Love this - I want to remix it ASAP!!! Hit me !

dance! posted @ http://www.artemhaka.com/audio/bonde-do-role-tropicalbacanal-album

Drop the Lime Hot as Hell CANBLASTER Remix!

You can remix this track to win a trip to Havana, Cuba to work with Gilles Peterson. Go to www.havanaculturamix.com for more details. You need to submit your remix before the 31st March.

Gilles Peterson's - Havana Cultura Band -Agita

The Herbaliser Band and Rodney P 
Live In Liverpool - October 18th 2014
Rodney P - Vocals
Jake Wherry - Bass
Ollie Teeba - DJ
Ralph Lamb - Trumpet
Andy Ross - Tenor and Baritone Sax, Flute
Finn Peters - Alto Sax
Oliver Parfitt - Keys
Micah Moody - Drums

The Missing Suitcase

On avait pu l'apercevoir sur la compilation Autumn In Jakarta, on n'est pas peu fier d'avoir reçu dans notre studio l'un des membres de C2C et DJ d'Hocus Pocus, DJ Greem. Le quadruple champion du monde de turntablism est venu nous gratifier d'un mixe d'une heure, naviguant entre hip-hop, soul, electro. Rewind.

Video replay › http://www.lemellotron.com/show/dj-greem-c2c-dj-set

Diffusé et enregistré le 18 décembre 2015.
Broadcasted and recorded on December 18th, 2015.

DJ Greem
› https://soundcloud.com/greem
› http://www.onandon-records.com/fr/content/43-greem
› https://twitter.com/djgreem
› https://www.facebook.com/DjGreem

DJ Greem (C2C / Hocus Pocus) • DJ set • LeMellotron.com

Punky funk meets hip-hop with a sprinkle of disco

Pepe Deluxé - Go Girl Go

Available in digital, vinyl and CD.
Order: http://mllnx.co/hypersex

Hypersex is a collective love letter to the club culture. We believe we can dance our way to a better world. A world with room for everyone, regardless of their origin, political views, race, religion, gender, and sexuality.
Much like hypertext is a system designed to multiply connections between ideas, “Hypersex” was designed to multiply connections between people. It’s also a metaphor for the dancefloor: a place where, throughout history, we came together and created something new.
When I started working on it in 2016, an unprecedented refugee crisis was happening and Europe was turning its back on it. In the US, a massacre had just taken place in a gay nightclub in Orlando and the country was getting ready to elect Donald Trump. I had to respond. So I reached out to like-minded artists I admired, and set out to create my most collaborative project yet.
Hypersex is truly a collaborative effort: it features songs with Fritz Helder, Best Youth, Iwona of Rebeka, Georgia Anne Muldrow, DA CHICK, Marta Ren, Guilherme Tomé Ribeiro, Shermar Davis and Tee Flowers. The artwork is by Bráulio Amado, who I have been working with in all my albums, and whom I involved to the point of naming songs according to his illustration ideas, and not just the usual opposite. Videos were made by filmmakers Bruno Ferreira, Nuno Xico, João Pedro Vale and Nuno Alexandre Ferreira, Paco Cruz and more to come, and also a fanzine with a dozen guest illustrators which we’ll unveil very soon.
The world we live in is getting sadder and grey. We don’t expect to change it with a record, but we might as well add some color to it.

Hypersex

Buy / Stream /Download

Moullinex - Like A Man (feat. Marta Ren)

Download link: https://soundcloud.com/elijah-kolenko/how-soon-is-now-the-smiths-1

here is a remix i did of a smiths song i don't really know the smiths so yea... it was a request from my mom :P for mothers day! ...umm comment fav download all that stuff thanks  :D

How Soon is Now - The Smiths (Drumstep Remix)

From the coming next EP "SQUARE" featuring remixes from 20SYL, Anomalie, Aufgang, The Geek X Vrv..

Keep My Baby Dancing - 20SYL Remix

Buy on iTunes: smarturl.it/BDR_Deluxxxe

Tropicalbacanal (Deluxxxe Version) features 3 bonus tracks including a brand new English version of their hit single “Kilo," their never before released song “Ayo” and a Major Lazer remix of “Brazilian Boys!"

Everything they see is upside down. How else do you explain Bonde do Rolê? They turn Brazilian folk songs into dance tracks, and they make rockabilly replays into haunting taunts. In 2007, when their debut album With Lasers was released and Diplo and Pitchfork and the Fader and everyone else talked about how wild and weird and wonderful they were, it seemed like a stunt. In 2012, their second album Tropicalbacanal dropped. Wilder, weirder, and even more wonderful. Not many people know what Bonde are singing about, but everyone keeps singing along; they're the third world Black Eyed Peas. Tropicalbacanal - produced by Diplo and Filip Nikolic of Poolside and featuring guest turns from Caetano Veloso, Kool A.D., Ce'Cile, Rizzle Kicks, and the Death Set - ushers in the fresh wave of avalanche tropical (the bossa nova of modern Brazil) and is all over the place; they wouldn't have it any other way.

