brasileira

Brazil

MAGA BO

batucando

Música Legitimamente Abrasileirada

There is a lot more than samba drums: A journey through current sounds and different cities in Brazil. A trip between kitchy electromelodia sounds, cumbia shaped tracks and afro-brazilian rooted bass music. A lot of information and tracks we took from the amazing <a href="http://soundgoods.net/" target="_blank">SoundGoods</a> blog, run by Wolfram Lange. He recently released the <a href="http://www.duttyartz.com/blog/label/new-brazilian-compilation-from-dutty-artz-and-kafundo-records/" target="_blank">new compilation</a> <em>Kafundó Vol. 1: Digital Roots Music from Brazil</em> with <a href="https://www.facebook.com/magabodj" target="_blank">Maga Bo</a>.

Read and Listen more: <a href="http://norient.com/audio/brazil-2014-roundup/" target="_blank">Brazil 2014 Roundup</a> on Norient.com.

BRAZIL_ROUNDUP_2014

Soca/Reggaeton/Dancehall

Itunes: http://smarturl.it/YKYLI

www.djsnake.fr
www.facebook.com/djsnake.fr
www.twitter.com/djsnake

www.alunageorge.com 
www.facebook.com/alunageorge 
www.twitter.com/alunageorge

You Know You Like It

Sirano e Sirino - Mulher ingrata e Fingida

Ficha Técnica

Produzido por Projetonave
Gravado no FlapC4 por Cesar Pierri e Luis Lopes
Mixado no FlapC4 por Cesar Pierri
Masterizado no Red Traxx (EUA) por Felipe Tichauer
Capa por www.menteprivada.org
Produção executiva por Akilez
Pré produção "Em favor do réu" por Davi Chaves
Letras por Síntese.




[Céu nublado, réu forjado, véu rajado...
E um mar de gente partindo ao e meio um cajado...]

Fui nas raízes dessa terra fraca... E vi...
Cicatrizes da existência opaca... Nada nas mãos...
Enquanto tudo na cabeça ao sufocar o coração.
Quando tudo foge da alçada, irmão... Adentro o ser.

Lá fora vaidade doutrina. Outra sina suja.
Lembra: Calçada suja e nossa raça dorme em cima.
A verdade constrange, e todos evitam o constrangimento,
Fingindo estar isento fabricando julgamento.

Imerso... Mato seco, peco. Em comunhão com instinto, peco.
Irmão... 'De toca' no frio do tumulto, seco.
Inferno - é ser interno de qualquer estado enfermo.
O sonho é nuvem e se torna dilúvio onde as paredes ouvem.

Sozinho, nos faz perder o controle do caminho.
Em meio às setas te culpa da existência da contra-mão.
Tensão do farol fechado... Coração fixado
Entre o peso do fardo e a razão que tem o cerol...

Essa é a lage do profeta sem nação...
A fome do horizonte e o quanto o mundo respira do seu pulmão.
E faz questão de cobrar seu pão, irmão! (céloko...)
Todo mundo briga e ninguém tem razão.

Divago a confirmação rumo à meu leito...
Concluo: O expandir da mente torna o labirinto mais estreito. (e o peito?)
E assim vão-se os dias, voltam as noites, frias.
Despertando em morte, caminhando de surto em surto.

Equilibrando o cataclisma diário com o quanto pesa na balança esse silêncio...
(O vento sul me aponta o norte...)
Nem tudo se perdeu onde herda descomunalmente, mano,
O ser humano é um neurônio de uma Grande Mente, gente!

A intuição é a asa da imaginação
Que cultiva o divino saber: O princípio.
Na 'equação' absorver não é observar. Perdoar: Absolver.
Um sentimento a preservar, mais que alguém a se envolver.

Crê... Viver: Amar. Perder: Ganhar. Saber tratar.
Conhecer: Olhar como se fosse a última vez!
Respeite tudo ao seu alcance, o espírito além do templo.
Leve o pensar ao sentimento, irmão, a vida é tratamento.

O Ancião não figurou ao mencionar perfeição.
Vislumbrou? Eu entendi, falta fazer, irmão.
Perdão qualquer fita, mas faz mais sentido ser extremo,
Onde o entendimento não alcança e loucura é ser sincero consigo mesmo.

