Anthill Mob feat. Yoush - When I Think Of You (CJ Reign Remixes)

Tracklisting:

1. "When I Think of You" (CJ REIGN's Super Bongo Dub) 05:45
2. "When I Think of You" (CJ REIGN's Super Bongo Vox Bass Dub) 05:46
3. "When I Think of You" (CJ REIGN's Super Bongo Bass Mix) 04:05
4. "When I Think of You" (CJ REIGN's Super Bongo INST) 05:46
5. "When I Think of You" (CJ REIGN's Broken Heart Vox Bass Mix) 04:48
6. "When I Think of You" (CJ REIGN's Broken Heart Drumz Bass Mix) 04:48
7. "When I Think of You" (CJ REIGN's Who Can Take Vox Bass Mix) 05:09
8. "When I Think of You" (CJ REIGN's Who Can Take Drumz Bass Mix) 04:11

Released 03 February 2014
Licensed Courtesy of Confetti records
Written & Produced by ANTHILL MOB care of CONFETTI Records.

CJ REIGN aka (Matt Falkowski) for Pleasure Studio Productions Poland - Managed & Signed Exclusively to One Tuff Music/2TUF-4U Records.
Backing Track Owned by 2tuf4u Records/One Tuff Music. 

Buy link: http://2tuf4u.bandcamp.com/album/when-i-think-of-you-cj-reign-super-bongo-dub
Buy link: http://2tuf4u.bandcamp.com/album/when-i-think-of-you-cj-reign-who-can-take-dub
Buy link: http://2tuf4u.bandcamp.com/album/when-i-think-of-you-cj-reign-broken-heart-dub

Anthill Mob feat. Yoush - When I Think Of You (CJ Reign Remixes) :: 2TUF4U

Pendulum - Slam

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Story Of The Running Wolf - Electric (Funk LeBlanc Remix) [Premiere]

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Witchcraft

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Thinkin' About Your Body (JH Remix)

Produced by JD Reid
Song taken from Fatima's forthcoming album And Yet It's All Love 
Summer -18 
Eglo Records

Somebody Else - Single

Somebody Else

ben hixon edit of Sandy Barber - I Think Ill Do Some Steppin (Of My Own)

Sandy Barber -Steppin' (BHEDIT)

Killall

'A Stranger Spring' is the lead single from Honey Oat's self-titled debut album, due out 3/15 via Astro Nautico on cassette and all digital platforms.

Honey Oat

Honey Oat - A Stranger Spring

Kingsley Ibeneche calls it “soul music.” As a child dancing and singing in a Nigerian-American church community in Camden, NJ, Ibeneche was introduced to ritual music’s ancestral power. He sang for years in exaltation of that community. As an adolescent, secular spaces gave Ibeneche a chance to experiment with expressive body movement in inviting ways, culminating in formal training in dance at University of the Arts in Philadelphia. Today Ibeneche is an accomplished dance performer, having shared the stage with Travis Scott, James Blake, Halsey, and others on mainstream platforms like the Video Music Awards and Saturday Night Live. But no matter how meteoric he ascends as a dancer, Ibeneche feels limited on stage as a backup dancer. You have to listen to his voice (as on Realms EP) to understand why one medium is not enough for his expression. 

Between dread and ecstasy, Ibeneche’s songwriting bares both fragility and prophetic weight. A delicate effortlessness emerges in the surprisingly restrained piano ballad ‘Loud.’ Other times, Ibeneche’s vocal figures dive and contort to describe things twisted, unsound, or downright haunting. Ibeneche wrote the songs on Realms EP during a time when he faced personal transformation after boundary transgressions in his most intimate relations. Seas of trust were shifting. To investigate the complexities of fidelity (to himself and others), Ibeneche composed these lyrics through the voices of different “egos,” each with a different worldview and skill set for facing down breaks and mendings of the heart. The resulting songwriting approaches intimacy like a prism refracts light. Everything is true and vivid. 

Ibeneche postures each song on Realms like a space, a ‘realm’ in itself. Like a capsule or a moment, a realm in this case is like a space to enter or exit at your own will, as with teleportation or time travel. The EP stretches across psychogeographies of catastrophe and tragedy to realms of loyalty and reverence (lead single ‘Sanctuary,’ for example). Lyrics invite listeners to flex their own willingness to pass through thoughts and memories of what is sometimes the most inflexible, unthinking or cruel in life, as well as the joy and rapture of desire’s deepest depths. 

