recording, performance, mastering, and design by machinepack
マシンパック

tracklist:
(A001) Sleep Deprivation (Pts. 1-3) 0:00  	(10:35)
(A002) WebMD Cutter 10:35 				(01:33)
(A003) Post Live Perform 12:08  			(04:16)

(B001) Desk (Pts. 1-2) 16:24  			        (04:52)
(B002) Oceanside, CA 21:15 				(04:20)
(B003) NSFW 25:36 					        (07:51)

TOTAL RUNTIME: 33 minutes, 27 seconds

https://adrianguzman.xyz

produced on iphone while on the clock at job, most tracks were based on the workplace's ambiance. mixed and mastered in fl studio 20
 
cover photography by irie

Datality

Datality - Full Noise Tape (2023)

All tracks produced, mixed, and performed by Adrian Guzman.

https://adrianguzman.xyz

(SIDE A) - MACHINE
00:00 - #1 At First Sight 
01:20 - #2 From Another Mother
02:28 - #3 Grinch Theme
04:37 - #4 Change is Needed
05:49 - #5 I Don’t Know
07:21 - #6 It’s Not Right
08:55 - #7 Shower
10:37 - #8 Candyland 
13:23 - #9 Twinkle
14:40 - #10 Quick
16:25 - #11 Heart

(SIDE B) - PACK
16:48 - #12 For Nephi
19:53 - #13 Am I The Greatest?
21:26 - #14 Better Luck Next Time
22:54 - #15 Shit!
24:26 - #16 Timba
25:50 - #17 Girl (Amor)
27:44 - #18 He Won’t Die
30:09 - #19 Swim To
31:18 - #20 Death of an American

All beats produced from my bedroom after I moved out to Spain. I was sitting on a thousand loosies and was frustrated that I couldn't point to any "completed" work, and thus the idea to create a tape was born this way. 2024 is mostly arbitrarily chosen, the dates just provide convenient walls for me to swim within. 

I still failed - you can tell because this is posted nearly 5 months after 2024 was over. Oh well... these things happen. Still got it out. Needed to get it off my chest before summer, where we'll make a full professional record with vocals. 

My dad saw me keep an FL Studio demo window open for a week (you can’t save and close the demo version), and so he pirated me my first copy. In other words, he noticed passion and bought me an instrument. Forever indebted. The completely irreplaceable experience of growing up in a tiny town in a flyover state and the musical culture that inhabits it. Harkening back to 7th grade discussing Hip Hop with Travis. My buddy Aidan for teaching me the ropes of audio production in empty university classrooms. Old history teacher for showing me Billy Woods and Dälek. Nephi for stickin’ by all the time and for the reciprocal fuel. Irie for “breaking the veil”, for showing me that someone could actually do that in real life. Still waiting on your tape btw. Everyone I ever freestyled with, even if you didn't rap but were just in the vicinity. Everyone from Hunter's house. Zuzu for driving me around all the time and playing good ass records. And the devotional mental energy. Ironing graphics on shirts to J-Dilla instrumentals at 4am off Sour-Patch Kids. The introduction of art into my life, arguably. Random professional afro-beat producer I met providing beats for a freestyling homeless man in a CVS parking lot in Salt Lake City who helped me believe in myself more. Nameless SLC rapper who asked me to freestyle longer at the open mic. Charles Hamilton for collaborating with me and validating me. Mudd for the energy. My girlfriend for the support and love. I am a mosaic craft by all those who ever surrounded me, if I forgot to mention you, I didn’t really, you’re in the music and the space between the words and notes. If that doesn’t feel familiar to you, then maybe you’re not, after all.

All the beats are for sale, potentially. We can talk about that, or I could prduce your whole project for you from scratch. Contact information is available on my channel. 

And last but motherfucking not least I hope you enjoyed atleast some of it, or it provided something that impacted you in a good way. Audio's strangely been my life's work, and this is like the tip of the iceberg of my entire oeuvre... which is odd. I don't see this stopping soon, but its nice to no longer be "hypothetical". That's enough words. Listen to the music.

machinepack

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