Uma pedra quebra o bloco. Vigia!
Bendita a cria que ousa amar entre os mortos.
O bom senso é longe do nosso conceito de pódio,
Enquanto o pré conceito próprio trouxer o pós conceito ódio

Que provemos, porém, intervenho intercessão
Pr'onde o mal exemplo estimula tudo, menos perdão.
Quem defendes? Quem afrontas, irmão?
Cesses o jugo! Fim das contas: Nossas mães e suas preces.

Em favor réu existe um céu...
Em favor réu existe um céu... (Vô lá)
Em favor réu existe um céu...
Em favor réu existe um céu... (Vô lá)

Pr'onde o amor se faz louvor.
Pr'onde o amor se faz louvor.
Existe um Deus. (Eis-me aqui.) Existe um Deus. (Senti!)
Existe um Deus. (Eis-me aqui.) Existe um Deus. (Senti!)

Existe um Deus!

PROJETONAVE & SÍNTESE - EM FAVOR DO RÉU... (NASBASE) *2014

Group: Saracotia
Composer: Rodrigo Samico/Publius Lentulus

Peixe Estranho

Música dedicada a cidade de Feirade Santana, Bahia.

Daniela Mercury - Princesa dos Olhos d'Água

Lyddrenge med Pistoler (dubplate) - Topgunn

Forró Universitário - Sexta Universitária - Se eu parar eu caio

Forró Universitário

A mix of the music of Black Rio, Samba, Samba Rock, MPB, Brasilian Psych and Bossa and Guns, dug from the dirty depths of the Feiras de lixo, Blanket Boys and Hustlers, dodgy dodgy Lula and dusty dusty shops of Rio de Janeiro.

Mistura Praca XV. Diggin the Feiras de Lixo of Rio de Janeiro

PRODUCED BY PRECISION PRODUCTIONS WRITTEN BY IAN ALVAREZ.  CONTAINS SAMPLE OF ORIGINAL "WHAT A BAM BAM"


               Bam bam
Intro
iSpaniard again, inna my version
Precision production, sing this

Chorus: AaaaaaHhaaahhaaahhaaahhaaa
Hey,.............hey,

Vs1: bam bam carnival is plenty bam bam
  Nuff pretty gal with plenty bam bam
  Out ah road is plenty bam bam
 If yuh pants overload is plenty bam bam
One man alone to 20 bam bam
  Look gal ah implant and rent the bam bam
  Do heap ah things to rent the bam bam
 Gal wa get the bam bam, (rrrrrr)
Carnival is all about bumpers
Inna the highest version and numbers
Man grabbing phone to get numbers
To make link just to get een a slumber
Not really the slumber, man Wha sneak eeen to see one roll ah d bumper
Deh Wha see how the backside roll like the wheel on a Honda
But me say bam bam
Jessica have plenty bam bam
Look Jennifer have plenty bam bam
Look Charlene have plenty bam bam
 if yuh look Carlene have plenty ban bam
Anyway they go the party ram jam
Make man fight over it like van damme
Every man wine pon a bumper and hold the bam bam and sing

Chorus:AaaaaaHhaaahhaaahhaaahhaaa
Hey,.............hey,
Everybody put yuh hands up str8 and sing ,
AaaaaaHhaaahhaaahhaaahhaaa
Hey,.............hey,
Everybody put yuh hands up and sing

Vs2: we all the front is superior
But the perfect whining exterior
   Is the part that attached to the back we all like to call the posterior
 Trinidad Jamaica or Syria
Once the bumpers meet the criteria
Man will order bumpers in a dance like dem in cafeteria
All them want Bam bam
Music play dem want a bam bam
Dem just come to hunt a bam bam
Worse if she have the trunk a bam bam
Deh will grab like they Wha slam dunk a bam bam
All thru she pants a chunk a bam bam
Some market shed and bunker bam bam
Leave man high and drunk a bam bam bam bam, hey

Chorus:AaaaaaHhaaahhaaahhaaahhaaa
Hey,.............hey, everybody put yuh hands up str8 right now hands up
AaaaaaHhaaahhaaahhaaahhaaa
Hey,.............hey, all down on the side. All down on the side

Vs3/bridge: let's go Deh now
  Whine (meh gyal)
Fling the bumper them Whine (meh gyal)
 Roll the bumper them Whine (meh gyal)
Turn the bumper them Whine (meh gyal)
Spin the bumper them Whine (meh gyal)
Fling the bumper them Whine (meh gyal)
Turn the bumper them Whine (meh gyal)
Roll the bumper them Whine .....BUMPER TIME NOW

