Andrew Ashong - Special

We have no idea who the rightful artist is, If you do, please let us know :)

Hardkandy / Moonlight

7" and Digital out May 13, 2014. 

Order the 7" and get instant download of this song : https://bastardjazz.bandcamp.com/album/montreux-sunrise-trans-alpine-express

After the dynamo sophomore release that was 2013's "Curiosities", New Zealand's Lord Echo returns to Brooklyn's Bastard Jazz label, this time producing Kiwi trio The Elder Statesman comprised of twin brothers and Wellington fixtures Christopher (piano) and Daniel (double bass) Yeabsley with Lord Echo himself on percussion and drums. 

On the "A" side, Montreux Sunrise is mellow meander through a laidback early 70s souljazz vibes, while "Trans Alpine Express" picks things up on the B side with a deep, spiritual piano groove, upfront doublebass, and Echo's percussion perfectly in the pocket. 

A timeless gem of a 7" from Bastard Jazz, releasing their own namesake for once!

Buy 7" or Digital

The Elder Statesman - Trans-Alpine Express

📀📀📀📀📀📀📀📀📀📀📀📀📀📀📀
📀📀📀📀📀📀📀📀📀📀📀📀📀📀📀

#lofi #boombap #ambient

soul sample demos! ep - mix of jazz soul & funk samples from 1970's & 1980's united states

sound design, production, mixing, & mastering via - stracct

samples are used

artwork - stracct

contact me if you are interested in using any of my beats/instrumentals for whatever reason.

late night taco joint! [stracct] [99bpm Gminor] [soundcloud exclusive]

Blast Off

Yaw - Where Will You Be

Fold – Something Gives
Released September 12, 2016
CD & digital download

If you like this track and you're on Spotify please give us a follow:
https://open.spotify.com/artist/3lOmv1v5gfdtBwvRufzjtr

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Having included this track among his favourites of 2016 on the last day of the year Huey Morgan also provided the UK national radio debut on BBC 6 Music followed by a hat trick of spins from Gideon Coe. Kara Manning broadcasted the US radio premiere courtesy of WFUV, New York.

Something Gives is a timely vehicle for the keen eloquence of James Baldwin whose voice, along with that of the wonderful Alice Walker, is the basis of the track.

We've been feeling urgently compelled to respond somehow to the heavy sociopolitical escalations of late on both sides of the pond. This release is our way of bridging the distances & expressing universal solidarity as human beings. Musically the tune bears similarities to A Tribe Called Quest's jazzy hip hop vibes and Arthur Verocai's Brazilian way of joy and despair all at once.

All music written, arranged, performed, engineered, produced & mixed by Seth Mowshowitz apart from tenor saxophone arranged and performed by Emma Johnson.
http://www.johnsonmusic.co.uk/

Mastered by Erik Aldrey
http://www.erikaldrey.com/

LYRICS
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[James Baldwin]

[REFRAIN]
I'm terrified at the moral apathy, the death of the heart, which is happening in my country.

These people have deluded themselves for so long they really don't think I'm human. I base this on their conduct, not on what they say, and this means that they have become in themselves moral monsters.

It doesn't matter any longer what you do to me: you can put me in jail, you can kill me. By the time I was 17 you'd done everything that you could do to me. The problem now is: how you gonna save yourselves?

How you gonna save yourselves?

[REFRAIN]
I'm terrified at the moral apathy, the death of the heart, which is happening in my country.

There are days, one of them, when you wonder what your role is in this country and what your future is in it. How precisely are you going to reconcile yourself to your situation here, and how you're going to communicate that you are here?

The country has arrived at a place where it can no longer contain revolt. Human beings are not by nature non-violent, you know? You can only survive so many beatings, so much humiliation, so much despair, so many broken promises before something gives.

Before something gives.

[REFRAIN]
I'm terrified at the moral apathy, the death of the heart…

[Alice Walker]
We are being killed by people who don't feel – if we get down to that, that is the problem.

[James Baldwin]
I'm terrified at the moral apathy, the death of the heart…

[Alice Walker]
If you don't feel it you kill it because you think it doesn't feel either…

[REFRAIN]
I'm terrified at the moral apathy, the death of the heart, which is happening in my country.

[Alice Walker]
So away with that, we don't want that.

[James Baldwin]
I'm aware that something terrible has happened, which is very hard to describe.

Something Gives

Buy on iTunes

Khruangbin - Mr White - Dupont Underground Sessions

Appears on "One Hundred"
https://itunes.apple.com/us/album/one-hundred/id588340204

MarksOnTheKeys (w Mark Speer)

Harmonies  

Woah! There's No Limit

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Manha

Two old friends, David Ross and Daniel Bloom, trying to make sense of life in an absurd era. We record in Washington, DC. Efim Shapiro may jump back in at some point.

Khruangbin - Mr White - Dupont Underground Sessions

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