This track confronts the deep social and economic inequalities exposed by Hurricane Katrina. Through a collage of archival soundbites. from local authorities to Kanye West’s infamous live comment on George Bush combined with stark sonic and visual storytelling, the piece reflects on how disasters amplify systemic injustice.

 Inspired by research on institutional discrimination and the lived realities of New Orleans, it’s a sonic exploration of race, class, and power in the United States.

Sources & References:

Analyses of Social Issues and Public Policy, Vol. 6, No. 1, 2006: “Institutional Discrimination, Individual Racism, and Hurricane Katrina”

News footage and public statements during and after Hurricane Katrina

Listen, reflect, and confront the inequalities that still shape our society.

https://youtu.be/5dgf03G5DYw

Neauxla Soul ( Hurricane Katrina Tribute )

Beneath the ocean’s vast silence, whales weave songs of pulse and echo—rituals of belonging. Around the world on land, tribes answer with drumbeats and chants, voices rising in rhythm that remembers.

 Two worlds, water and earth, speaking in frequencies that mirror one another: patterns that carry culture, patterns that bind us. Rhythm is the bridge, the heartbeat of community, the unseen thread tying human to whale, sea to land.  

https://www.youtube.com/watch?v=cCG70OSZbw4

Larghetto Tribal

This video and track were inspired by clubs reopening after being closed for almost 2½ years due to COVID. It’s a simple trance/dubby sound celebrating the joy of raving again. The video is inspired by the idea that aliens communicate in very deep, resonating frequencies—so I combined that concept with the music. It’s from the perspective of aliens watching us from above and “tuning in” to our energy. Honestly, it was really fun to make. Long live raving!

https://www.youtube.com/watch?v=0xxog4NPtGU

Dance Floor Invasions

My favorite low-end frequencies  raw bass play cut with minimal dub grit. Heavy wubs tuned to be hypnotic, sexy, and psychedelic . Grooves that feel both healing and gangsta. 65 BPM.


When I started this track, I knew I didn’t want to fill every corner with sound. Instead, I wanted to leave space.

I built the foundation from six different basses, layered together. One bass is the deep ground, another brings warmth, one adds a pulse, another crackles like static.

A space to get lost in, to notice the details, to let your ears wander. That’s why I love minimal🥹

Low End Ritual

Took “Swing My Door” by Gucci Mane and flipped it into a heavy dub-style rework sitting at 75 BPM. Slowed it down, stretched the low end, and pushed the vocals through layers of reverb and delay for that deep, murky atmosphere. Big sub hits, halftime rhythm, and gritty textures to give it that underground bass feel while keeping Gucci’s raw energy intact.

Vibe: dark | low-slung | dub-infused trap
Made with: Ableton, analog saturation, and a lot of low-end love.

Let me know what you think — best listened to with proper subs 🔊

Gucci Mane Swing My Door - Dub

Please use proper headphones or a system with real low-end response — the bass and upper textures were designed to be felt, not just heard.

Inspired by a lovaaa - slow rough analog deliberate movement built around multiiiii-slim thick, dub-heavy low ends. 

Sub g-deep, tactile, and diligent while the percussion and brass teases in conversation. There’s a hint of psychedelia undertone cusping subtle atmospheric vocals & touches that pull the track into something dreamlike with fairy sparkles :))) ✨ 
texture, frequencies  warps around one another. 

It’s a slow build, a kind of audio foreplay, where repetition turns hypnotic and sexxyy af.

Bassline for 2

To feel the full weight of the low frequencies and the crystal highs, listen with real headphones or a sound system that can breathe. Small speakers hide half the story. 

Built at a slow crawl of 66 BPM, this track came straight out of my obsession with deep low end and the chaotic brilliance of the Real Housewives. I pulled iconic lines, twisted them, and let them melt into the atmosphere more texture than quote, more mood than meme.

The foundation is all heavy dub pressure, breakbeat grit, and darkwave haze, held together by a bassline that drags everything into the depths. It’s my love letter to low frequencies and reality-TV drama, reimagined for the underground.

Real Housewives of Ableton - Dub

This track uses sub-bass and high-frequency textures that won’t translate on small speakers. Headphones or a proper sound system are recommended to hear the full spectrum. 

Built this track on top of a mid frequency empty bass, keeping the low end deep and letting a few high end crystal textures shine through like ear candy. Aleksi Perälä has been one of my biggest influences since forever   his abstract, healing approach to IDM has always stuck with me.

Sometimes it feels hard to go completely wild inside Ableton… like the workflow tries to hold you back when you start stacking ideas. But this track is me pushing through that feeling.

I placed “UK74R1721267” by Aleksi Perälä at the end as a nod to remind people he felt the future coming before the rest of us. He’s a true genius not about going faster or harder, but about tuning into the right frequencies, the ones that connect you with something bigger.