Vs1:bam bam carnival is plenty bam bam
  Nuff pretty gal with plenty bam bam
  Out ah road is plenty bam bam
 If yuh pants overload is plenty bam bam
One man alone to 20 bam bam
  Look gal ah implant and rent the bam bam
  Do heap ah things to rent the bam bam
 Gal wa get the bam bam, (rrrrrr)

What a bam bam, bam bam, bam bam , (sample voice)
 Bam bam, bam bam, bam bam (sample voice)


Bam Bam

Ragga Soca Collab- A young Blood named 'REVELATION' alongside ISPANIARD BUNJI GARLIN    -  GIRLS TIME AGAIN- From the upcoming album ISPANIARD

Roll It

Erasmo Carlos - Quem Mandou Levar (Samba da Preguiça)

Quilombo do Futuro dives deep into afro-brazilian rhythms and sound system culture.  It's the roots of the terreiro growing and overtaking the asfalto.  Crumbling it bit by bit.  Life that springs from urban decay.  Coco, maculelê, samba, jongo and capoeira meet ragga and dub, hip hop and kuduro, grime and dubstep. Organic elements combined with electronic production to bring the punch and power for big sound systems, this is serious batucada and bass, mids, treble. TUDO.

Maga Bo has performed and worked in over 40 different countries - from Delhi to Sydney, Berlin to Addis Ababa, New York City to Brasília, all the while keeping his feet (and ears) firmly planted in the sonic axis RJ/SP/BA - Rio de Janeiro, São Paulo, Salvador.  Inspired as much by his experiences touring internationally in the global beats and bass world as his time spent in the traditional Afro-Brazilian roots scene in Rio de Janeiro, Quilombo do Futuro offers a careful juxtaposition of raw, heavy bass with organic, instrumental and vocal subtlety.  Far from relying on pre-made loops of "Brazilian" drums or other shallow cultural signifiers, this album was recorded with some of the most original and brightest musicians in Brazil today. 

Working with celebrated Brazilian musicians, BNegão, Gaspar, Lucas Santtana and Marcelo Yuka, the record also brings in new talents, Funkero, Biguli and one of the most innovative groups in Brazilian music today, BaianaSystem.  Bo's mestre of capoeira angola, Mestre Camaleão, brings the berimbau while Rosângela Macedo's vocals hold down tradition.  Guyanese Brooklynite, Jahdan Blakkamoore, and Panamanian Chicagoite, MC Zulu, bring the dancehall vibe to riddims that most don't even try to touch.  All percussion was tracked and produced by Maga Bo and his long time partner in riddim, percussionist and fellow carioca, João Hermeto. 

A quilombo was an autonomous, fugitive settlement founded by ex-slaves and others in colonial brazil.  The Quilombo do Futuro is more than a possible physical space.  It is a potential world-wide agglomeration of cultural resistance.  After centuries of wealth generated by an economy built on slavery (and the subsequent post-abolition adaptations), the Quilombo do Futuro is a break from this legacy.  Fortified by an international community based on plurality, inclusive democracy and direct communication, cultural resistance is paramount in creating a sustainable, healthy existence in the face of world-wide corporate domination.  

Born in the United States and based in Rio de Janeiro since 1999, Maga Bo has collaborated with Mulatu Astatke, Issa Bagayogo, Bollywood star Shilpa Rao, BaianaSystem as well as releasing critically acclaimed remixes for Poirier, Luisa Maita, Filastine, Blick Bassy and Bomba Estéreo.  His music and remixes have also been released on Tru-Thoughts, Ninja Tune, Cumbancha, Dutty Artz, World Connection and many others.  Among his many international tours, he has performed at the Sydney Festival, WOMEX, Club Transmediale and Mundial.

FREE DOWNLOAD

02  No Balanço da Canoa feat. Rosângela Macedo and Marcelo Yuka

05  Maga Traz a Lenha feat. Jahdan Blakkamoore

07  Galope feat. Robertinho Barreto

09  O Neguinho feat. Biguli

10  Immigrant Visa Part II feat. MC Zulu

11  Xororô feat. Russo Passapusso and Robertinho Barreto

Quilombo do Futuro dives deep into afro-brazilian rhythms and sound system culture.  It's the roots of the terreiro growing and overtaking the asfalto.  Crumbling it bit by bit.  Life that springs from urban decay.  Coco, maculelê, samba, jongo and capoeira meet ragga and dub, hip hop and kuduro, grime and dubstep. Organic elements combined with electronic production to bring the punch and power for big sound systems, this is serious batucada and bass, mids, treble. TUDO.