Tropicalbacanal Tracklist
1. Arrastão
2. Kilo (English Version)
3. Brazilian Boys (feat. Ce'Cile)
4. Dança Molengo (feat. Rizzle Kicks)
5. Pucko
6. Bang (feat. Kool A.D.)
7. Picolé
8. Baby Don't Deny It (feat. Caetano Veloso and Poolside)
9. Kanye
10. Banana Woman
11. Tilelê
12. Baile Punk (feat. The Death Set)
13. Ayo
14. Brazilian Boys (feat. Ce'Cile)[Major Lazer Remix]

Bonde do Rolê 
Soundcloud: @bondedorole
 Facebook: www.facebook.com/bondedorole 
Twitter: twitter.com/bondedorole

Buy on iTunes

Bonde do Role - Bang feat. Kool A.D.

The original Rio beach boy returns in style, with a new record of unabashedly feel-good Brazilian party music. Featuring Azymuth bassist Alex Malheiros (responsible for some of Brazil’s all-time funkiest low-end licks), a horn section including Valle’s go-to high-trumpeter Jesse Sadoc, and percussion master Armando Marcal, Sempre has all the masterful composition, exceptional musicality, and forward-thinking ideas you’d expect from the Brazilian titan, and it’s fresher than a fruity caipirinha in the Copacabana sunshine.

Updating Marcos Valle’s seminal boogie-era sound, Sempre spans ecstatic disco, cosmic samba, and late-night jazz-funk, drawing obvious comparisons to some of Valle’s late-seventies and early-eighties output. ‘Estrelar’ (1983), for example, an ode to the joy of exercise, has become one of the biggest Brazilian disco hits of all time. But lyrically the new album is more closely reminiscent of Valle’s progressive early seventies’ releases. Heralding love, tolerance and living in the present, while satirising political corruption, the new release recalls a time in which Valle, together with his brother Paulo Sergio, was writing subtly subversive lyrics in order to bypass the censorship imposed by the military dictatorship, which ruled over Brazil between 1964 and 1985.

The album marries compositional genius with pure pop perfection. From the blistering brass arrangements on up-tempo disco hit ‘Olha Quem ta Chegando’ and the infinitely classy ‘Vou Amanhã Saber’, to the nine-minute synth-heavy instrumental funk stepper ‘Odisséia’, which gradually morphs into an interplanetary samba jam, the songs are tightened and given an extra coat of gloss, by London based producer Daniel Maunick (son of Incognito frontman Bluey). More moments of boogie delight come in the form of ‘Minha Roma’ (a musical nod to the famed ‘Estrelar’), and the sunshine anthem title-track ‘Sempre’.

Translating as ‘Ever’, Sempre is a testament to the continual drive for development and reinvention that has defined Marcos Valle’s astounding six-decade career. Ever changing, ever moving forward, he began as one of the second-wave of early bossa nova composers in the sixties, writing the world famous bossa standard ‘Summer Samba (So Nice)’ for his sophomore album ‘Samba 68’. After a brief stint in the States, Valle returned to Brazil, and the early ’70s saw the release of four ground-breaking Valle albums which incorporated progressive rock, psychedelic influences, pop, jazz, soul and cinematic arrangements. These albums would see Valle work alongside a number of hugely influential Brazilian bands, including Milton Nascimento’s backing band Som Imaginaro, the prog-rock band O Terco and jazz funk legends Azymuth. Returning back to the US in ‘75, Valle resided in LA, writing music for the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn and Leon Ware, before returning to Brazil once more, where after releasing a handful of hit pop records, he took a hiatus from recording.

Since the mid-nineties, Marcos Valle has been experiencing a renaissance with Far Out, where his approach to music has remained, as always; decidedly open to new influences, possibilities and technologies. Sempre is Marcos Valle’s fifth album for the label, following 2010’s critically acclaimed Estatica.

Just in time for summer, Sempre is out on Vinyl LP, CD and digitally 28th June 2019

Vinyl / CD / Digi

Marcos Valle - Sempre

More dusty beats from beneath the flagstones, this one was made around Mishaps Happening era, never finished and never released.

Out from the Cellar #7

For the past decade, Mad Decent has been invading your ears with fresh sounds. With humble beginnings in Diplo’s Philadelphia studio, Mad Decent’s unwavering mission is to highlight underground, genre-blurring sounds. Mad Decent tops iTunes, Beatport and Shazam charts worldwide with #1 Dance tracks and albums with releases from artists like Major Lazer, Dillon Francis, Grandtheft, Party Favor, NGHTMRE and Yellow Claw. Mad Decent is also home to Good Enuff, a launchpad for artists breaking the norm; notable releases include Bauuer’s “Harlem Shake” and DJ Snake’s “Bird Machine.” As an extension of the Mad Decent sound, Mad Decent Block Party was established in 2006 and now spans across North America and India.

Bonde do Role - Bang feat. Kool A.D.

Mad Decent

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