Mach

Terror Management

Windhoek (feat. Mach Hommy)

CoffeeBlack - Mind Crawler (feat. Ahmir & Mavi)

Chris Crack - Ghetto Bitches Took All The Security Jobs

(ESCOVISH FISH REMIX BY YUNGMORPHEUS) ITS A REMIX PLEASE DON'T KILL ME BRUH I JUST LOVE THIS BEAT
ORGINIAL SONG: https://open.spotify.com/track/16FHwdCw0fYoAHVCjgi50k?si=daa1fa1471e74211


LYRICS:
ALL THESE SNAKE ASS RAPPERS SLITHERIN AROUND
ROUND THEY GO TRYINA GET ME OFF MY MOUNT
LETS KEEP IT AT BOUNDS YOU CAN'T PASS MY SOUND
SHOUTOUT TO CLIQUE THEY GOT MY GROUND
OVER NOW THESE RAPPERS SEEM TO TALK THAT LOUD
KEEP IT DOWN AIN'T TRYNA HEAR THAT CHATTER
BOXING WITH YA OWN WORDS YO SHIT BE FAKE
KEPT ME AT BAY, BUT NO YOU TRYNA SAY GRACE
SAY FACE LIKE NOBODY GAVE A FUCK ABOUT YA SO GIVE WAY
TYPIN ASS HOES HATIN ON MY CRAFT, WHILE I BEEN IN MY POCKET, NO CHANGE ATTACHED
TILL I COLLPASE ILL BE THE NO-FI GENERAL
LITERAL TALK, MY COLLECTIVE LETHAL WITH THE PEN-WE MILITANT, GRINDIN TILL THE END
NO AMENDS TO THOSE WHO STEPPED ON OUR PATH, NOW YOU CAN'T HANG WITH US THEN
THATS THE MESSAGE WE SEND LEAVING US FOR LESSER TALKIN DIRT UPON MY FRIENDS
CUT OFF THE CYCLE YOU RAP SCHEMES ARE JUST FOR RECYCLE
YO VERESES LIKE LOOPED TRACKS WHILE I BUILD A BIBLE
TIDAL WAVE MOVEMENTS, LIKE POSIDEN IDOL
WHILE YOU SITTIN IDLE, ACTING ALL ENTITLED
RIVALIN AGAINST ME, YOUS BOUT TO SPIRAL, CUZ YA SHIT AINT HITTIN, THATS FUCKIN VITAL
I'LL STILL BE TOP DOG AND THATS MY FUCKIN TITLE
#scfirst #boombap

SNAKEY

Lryical

Jack Kevorkian

Tha God Fahim X Camoflauge Monk - FORTNITE

Throughout Montreal’s history, few names ring out like Rufus Rockhead’s. Cultural pioneer and possibly the first Canadian black man to obtain a liquor license, Mr. Rockhead opened his eponymous jazz club "Rockhead’s Paradise" in 1928 on the corner of Mountain St. and St-Antoine Street in Little Burgundy. A landmark of Montreal’s "Sin City" era, a time when prohibition forced Americans to cross the border to get a snort, the club booked the biggest acts in blues and jazz from the 1930s to the 1950s. Establishing Montreal’s reputation as "Harlem Of The North", the institution supported local jazz artists, helping the likes of Oscar Peterson and Oliver Jones get their careers off the ground. By it’s closure in 1980, the club had featured the talents of Duke Ellington, Louis Armstrong, Fats Waller, Cab Calloway, Billie Holiday, Ella Fitzgerald, Leadbelly, Nina Simone, Dizzy Gillespie, Sammy Davis Jr. and many more. This project commemorates a somewhat forgotten time of cultural explosion and ground breaking artistic movements that layed the foundation for the vibrant, creative and diverse Montreal we see today.

Raps by Jimmie D
Beats by Nicholas Craven

Embarrasment of Riches (Choops)

Mach-Hommy

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