Maga Bo has performed and worked in over 40 different countries - from Delhi to Sydney, Berlin to Addis Ababa, New York City to Brasília, all the while keeping his feet (and ears) firmly planted in the sonic axis RJ/SP/BA - Rio de Janeiro, São Paulo, Salvador.  Inspired as much by his experiences touring internationally in the global beats and bass world as his time spent in the traditional Afro-Brazilian roots scene in Rio de Janeiro, Quilombo do Futuro offers a careful juxtaposition of raw, heavy bass with organic, instrumental and vocal subtlety.  Far from relying on pre-made loops of "Brazilian" drums or other shallow cultural signifiers, this album was recorded with some of the most original and brightest musicians in Brazil today. 

Working with celebrated Brazilian musicians, BNegão, Gaspar, Lucas Santtana and Marcelo Yuka, the record also brings in new talents, Funkero, Biguli and one of the most innovative groups in Brazilian music today, BaianaSystem.  Bo's mestre of capoeira angola, Mestre Camaleão, brings the berimbau while Rosângela Macedo's vocals hold down tradition.  Guyanese Brooklynite, Jahdan Blakkamoore, and Panamanian Chicagoite, MC Zulu, bring the dancehall vibe to riddims that most don't even try to touch.  All percussion was tracked and produced by Maga Bo and his long time partner in riddim, percussionist and fellow carioca, João Hermeto. 

A quilombo was an autonomous, fugitive settlement founded by ex-slaves and others in colonial brazil.  The Quilombo do Futuro is more than a possible physical space.  It is a potential world-wide agglomeration of cultural resistance.  After centuries of wealth generated by an economy built on slavery (and the subsequent post-abolition adaptations), the Quilombo do Futuro is a break from this legacy.  Fortified by an international community based on plurality, inclusive democracy and direct communication, cultural resistance is paramount in creating a sustainable, healthy existence in the face of world-wide corporate domination.  

Born in the United States and based in Rio de Janeiro since 1999, Maga Bo has collaborated with Mulatu Astatke, Issa Bagayogo, Bollywood star Shilpa Rao, BaianaSystem as well as releasing critically acclaimed remixes for Poirier, Luisa Maita, Filastine, Blick Bassy and Bomba Estéreo.  His music and remixes have also been released on Tru-Thoughts, Ninja Tune, Cumbancha, Dutty Artz, World Connection and many others.  Among his many international tours, he has performed at the Sydney Festival, WOMEX, Club Transmediale and Mundial.

Eu Vim de Longe feat. Rosângela Macedo - Letras por Rosângela Macedo

eu vim de longe
vim na beira do caminho
saravá papai bendito
eu num quero andá sozinho
(nós não vâmo andá sozinho)
 
refrão:
ilaiê lalaiê ilaiê
lalaiê ilaiê
lalaiê ilaiê ô



I came from afar
I came on the edge of the way
bless pope Benedito
I don't want to walk alone
We're not going to walk alone

chorus:
ilaiê lalaiê ilaiê
lalaiê ilaiê
lalaiê ilaiê ô

12  Eu Vim de Longe feat. Rosângela Macedo

For Quilombo do Futuro Remixed, Maga Bo called upon the talents of a select team of top notch producers haling from several different continents.  The original tracks united the organic subtleties of the Afro-Brazilian rhythms coco, maculelê, samba, jongo and capoeira with the punchy, powerful, electronic based sounds of dub, raga, hip hop and dubstep.  Batucada and bass, mids, treble.  TUDO.  The remixes take the tracks even further….

