Things Will Never Be The Same Again

05 - Gratitude

04 - He'll Be With You Shortly

03 - Wrong Turn

02 - All Possible Worlds

01 - Awe

www.macromicromusic.com

Album Cover Art by Seanen Middleton

What brings people together? A common answer to this is, unfortunately, tragedy. Citizens of Kazakhstan’s largest city, Almaty, faced this head on after the murder of Denis Ten, a national icon who won the only Olympic medal for figure skating in his country’s history. He was killed by petty thieves while they tried to steal his car mirrors, in the center of downtown in broad daylight. The entire city mourned his shocking death and commiserated by coming to the place of his murder to process all their emotions about the horrific incident and the systemic issues that allowed it to happen. Several grassroots organizations were formed to shepherd positive change, and the new documentary feature film by Werner Herzog protégé, Katerina Suvorova, follows one such organization, “Oyan Qazaqstan” (meaning “wake up Kazakhstan”). The score is a dance between the delicate and the destructive, feeling on the brink of despair and hope simultaneously. It is up to us which side of such emotions we put our attention towards, and therefore, what destiny we manifest.

Oyan

Almaty

Qazaqstan

Hero

Entropy

Alone

Indiscriminate

Balaclava

Igla

A live performance from the my studio of "All Possible Worlds" and "Wrong Turn" from "Things Will Never Be The Same Again", and "Distant Moan" from "No Stalgia"/

01 - All Possible Worlds_M/m_LftS_001

03 - Distant Moan_M/m_LftS_001

02 - Wrong Turn_M/m_LftS_001

The utopian promise of social media connecting the globe on the basis of common understanding of human worth was a noble and enchanting proposition.  If “sunlight is the best disinfectant”, then having more engagement should have allowed the truth to rise to the top.  But we’re painfully realizing that the more appropriate quote describing our situation is “a lie can run half-way around the world while the truth is still putting on its shoes”.  As long as algorithms don’t perfectly align with the ideals of human flourishing, consumers and creators alike will fall deeper into the feedback loop of audience capture until we reach critical mass, causing our civil societies to erupt, then collapse.  There is still time to course correct, but we must learn from our mistakes before we become totally distracted by the looming revolution in A.I.

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Vulnerability. 

It’s a quality we often search for in art, but is an emotional state we desperately try to avoid in our personal lives. V/M/m represents both sides of this coin, in both its themes and in its creation. The tracks were recorded nearly 10 years ago when Veronika Coassolo and Macro/micro (Tommy Simpson) sonically explored fragility, loss, tenderness and melancholy in a very personal way. While feeling excited about the tracks on their own, unhealthy impulses of the monkey-mind badgered Tommy with thoughts like “does this fit within the aesthetic of Macro/micro?”, or “have I done enough musically to support these beautiful vocals?”. Paralyzing self doubt pushed these tracks deeper and deeper into hard drive archives until they were nearly forgotten, until thankfully, a mentally different Tommy Simpson rediscovered them in 2025. One advantage of aging is becoming more comfortable in your own skin, less neurotic of life’s decision-tree of limitless possible outcomes, and thankfully, in this case, acceptance of the vulnerability that made these songs spacial to begin with. While the tracks may be a time capsule, their emotional valence is evergreen.

Della Notte

Let It Rain

Higher Skies

Macro/micro

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