60bpm Baroque Study

아기 자장가로 좋은 포근한 클래식 연주곡 모음집 8 Collection Of Soothing Classical Music Used As Babies’ Lullabies 8

브람스 : 7개의 환상곡 4번 마장조 작품번호 116 – 간주곡 Brahms : 7 Fantasies No.4 In E Major Op.116 – Intermezzo. Adagio

Composer : Gabriel Fauré
Piece : Dolly Suite, Op. 56 No. I  "Berceuse"

Primo : Ms. Hellen
Secondo : me

you can see the video version at my YouTube channel :)
https://www.youtube.com/watch?v=SYfCt62NL38

Dolly Suite, op. 56 I. Berceuse

Gabriel Fauré - Dolly Suite, Op. 56 I. Berceuse

Johann Sebastian Bach, Vol. 1

Brandenburg Concerto No. 5 In D Flat Major - Allegro

Yo-Yo Ma - Bach: Cello Suite No. 1 in G Major, Prélude

Piano cover of "Comptine d'un autre été: l'après-midi" composed by Yann Tiersen. Performed & recorded by Dominique Charpentier aka The Piano Lover.

Yann Tiersen - Comptine d'un autre été: l'après-midi

When a Man Loves a Woman

Polovetsian Dances (From "The Prince Igor")

Classic Piano Lullaby

Claude Debussy: Reverie L.68

Hey 👋 Making classical music is thirsty work, I could sure use a beer right now! Buy me a pint if you can! Cheers!

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🍺 Buy me a Beer! 🍺

The Piano Sonata No. 12 in F major by Wolfgang Amadeus Mozart, K. 332/300k, was written at the same time as the Piano Sonata, K. 330 and Piano Sonata, K. 331 (Alla turca), Mozart numbering them as a set from one to three. They were once believed to have been written in the late 1770s in Paris, but it is now thought more likely that they date from 1783, by which time Mozart had moved to Vienna.

Multi-Platinum Concept Album from IndyPop Records https://www.kickstarter.com/projects/indypop/multi-platinum-concept-album

Some believe, however that Mozart wrote this and the other sonatas during a summer 1783 visit to Salzburg made for the purpose of introducing his wife, Constanze to his father, Leopold. All three sonatas were published in Vienna in 1784.

Adagio - The second movement is a slow movement in the key of B flat major with two halves repeated. In the autograph, the second half is essentially a repeat of its initial presentation with some minor tonal adjustments. In the earliest printed editions, however, it is considerably elaborated.

Retailers:

iTunes:
https://itunes.apple.com/gb/album/the-mozart-project/id1034980035

Google Play
https://play.google.com/store/music/album/The_Mozart_Project_Mozart?id=Batumgqtgiizmmajzp7nun2bawq&hl

Rdio
http://www.rdio.com/artist/Wolfgang_Amadeus_Mozart/album/Mozart_-_Symphonies%2C_Sonatas%2C_Serenades%2C_Concertos__Overtures/

Deezer:
http://www.deezer.com/album/11116224

Tidal:
http://listen.tidal.com/album/53171424

HMV
https://www.hmvdigital.com/releases/4910498

Amazon:
http://www.amazon.co.uk/Mozart-Project-Mozartisan/dp/B014MVAV7Y

Rhapsody
http://www.rhapsody.com/artist/mozart-2/album/mozart-symphonies-sonatas-serenades-concertos-and-overtu

MediaNet
http://www.mndigital.com/content-experience/music_content/albums/378851987/Wolfgang_Amadeus_Mozart/Mozart_The_Essential_Collection/

Groove
https://music.microsoft.com/album/wolfgang-amadeus-mozart/mozart-the-essential-collection/bz.15673C09-0100-11DB-89CA-0019B92A3933?target=web