Frikstailers deliver a monster digital cumbia remix.  Uproot Andy comes with a crunk, bullerengue samba reggae.  Subatomic Sound System brings a hypnotic dub rework.  Stereotyp's remix is a spooky, frantic burst of barefoot energy.  El Remolon takes baile funk into trance cumbia dub territory.  Sabo brings a sunny, uplifting vibe for the dance floor.  Dr. Das injects noise and grit with a deep, deep bassline.  Process Rebel treats coco to warm distortion and spacious reverb.  Dub Gabriel offsets hard, one-drop dub and samba with political commentary on immigration.  Digitaldubs drops a raw, dirty bass and rapid-fire funk programming.  DJ Dolores' new project Stank, comes with a frantic, dubbed out samba reggae.  Poirier goes deep on his tranced out jongo rework.  Batida connects the dots between samba and kuduro with vocals straight from Angolan MC Sacerdote.  Leo Justi adds a hard electro-funk edge.  Copia Doble Systema vs. Dixon transform ragga cumbia into hypnotic electronic tumbao.  Buguinha drops a pair of smoky live dub mixes while Chancha Via Circuito offers a smooth trip hop take on coco.

A quilombo was an autonomous, fugitive settlement founded by ex-slaves and others in colonial brazil.  The Quilombo do Futuro is more than a possible physical space.  It is a potential world-wide agglomeration of cultural resistance.  After centuries of wealth generated by an economy built on slavery (and the subsequent post-abolition adaptations), the Quilombo do Futuro is a break from this legacy.  Fortified by an international community based on plurality, inclusive democracy and direct communication, cultural resistance is paramount in creating a sustainable, healthy existence in the face of world-wide corporate domination.  

Born in the United States and based in Rio de Janeiro since 1999, Maga Bo has collaborated with Mulatu Astatke, Issa Bagayogo, Bollywood star Shilpa Rao, BaianaSystem as well as releasing critically acclaimed remixes for Poirier, Luisa Maita, Filastine, Blick Bassy and Bomba Estéreo.  His music and remixes have been released on Tru-Thoughts, Ninja Tune, Cumbancha, Dutty Artz, World Connection and many others.  Among his many international tours, he has performed at the Sydney Festival, WOMEX, Club Transmediale and Mundial.  

14 Piloto de Fuga feat. Funkero and BNegão (Leo Justi Remix)

Composer: Rafael Marques
Album: Saracotia

Engatinhando

Cartola e Dona Ivone Lara - Tive sim

Primeiro disco d'A Banda Mais Bonita da Cidade, lançado em dezembro de 2011.

Oração

Ultima oração - Wladimir Gasper

MC Leonardo 50.050

Vamos pedir a todos orixas paz saude e prosperidade feliz ano novo a todos amigos e familiares

Filhos de gandhi

Voz: Elza Soares e Zé Miguel Wisnik
Violão nylon: Cacá Machado
Guitarra: Kiko Dinucci
Cavaquinho: Rodrigo Campos
Baixo: Meno del Picchia
Bateria e percussão: Gui Kastrup 

01 Sim (Cacá Machado/Eduardo Climachauska)

Carlos Malta - "O Canto Da Ema" / Manager: Diversão e Arte

Sinhá Pureza - Pinduca

1.  Maga Bo - Tempos Insanos feat. Bnegão
2.  Maga Bo - Tempos Insanos feat. BNegão (Frikstailers Remix)
3.  Samba de Coco Raízes de Arcoverde - Ê Boi (Maga Bo Remix)
4.  Bomba Estéreo - Fuego (Maga Bo Remix)
5.  Sub Swara feat. Lyrics Born - Fire It Up (Maga Bo Remix)
6.  Anthony B meets Subatomic & Nomadic Wax - Dem Can't Stop We From Talk (Maga Bo Remix)
7.  Maga Bo - Rapinbolada (Dr. Das Remix)
8.  Baiana System - Oxe Como Era Doce (Maga Bo Remix)
9.  Maga Bo - Maga Traz a Lenha feat. Jahdan Blakkamoore (Subatomic Sound System Remix)
10.  Maga Bo - É da Nossa Cor feat. Mestre Camaleão
11.  Systema Solar - Bienvenidos (Maga Bo Rejected Remix)
12.  Maga Bo - O Neguinho feat. Biguli
13.  Cidinho - Dinheiro (Maga Bo Remix)
14.  Maga Bo - Piloto de Fuga feat. Funkero and BNegão
15.  Maga Bo - Piloto de Fuga feat. Funkero (Stereotyp Remix)
16.  Maga Bo - Kizomba (Batida Remix feat. Sacerdote)
17.  Maga Bo - Immigrant Visa II feat. MC Zulu (Stank Remix)
18.  Maga Bo - Immigrant Visa II feat. MC Zulu 
19.  Maga Bo - Xororô feat. Russo Passapusso and Robertinho Barreto
20.  Maga Bo - Xororô feat. Russo Passapusso and Robertinho Barreto (Buguinha Adubada Remix)
21.  Maga Bo - Xororô feat. Russo Passapusso (Uproot Andy Remix)
22.  Maga Bo - No Balanço da Canoa feat. Rosângela Macedo and Marcelo Yuka
23.  Maga Bo - No Balanço da Canoa feat. Rosângela Macedo and Marcelo Yuka (Process Rebel Remix)
24.  Maga Bo - No Balanço da Canoa feat. Rosângela Macedo and Marcelo Yuka (Chanca Via Circuito Remix)

