Cool work! Nice use of a minimal aesthetic. Tense and creative, mysterious

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COMPOSITORAS ⊙◉○◌◍◎●| Womencomposers | Lista de reproducción realizada por Melissa Vargas

Resound for ensemble, voices and electronics
Composed by Sonja Mutić
Performed by National Sawdust ensemble and Constellation Chor
Filmed at National Sawdust as a part of the Hildegard competition commission concert
released on March 11, 2021.

National Sawdust Ensemble:
Stephen Gosling piano
Miranda Cuckson violin
Jeffrey Zeigler cello
Sae Hashimoto percussion
Oran Etkin bass clarinet

Constellation Chor:
Maya Carney soprano
Sarah Beth Pfeifer alto
Heath Saunders tenor
Raphael Sacks baritone

Sound design and recording:
Charles Hagaman
Garth McAleavey

Resound for ensemble, voices and electronics

Altérité

I Am So Confused (Version Snglr) [feat. Senglar]

hyperreal

Based on an improvised jam with keyboards and guitar drones. 
This extended soundscape shifts between lighter and darker textures seeking to ascend. The photo was taken in February 2022 at Castle Rigg stone circle.
https://www.english-heritage.org.uk/visit/places/castlerigg-stone-circle - Thanks to Mark Suttle for mastering (M7 music)

Ascendant

For  :   Extended  Piano , Electronics , Percussion ,  Cello

Inspired  by  Samuel  Beckett  last  play  :  WHAT   WHERE


DROR  ELIMELECH  --  EXTENDED  PIANO , ELECTRONICS
YOAV  JACOBY    --     PERCUSSION
ULRICH  LANGENBACH   --   CELLO

WHAT  WHERE

DAMN

Inspired by this haiku written by Santōka, a wandering poet and ascetic Zen priest, he was a disciple of Ogiwara Seisensui, one of the first poets to discard the traditional use of the 5-7-5 structure in haiku.
Santōka’s poetry emphasizes the necessity of sabi (solitude) in order to achieve spiritual enlightenment and serenity.
Early morning,
One star remaining,
It’s a good day too.

Haiku by Santoka Taneda https://www.chzc.org/Nonin.htm
Picture by freezydreamin https://unsplash.com/photos/SV3V-D1G2q4
For more information visit https://soundcloud.com/naviar-records

My Naviar Haiku

In the rays of a morning star (naviarhaiku492)

In The Rays Of A Morning Star (naviarhaiku492)

Corrientes

MEDITATION  ON  TIME  AND  RIVER

when I change guitar strings I don't cut the part that is left over, like civilized people do, but I leave it and use it sometimes to make noises or to stop some strings from playing. In this case I "played" only these pieces of string, without touching the guitar

offshoots

2016

Extract from Les Constellations - Une Théorie, devised opera on a libretto by Antoine Thiollier, conceived in collaboration with the theatre company L'Éventuel Hérisson Bleu, produced by Miroirs Étendus and co-produced by Lille Opera.

Performed by Marianne Croux (soprano), Josephine Stephenson (electric guitar), Fiona Monbet (violin), Antoine Cambruzzi (clarinet), Romain Louveau (piano), Marion Bordessoulles (voiceover)


Watch the live video teaser of this extract: https://vimeo.com/191270350

Les Constellations - Une Théorie: Je voudrais dormir

Macarena Rosmanich
Un signo en tu sombra (2018)

Pablo Coello, sopran saxophone.
Live recording. Concierto Corrossion Resistance. 
Centro Cultural o Vello Cárcere, Lugo, Spain.

Un signo en tu sombra (2018) for sopran saxophone

Live Recording, 18 de Abril 2018. Conservatorio UNAL, Bogotá.

Hara Alonso: Piano cotidiano / Carmen Morales Moreno

Obra comisionada por la Cátedra Arturo Márquez 2017 UNAM
OJUEM
Dir. Massimo Quarta 
Sala Nezahualcóyotl
Marzo 2018
(Live take)

Cleptinae

MOKITA 

Creative Sources 2018

Cecilia Quinteros - cello
Christoph Gallio - saxos
Alex Elgier - piano
Marcelo von Schultz - batería

Grabado el 12 de mayo del 2017 en Estudio Libres, Bs As
Grabado y mezclado por Sam Nacht. Masterizado por Will-Y Strehler 
Diseño gráfico por Anne Hoffman. Foto de portada por Claudio Moser. Toda la música por Mokita. Producción ejecutiva por Ernesto Rodriguez.

MOKITA

Prosopis Ferox (MOKITA)

Macarena Rosmanich, a Chilean composer based in Germany, is one of the most active international voices of a growing scene of Latin American female composers. Although her career has developed mainly in Europe, her eagerness to motivate future female composers in her country of origin, makes her have permanent contact with the contemporary Chilean scene. 
The concept of intertextuality is at the center of her work. Each piece is linked to other pieces, through elements that are then developed in a new context, generating a universe that interacts and evolves internally. This universe is not isolated, but also discusses or is inspired by narrative literature, poetry, art, as well as social and political events.  All this works as an engine that triggers a flow of sound relationships that give rise to her work. 
"The close relationship between compositional work and literature, has led me to conceive spaces that complement each other and merge into a unity through music. My approach seeks to provide the poetic form with a new temporal dimension, a sort of collaboration between sound and word that transcends conventional boundaries. In essence, my purpose is to blur the boundaries of pre-existing form and structure in a work, rearranging them in such a way as to configure a new work, thus redefining the essence of the original. This process not only involves a stylistic transformation, but also seeks to open up new routes of interpretation, allowing the musical composition to dialogue in a unique way with the poetry and, in turn, establish a richer and more dynamic connection with time."
Her work ranges from chamber and vocal music to works for orchestra and musical theatre. She has worked with numerous international soloists, orchestras and ensembles, such as Musikfabrik, Kommas, Via Nova, Mosaik, Recherche, Multilatérale, United Instruments of Lucilin, KNM Berlin, Vertixe Sonora, L'ART POUR L'ART, Reflexion K, Broken Frames Syndicate, among others. 
Her works have been performed in Latin America, Germany, France, Italy, England, Spain and Luxembourg. 
She studied at the University of Chile where she graduated with distinction and continued her postgraduate studies with composer José María Sánchez Verdú at the Robert Schumann Musikhochschule in Düsseldorf and later a master's degree in composition at the University of Freiburg with Johannes Schöllhorn.
Macarena Rosmanich lives and works in Cologne, Germany.

https://rosmanich.com/

Contact: macarosmanich@gmail.com

❣ Vivir así, en una música 【al margen de la costumbre】

Un signo en tu sombra (2018) for sopran saxophone

Macarena Rosmanich Le Roy

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Macarena Rosmanich Le Roy

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