இனிமையான பாடல். Thanks for sharing.

can u pls send this song to me 9600942226.. cant able to dwnload 

I read your commentary on this song. I too don't want to exaggerate, but I can't help feel that Raja has this ability to invoke the emotion he wants in the listener. It feels like his own super power. 

70's En Kanmani Un Kaathali

Adhikaalai Nerame

இதயம் ஒரு கோவில் அதில் உதயம் ஒரு பாடல் ..
எத்தனை விதமான பாடல் பதிவுகள் ...!!!!
இந்த பாடலை இசைஞானி உருகி உருகி பாடி இருக்கிறார்...
பாலு அண்ணன் பாடி இருக்கிறார் .. வாணிஜெயராம் அவர்களும் பாடி இருக்கிறார் ...இசைஞானி பாடும் பொழுது பல்லவிக்கும் முதல் சரணத்திற்கும் இடையே இசைக்குயில் ஜானகி அவர்கள் ஆலாபனை செய்து இருப்பார்.பாலு அண்ணன் பாடும் பொழுதும் அதே போல ஆலாபனை செய்து இருப்பார் ஜானகியம்மா ... ஆனால் இந்த பாடலில் ஒரு சின்ன மாற்றம் இந்த பாடலில் பாலு அண்ணனின் ஆதிக்கம்  முழுவதும் ஆக்கிரமித்து உள்ளது . ஜானகியம்மாவின் ஆலாபனை இங்கே இல்லை அந்த ஆலாபனையையும் அற்புதமாக தானே சேர்த்து பாடி ஒரு அரிய அற்புதமான பாடலாய் மாற்றி விட்டார் ... எத்தனை எத்தனை இசை வினோதங்கள் ????? எல்ல புகழும் இசைஞானி அவர்களுக்கே ....

Idhayam Oru Kovil - SPB - Version-3

Rare Version from Raja sir’s 300th Film:
In recent years, whenever a song has been sung by Ilayaraja Sir and if the album features the same song being sung by another singer, Raja sir’s version seems to be the most popularly liked one among the majority of the listeners.  
Currently one of the hottest debates going on in Social Networking is about the last track in Prakash Raj’s Trilingual film (Un Samayal Araiyil / Oggarane / Ulavacharu Biriyani) and it’s last track (Track 4 which is Kaatru Veliyil in Tamil sung by Raja sir and Barayada & Gunde Gonthutho in Kannada and Telugu respectively sung by Malayalam Composer and Singer Sharath) as to who has sung better.  In my personal view, Sharath’s rendition sounded very pleasant and there are complicated curves in the opening of the sole charanam which were rendered impeccably. The voice modulations were also outstanding. But when Raja sir sings, a tear or more did drop down to me and I do not know whether I am attaching the emotional attachment with Raja sir or is it due to the feel he genuinely gives to a song. 
Music could be argued as a matter of subjectivity where one form of music need not be enjoyed by some people and one composition may appeal differently to different people.  When Music itself has a strong element of subjectivity, obviously there has to be a wider subjectivity between one composition to another composition and one rendition to another rendition. 
Going a bit scientifically, whenever a composer of the caliber of Ilayaraja Sir sings a song, the amount of the FEEL that’s necessary to a particular composition definitely gets increased as the creator’s knowledge and information about the composition and the creative visualization with which he/she would sing is several times more than the other singers.  
The song of this post is from Ilayaraja Sir’s top 25 blockbuster hit albums of all time (Udhaya Geetham, Tamil, 1984, Raja sir’s 300th Film). But this version is extremely rare as it was released only in select editions of it’s audio cassette.  At the first listening, the rating would be definitely lower for Raja sir’s version as the most popularly heard SPB’s version would be at the back of our mind. However if the feel factor is given consideration, Raja sir’s version may feel better after listening to multiple times and slowly but steadily, Raja sir’s version would start occupying and daunting our minds equivalent to the SPB’s version.
So, let’s listen to this rare version. 


Rare Version from Raja sir's 300th Film_Ilayaraja Sir_The God of Music

Song: Malaiyoram Mayile
Movie: Oruvar vazhum aalayam (1988)
Singers: Malaysia Vasudevan, Chitra
Music: Ilayaraja

Malaiyoram Mayile

Movie: Mappillai (1989) 
 Singers: S.Janaki and S.P.Balasubramaniam

Ennathan Sugamo Nenjile

Sathi Leelavathi (1995 FILM)
Singer(s) : P. Unni Krishnan, K. S. Chithra

Maharajanodu Rani

Chinna Pasanga Naanga (1992 FILM)
Singer(s) : S. P. Balasubrahmanyam, S. Janaki

Mayilaadum Thoppil

Kala Kalamaga Vazhum

Thavikiren

Movie-Ninaivellam Nithya(1982)
Artist(s): SP. Balasubramaniam 
Lyricist: Vairamuthu 

Reused in Movie-Nee Neethaane En Ponvasantham(2012)

Neethaney Enthan-Ninaivellam Nithya(1982)

Maestro Ilaiyaraaja - The God of Music & The Life Giver Through His Music for Billions

Rare Version from Raja sir's 300th Film_Ilayaraja Sir_The God of Music

V.Swaminathan

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