KCUA transmit program 2022
Kazumichi Komatsu, Yui Sakamoto, Yuka Nomura

Artists	Yui SakamotoYuka NomuraKazumichi Komatsu
Venue	Kyoto City University of Arts Art Gallery @KCUA
Rooms	@KCUA 1, 2
Dates	2022.4.16 Sat.–2022.6.26 Sun.
Hours	11:00–19:00
Closed on	Monday
Admission	Free admission
Contact	
Kyoto City University of Arts Art Gallery @KCUA
Phone: +81-(0)75-253-1509
https://gallery.kcua.ac.jp/en/archives/2022/8388/

Day 7 poem  teaser

海がきこえる ft. DOVE & LE MAKEUP YUSAKU ARAI REMIX**K-SMILE MIX**

Good Problems

Chance

Komatsu himself picked up and re-edited some moments from the three-hour sound source of “Years” (2025) a sound installation work presented at his solo exhibition at the Nakanoshima Museum of Art, Osaka, in this special compilation.

Toru Takemitsu produced a tape music piece called “Years of Ear, "What is music?""for the 1970 Osaka World's Fair, but the tape music has been lost and no longer exists.Komatsu created fictional Expo music, referencing this lost tape music.

https://nakka-art.jp/exhibition-post/osaka-directory-dir7-2/

(Y)EARS VERY BEST MOMENTS Ⅶ

My Bass  (Experimental Techniques)

Paladin Mode

Produced & Mixed by Kazumichi Komatsu 
Voice on track 3 by hitomi shimomura 
Contribution to track 3 by PUGMENT 
Artwork by 0taria & Kazumichi Komatsu 

‘For us there can be no talk of balance or great art. The idea of the beautiful has long gone to roost. Only the moral idea remains incontestable - for example the knowledge that one cannot be French ambassador and a poet at the same time.’ 
- Benjamin notes how on 1 July 1925 the surrealists had put on a leaflet called ‘Open letter to Mr Paul Claudel, ambassador to Japan’ - 

‘Walter Benjamin: Overpowering Conformism’ Esther Leslie

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