Emusic
http://www.emusic.com/album/the-mozart-project/mozart/16177427/

Microsoft
https://www.microsoft.com/en-us/store/music/album/wolfgang-amadeus-mozart-haydn-light-orchestra/mozart-the-essential-collection/8d6kgx070nr0

Google Play
https://play.google.com/store/music/album/Mozart_Mozart_Symphonies_Sonatas_Serenades_Concert?id=Bbrfnmsqsow4thkok67d7hr7kku&hl=en_GB

Spotify:
https://play.spotify.com/album/2qTzSNOusiykyFQ21F51mc

Also check out the very best in R&B & Pop Music 2020 from IndyPop Records!
https://www.youtube.com/c/indypoprecords

Featured Track & Playlists:

Warm It Up - Full Album - Danny Alex
https://www.youtube.com/playlist?list=PLn81b3BjuC0bpMvW5k1JhLVrsYJXWtVlz


You Betta' Listen - Danny Alex
https://www.youtube.com/watch?v=Z1cX1ODV5Ac

The Lockdown Sessions: Episode 1
https://www.youtube.com/watch?v=trGnKeH7PAc

The Lockdown Sessions: Episode 2
https://www.youtube.com/watch?v=mgvo8ugQdqg&t=215s

How Dare You!
https://www.youtube.com/watch?v=vm3faL98IwQ

Tidal

Piano Sonata No.12 in F-Major, K. 332: II. Adagio

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

A Pane of Glass

Original Soundtrack of the Series "Au cœur de l'histoire, le procès Nuremberg" directed by Alfred de Montesquiou.
Produced by KM, Arte

Ce qui reste

Hans Zimmer dans toute sa splendeur (lol) !!!

Hans Zimmer : https://soundcloud.com/hans-zimmer-official

Moi : https://www.youtube.com/channel/UCABdRB1YuZD_Hy3kmBFZT7Q

Time

Time - Hand Zimmer (Frenchmax remix)

BACH, VIVALDI. CONCERTOS
Einar Steen-Nøkleberg, piano (1–3, 7–8, 13–15)
Alexander Zagorinsky, cello (4–6, 10–12)
The Chamber Orchestra of the Vologda Philharmonic Society
Conductor – Alexander Loskutov

Johann Sebastian Bach. Harpsichord Concerto No. 1 in D minor, BWV 1052
1 I. Allegro
2 II. Adagio
3 III. Allegro
Antonio Vivaldi. Cello Concerto in A minor, RV 422
4 I. Allegro
5 II. Largo cantabile
6 III. Allegro
Johann Sebastian Bach. Harpsichord Concerto No. 4 in A major, BWV 1055
7 I. Allegro
8 II. Larghetto
9 III. Allegro ma non tanto
Antonio Vivaldi. Cello Concerto in G major, RV 413
10 I. Allegro
11 II. Largo
12 III. Allegro
Johann Sebastian Bach. Harpsichord Concerto No. 5 in F minor, BWV 1056
13 I. [Allegro]
14 II. Largo
15 III. Presto

Recorded In 2018.
Sound engineer – Alexander Volkov
Editor – Dmitry Maslyakov
Design – Anna Kim
Cover photo – "Sky Of Vologda" By Tanya Sazansky
Translation – Nikolay Kuznetsov
Digital Release: Dmitry Maslyakov, Roman Tomlyankin

MEL CD 1002592

14. Bach: Harpsichord Concerto No. 5 in F minor, BWV 1056 - II. Largo

Georg Friedrich Händel (1685-1759)- Chaconne in d-Moll (aus der Suite HWV 437)

60 Of The Most Beautiful Classical Piano Solos: Bach, Beethoven, Debussy, Handel, Liszt, Mozart, Satie, Schumann, Tchaikovsky and more
https://amzn.to/2TCH3WV

브람스 : 7개의 환상곡 4번 마장조 작품번호 116 – 간주곡 Brahms : 7 Fantasies No.4 In E Major Op.116 – Intermezzo. Adagio

Maestro Time

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