Lee Clarke, longtime Ibeneche collaborator, co-crafted Realms EP as executive producer, responding to the songwriting’s multi-colored themes through imaginative, full spectrum sound design. Clarke taps regions of boom bap, free jazz, afrobeat, drone, and post-dubstep while also crossing their wires. Featured are vocalists Devin Farrell and Pontiac, saxophonist Jarrett Gilgore, and drummer/producer Kevin Ripley, who has worked on several of Ibeneche’s records as well as playing in his live band. 

Writers encountering Ibeneche’s music comment on his arresting intimacy as a performer, the cryptic honesty of his lyrics, and the brave coherence of his work across durational and fixed media. Realms EP betrays a sense of just how much ambition Ibeneche intends to offer up at the bustling interstices of creative traditions from Ancient Greek tragedy and Elizabethan monologue to Nigerian high life, the D’Angelo diaspora, and so much more.

Realms

Kingsley Ibeneche - Sanctuary

Available on iTunes. (Except in America.)

My (winning !) entry to the Pendulum remix contest.
It features synth micro-cuts, chip arps a vocal morphing into a dubstep wobble and other weird stuff, i hope you'll enjoy it !

Pendulum - The Island (Madeon Remix)

Ensemble Entendu (Photay and Sam O.B.) return with futurist library music for the dance floor and, in this case, yacht sound system. Azalea Chuva is the second single (after last year’s Time Is Certainly Passing) to be culled from the first of two EPs from the Brooklyn-based powerhouse due this year on Astro Nautico. A soft ‘80s synth palette interlocks with 3 over 4 percussion ostinatos in slowly building wonderment. Melodies played by two-octave synth leads sound like they’re made of plucked and whistle tones. By the time the triplets of kosmische-style drums roll through you’re already delightfully caught up in a mesmeric, summery haze. Grab some shade and a cool drink. Settle right in.

Ensemble Entendu - Azalea Chuva

Trash in your head

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Am ( Am ) 
Am ( Am ) 


Know that I’m the man, I keep it flowing like dam
I’m as cool as a fan, you better know who I am man
Like to party, actin’ crazy

Know that I’m the man, I keep it flowing like dam
I’m as cool as a fan, you better know who I am man
Like to party, actin’ crazy

Double E Double E Dow
Double E Double E Dow
Double E Double E Dow
Double E Double E Dow
Double E Double E Dow

Woo

2 2,2 3,4 Yo girlfriend know, yo lady know, yo side piece know, yo mama know
Yo girlfriend know, yo lady know, yo side piece know, yo mama know

Know, know
No, noo
Know, know
No, noo nah

Know that I’m the man, I keep it flowing like dam
Ya…yuh yuh yuh..ya 

(Scream)

Off the Molly, like to party
Actin crazy, have my baby
Off the Molly, like to party
Actin crazy, have my baby 

Know that I’m the man I keep it 
Know that I’m the man I keep it 
Know that I’m the man I keep it 
Know that I’m the man I keep it 

Know that I’m the man, I keep it flowing like dam
I’m as cool as a fan, you better know who I am man 
Know who I am man, Know who I am man 

Y’all ready

(Scream)

Ya
White girl in the back and she off the molly
Black girl in the front and she like to party
Puerto Rican on the left and she actin’ crazy
Cuban on the right wanna have my baby,
White girl in the back and she off the molly
Black girl in the front and she like to party
Puerto Rican on the left and she actin’ crazy
Cuban on the right wanna have my baby

Off the Molly

Like to party

Actin crazy

Have my baby


White girl in the back and she off the molly
Black girl in the front and she like to party
Puerto Rican on the left and she actin’ crazy
Cuban on the right wanna have my baby

Off the Molly, Off the Molly

Timeline (feat. Rhymster)

Stream or Download

AYOO - Timeline (feat. Rhymster)

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Shake it Out

Kinetick, YCHTCLB - Shake it Out

Always sick

A soulful tale of one putting their purpose above their pleasure, sonically this is some golden era hip hop shit but a bit more modern. This is my second single off my upcoming ''Eternal Feels 2'' EP, LETS GET IT!

Mac

Maciek Sieranc