hyperpop

j'men bas les couilles (faith monaco & megan butterfly)

Cdbaby<3

Cdbaby<3 (underscores remix)

THERAPY

Bad Vibes (featuring Bladee & Isabella Lovestory)

TINKERBELL

Bad Vibes (feat. Isabella Lovestory)

where’d u go?   O(╥﹏╥)o .｡ ﾟ+

C'est l'hymne de toutes les femmes qui se sont regardées dans le miroir après un chagrin d'amour et ont réalisé… « Putain, c'est perdu !»

Débordant d'assurance nocturne, ce morceau néo-soul français sensuel propose des voix enfumées flottant sur une basse ambulante et des percussions.

Il célèbre le moment où l'on arrête de pleurer, où l'on se revoit clairement et où l'on réalise que l'on est la récompense.

(This is the anthem for every woman who has looked in the mirror after a heartbreak and realized... "damn, his loss".

Oozing with late-night confidence, this sultry French neo-soul track features smoky vocals floating over a walking bass and brush drums.

It celebrates the moment you stop crying, see yourself clearly again, and realize you are the prize.)

Belle Gosse

Half The Perfect World

Prince- A Case Of You (instrumental)

Management:
American International Artists, Inc.
Cynthia B. Herbst, President
+1 (518) 686-0972
Cynthia@aiArtists.com

Much like songbird Edith Piaf, Madeleine Peyroux spent her teenage years busking the busy streets of Paris. Just like the ‘little sparrow’, Madeleine befriended the city’s street musicians and made its Latin quarter her first performing stage. Years later, Peyroux would cite iconic Piaf as an influence on her music and record a rendition of the classic La Vie En Rose, soulfully capturing the tune’s romanticism and melancholy.
 
Born in Athens, Georgia in 1974, Madeleine “grew up in a house filled with music” and from an early age “instinctively realised music’s soothing power” but it was her teenage years in the French capital that turned the childhood notion into an all-consuming vocation for life.

Young Madeleine moved to Paris with her mother in 1987 following her parents divorce. “To soothe me during the upheaval”, she recalls, “I was given a guitar and took to playing in the streets almost immediately.”

Thirty years after her formative busking days Peyroux is the proud curator of nine beguiling albums and an accomplished performer with sell out worldwide tours under her belt. Her atmospheric version of Serge Gainsborough’s La Javanaise was used in the soundtrack of Oscar Winner The Shape of Water and her countless accolades
include the coveted BBC International Artist Of The Year honour.
 
Madeleine’s thirst for creative exploration is unfading and her willingness to face creative challenges remains as solid now as it was three decades ago.

With endearing passion and great curiosity the unstoppable genre-defying virtuoso continues her search for the good and examines life with the treasured William Congreve belief that Music has charms to soothe the savage beast.
 
Madeleine might attribute her success to “mostly luck” but to the industry and loyal fans alike, it is the immense talent and utter dedication to her craft that shines through.
“Peyroux is a tremendous talent and almost a total intuitive” reflects Larry Klein, “she has the capacity to get the magic. When she sings and plays her guitar, great things happen.”

Half The Perfect World

Madeleine Peyroux

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