http://www.magabo.com

<a href='https://theartistunion.com/tracks/887d50'>Download for free on The Artist Union</a>

Free Download

Maga Bo - Quilombo do Futuro Mixtape

“Speaker-bangin’ before all else” (XLR8R) with “some of the smartest ears in the game” (Chicago Reader), “few can make a room explode like Maga Bo” (Flavorpill). A purveyor of “international sonic weaponry and rhythm knowledge” (Rough Trade), the Rio de Janeiro-based DJ/producer is a veteran pioneer of global bass music, with 20+ years of dedicated experience searching out unheralded music bumping from speaker-boxes in the world’s grittiest corners, from Addis Ababa to Zanzibar. 

Maga Bo’s sophisticated approach to international sounds comes from in-person, on-site collaboration with other artists. He has worked on location in Morocco, India, Ethiopia, Senegal, Zanzibar, and South Africa, to name just a few, while delving into a whirlwind of local styles: chaâbi, asmari music, taraab, manganiyar folk music, masqanda, and mbalax. All instruments and vocals come straight from the source. His original riddims and recordings, enriched by the presence of live vocalists and percussion, and enhanced by the philosophies of hip-hop and dub, take the global bass DJ set to a new level, one driven by first-hand experience searching open-air markets instead of just searching the web. 

His current work explores the contours of Afro-Brazilian culture and includes collaborations with the brightest talents in Brazil’s vast musical landscape. An immigrant himself, Maga Bo put down roots in his adopted hometown of Rio -- a cultural melting pot like no other where he has produced baile funk MCs and played drums in his neighborhood samba school. Journeys to Brazil’s northeast region have resulted in recording sessions with unsung folklore heroes Grupo Bongar and Samba de Coco Raízes de Arcoverde. 

A globally in-demand performer, Maga Bo has graced stages from India to Ethiopia to Brazil, at major summer festivals across Europe, and on tour in North America and Australia. He has performed at WOMAD UK, WorldWide, Sydney Festival, WOMEX, Transmediale and Mundial. He’s collaborated with Buraka Som Sistema’s Kalaf, Max Normala aka Ninja of South African rap-rave outfit Die Antwood, Ethio-Jazz godfather Mulatu Astatke, Bollywood star Shilpa Rao, and Brazilian chart toppers BaianaSystem and BNegão, and released critically acclaimed remixes for Asian Dub Foundation, Batida, Bomba Estéreo, Poirier, Filastine, and Systema Solar. 

Maga Bo’s groundbreaking debut full-length album, Archipelagoes, was released on DJ /rupture's Soot Records in 2008 after recording sessions in Senegal, Tanzania, Morocco and South Africa with heavyweight local rappers and musicians. His second full-length, Quilombo do Futuro, landed at #1 on the iTunes Brazilian music chart and #1 on the Rhapsody world music album of the year. The album was lauded by the New York Times as “a cultural manifesto riding on rhythm” and by National Public Radio (NPR) as “defin[ing] a kind of virtual refuge for traditional culture, giving it a welcome place in the techy global music soundscape of the 21st century." 

His track, ”No Balanço da Canoa,” garnered over half a million views on Youtube and was featured in Grand Theft Auto V and the opening ceremony of the 2016 Olympics in Rio de Janeiro. He’s released music on Jarring Effects, Tru-Thoughts, Ninja Tune, Sound Way, ZZK, Cumbancha and many others. 

He currently releases confrontational, bass-heavy digital roots music from all over Brazil on Kaxambu Records and is an integrant of the live tropical-electro soundsystem band, Sociedade Recreativa. 

Having performed and worked in over 50 countries, Maga Bo walks the walk of the real globalization. Music is the weapon in a world of cultural appropriation, wide-spread poverty and mass migrations. 

Maga Bo bookings - booking*at*magabo.com