The Vaporwave Forecast

https://obliqueoccasions.bandcamp.com/album/-

Oblique Occasions - アンギアーリの戦い

https://godspeedsound.bandcamp.com/album/--9

ALOE VERA

もはや人間ではない

Saccharine Smile

色あせたエコー

変わらないものもある

classic tape from the big dog, enjoy the vibes //
DOWNLOAD (mega)
https://mega.nz/folder/59sGTIxb#4JkJlxxCJ4yxHzXA0mQbtw/folder/ZskiRLwI
FOLLOW:
@macroblank
https://macroblank.net
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*i do not own this music nor am i affiliated with Macroblank*

ネクロマンサー // necromancer

Macroblank - the castle

もう少し

無法者

廊下の左側の出口

偽りの物語

ワンツー

栄​光​の​探​求 lp

エゴセントリック

Red Room Theory

Step inside the warehouse of echoes and shadows—where dust, vinyl crackle, and heavy sub-bass breathe like living machinery. Slow Heart Warehouse is a journey through haunted corridors and dreamscapes, where lo-fi chillhop collides with the weight of dark dubstep. Each track drifts like smoke through broken glass, layering trap 808s, syncopated kicks, and turntable sorcery with ghostly atmospheres, minor-key pianos, and icy pads.

From the spectral pulse of “Vinyl Seance” to the crushing descent of “Bass Under the Bed,” the setlist moves like a séance of sound—moody, eerie, cinematic. Ghost chimes ring through the “Blue Chime Corridor,” ash falls in “Pillow of Ash,” and the closing track “Sleep Demon Turntable” spirals into a final scratch, dissolving into the void.

This album is a midnight drive through a city of fog, an abandoned club in orbit, a hymn to shadows—where every beat feels alive, and every silence is haunted.

NIGHT FOG ELEVATOR

hollowsummer is the sound of endless August, where every memory is warped by heat shimmer and every silence feels like static. Static Chapel captures ephemeral suburban hauntology: cracked pavement, forgotten malls, text messages that sting harder in the humidity. It’s both warm and decayed, nostalgic yet suffocating—like remembering the best and worst of summer all at once.

SIDEWALK MELTS AT 3AM

Painkiller Project (不安、痛み)

Paranoia

The universality of music and its importance in the life of man is in many ways analogous to water. It may exist in countless forms and several states. It nourishes and sustains many kinds of internal life. 
It nourishes religions, philosophies, and – sciences, without being identical with any of them. Like beauty it is forever ministering, enriching, and expanding the potentials of human consciousness. This is harmony as controlled dynamic force. Music is disciplined sound. 
It is important that all students of philosophy and comparative religion should appreciate the spiritualizing force of great music. 
It is equally valuable to consider the development of music consciousness and music appreciation through the ages and among the different civilizations which have been enriched by its gentle and gracious persuasion. Music has a meaning for man; it fits into his moods without any compromise of its own integrity. Like water it adapts itself instantly to the shape of its container. In a square vessel, it is square; in a circular vessel it is circular. This is true because of the nature of the element itself, and not because it is catering to the shape of the jug, the vase, or the bowl. We must learn to appreciate the difference between music and noise, but overcome the tendency to consider unfamiliar musical forms as merely untutored sounds. While musical impulses are common to all mankind, musical forms divide into familiar and unfamiliar. As we have difficulty in understanding persons whose ways of life are different from our own, so we have difficulty in recognizing and responding to the arts of peoples psychologically remote. The final measure is sincerity, not proximity, but until we have experienced some kind of social communion with a larger world of human aspirations this communion is comparatively impossible. As psychological sympathy develops we gain the possibility of measuring arts and art values in terms of basic integrity rather than by the false standards of personal taste. We have forgotten completely that great music must originate in a great concept of life. 
It is just as important, in fact more important, to release music from within the self than merely to listen. We need the growth resulting from personal performance as well as the civilizing force of appreciation. To the old philosopher, the human body itself was a musical instrument. It is the musician within the body who must control and direct the impulses which flow outward through the personality. We talk much of the science of living but we should think more about the art of living. By surrounding himself with the art which is meritorious, true and beautiful, the music of integrity which wiII restore his ideals, Products of small minds are no to be compared with those of great minds and cultures. This is all we need to understand, even in a jittery world, to sharpen the edge of discrimination for the choice of surroundings and the environment that will spiritually achieve for us that desirable thing known as the balanced life. - Manly P. Hall

廊下の左側の出口

Macroblank

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