a bunch of MatrixBrute live recordings looped, sync'd and mixed together... for science.
All synth and percussion sounds and effects made by The Brute (plus a little digital delay).

BruteLoops1

This world is cruel but beautiful.

You can download all kukan effect's songs for free on Bandcamp. I would be happy if you could listen to it.

https://kukaneffect.bandcamp.com/music

#ambient
#ambientguitar 
#drone
#electronica 
#Japan 

■Official Site
https://kukaneffect.theshop.jp

■bandcamp
https://kukaneffect.bandcamp.com/music

■YouTube
https://youtube.com/@kukaneffect

■Spotify
https://open.spotify.com/artist/1AMsFh39nvVYLpqYfyfrrg

■Twitter
https://mobile.twitter.com/kukaneffect

■Instagram
https://www.instagram.com/kukan_effect

■Facebook
https://www.facebook.com/profile.php?id=100084217587504

nostalgia - mastering ver.

UA: Schlosstheater Rheinsberg, 2018
Katherine Spencer - Flöte

Notenveröffentlichung in dem Buch 70 Rheinsberger ­Solfeggien
Ein Flötenbuch für Friedrich II., hg. von Ulrike Liedtke
----------------------------------------------
Premiere: Castel Theater Rheinsberg, 2018
Katherine Spencer - flute

Sheet music publication in the book 70 Rheinsberger ­Solfeggien
Ein Flötenbuch für Friedrich II. by Ulrike Liedtke

Fréquence du Solfège für Flöte

Dark ambient soundscapes for your pleasure, relax, chillout and enjoy.

DARK AMBIENT - THE MALIGNANT TEMPLE

ambient \ idm \ acid

(dawless) live hardware jams


Dighty Water v2 (Live Recording) 20.12.22

maRc1n0ZɅ

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