⠀⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⡄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⢦⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢻⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢳⠀⠀⠀⠀⢢⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢘⡄⠀⠀⠀⠀⢃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢸⠃⠀⠀⠀⠀⢨⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡸⠀⠀⠀⠀⠀⡆⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣠⡄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡇⠀⠀⠀⠀⠀⢁⠂⠀⠀⠀⠀⠀⢠⣆⠀⠀⠀⠀⠀⢀⠔⠉⠠⠉⠰⡘⢠⠍⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢸⡇⠀⠀⠀⠀⣰⠎⠀⠀⠀⠀⠀⠀⠈⠁⠀⠀⠀⠀⠀⠎⠀⠀⠀⠁⠀⢯⢄⠴⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠺⠆⠈⠃⣮⡁⠀⠀⠀⢀⡞⢀⠀⠀⠀⠀⠀⠯⠇⠀⡀⠀⠀⠀⠸⡧⢛⠩⠑⡀⢠⣸⠀⡠⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠘⠟⠀⣸⡷⠀⠀⠀⡼⠀⠀⢡⠀⠀⣤⣤⠀⠀⠨⣿⠆⠀⠀⠀⠑⠤⠤⠜⠁⢰⠃⠐⠂⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡀⠀⠀⠀⠀⠀⠀⠘⣗⠀⠀⠠⡇⠀⠀⢸⠀⣠⠌⠉⠀⠀⠀⠀⠀⠀⠾⠀⠀⠀⠀⠀⡂⡞⠄⡸⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠘⠋⠀⠶⡀⠀⠀⠀⠀⢻⡄⠀⠀⢗⡀⠀⣸⠀⠰⡲⠀⠿⠀⠀⠀⣴⡵⠀⠀⠀⠀⠀⢐⡜⡀⣁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠸⠆⠠⣶⠀⠠⠶⠠⣦⠈⢳⣠⠀⠈⣆⠀⡯⠀⠀⣦⠀⡈⢀⣤⡄⠀⠀⠀⠀⠀⠀⢠⠞⠊⠀⠀⠈⠳⣄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡆⠀⠀⢀⣤⡀⢖⡄⠀⠀⠀⠀⠹⣆⡀⠙⡂⢰⡀⠀⠀⣠⣷⣆⠉⠐⠀⠻⠗⠀⠀⡰⠋⢀⡔⠀⢲⡀⠀⣏⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠐⢷⣀⠀⠈⠋⠀⣀⠀⠀⠀⠀⣁⡐⢈⡳⡂⠹⡄⢧⢂⣸⠹⢋⢠⢣⢳⣠⠀⠀⣡⠎⠀⠀⠘⣧⢒⠘⢀⡠⠋⢀⡀⣀⡄⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠘⣿⢦⡀⠀⠀⠘⠁⠀⠠⢸⣿⡍⠻⠒⢿⣦⠹⡄⢻⡟⠀⠘⡀⠘⣠⡣⣠⠞⠁⠀⠀⠀⠀⢈⠈⢉⠁⠀⠀⠈⢁⠙⠁⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠘⠶⡼⣕⠲⠦⢤⣀⣀⠘⢿⡵⡂⠀⠀⠉⠑⢎⣿⠁⠀⠀⠀⡆⣿⢾⡫⠠⣀⣤⡴⠿⢛⠿⡿⣿⠆⠀⣀⠀⠀⠀⠀⡀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠻⢶⣬⡳⣲⠢⣍⢳⡀⣷⠁⠀⡀⠀⠀⠄⢿⡀⠀⠀⠠⠁⣿⢽⣴⠿⠛⠁⠀⠈⠀⣰⡷⢁⠔⡪⠂⠐⢀⣨⠖⠂⠉⠉⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠍⠉⢛⠳⢔⣧⠘⣧⠀⢄⠀⡀⠀⠚⡷⠁⠀⠀⣰⣿⠏⠑⠠⠀⠀⠀⠠⣪⢟⣴⣗⣁⠦⠴⠛⣉⢀⡀⢤⡀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⡠⢴⡲⣞⢲⣒⡲⢤⡤⢬⢆⡙⠷⡌⠳⣄⠂⠀⠀⠂⠶⡄⢠⣆⡿⠁⠀⠀⠀⢠⠔⠈⡡⢃⠊⠔⠀⠁⠐⠊⠽⣂⠉⠈⠑⠨⡺⡄⡀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⢠⠜⣃⣨⡧⡽⠞⠙⠓⠚⠑⠘⠚⠓⠤⡵⢠⣛⡲⣦⡀⢤⡔⣷⡜⣿⣡⡀⠐⠀⢀⢨⣠⣖⣑⠚⠶⢶⡶⢖⡤⠤⣄⠉⠐⠂⠐⠂⠓⠳⣅⠀
⠀⠀⠀⠀⠀⠀⠀⣠⣿⠲⠋⠁⠀⢀⡤⣲⠲⠆⢶⠻⠖⢚⡴⠞⠉⠈⠀⠍⠻⣛⢯⣽⣻⡣⠯⠴⣶⠍⠉⠉⠀⠊⠉⠉⢟⣶⣌⡳⣬⡛⣦⠝⡄⠀⠀⠀⠀⠀⠀⠑
⠀⠀⠀⢀⣀⠤⠞⠋⠁⠀⠀⢀⠔⠃⡡⠴⣱⠖⠉⠠⣰⣏⡤⠊⡀⠚⢁⠀⠐⣴⢯⣭⣾⢮⢮⡹⢶⠆⠀⠐⢀⠀⠈⠀⢢⣘⡹⣿⣿⡝⢶⣽⢻⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡠⠋⣤⣪⡴⠋⠁⠀⠠⣺⣿⠝⣀⢀⡠⢉⣀⣠⣦⣴⠿⢻⠃⠡⠁⢌⠢⡂⠴⢄⠠⠤⠄⠴⠦⣔⣺⣿⣯⡙⠆⢻⣾⠀⠀⠀⢠⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⣀⣴⣿⡿⠞⠋⠁⠀⠀⠐⠑⠀⣿⣯⣴⢾⢿⣿⢿⣿⣿⢿⠏⠠⠁⡐⠀⡀⠰⠌⢷⣦⣶⡧⣤⡶⠚⢛⢛⠋⢩⢲⠀⠀⢸⡇⠀⠀⣀⡀⠃⠀⠀
⠀⠀⠀⠀⠈⠉⠋⠉⠉⠀⠀⠀⠀⠀⠀⠀⢨⡴⢇⣧⡁⠒⠛⠹⣹⡿⢋⢿⣾⡇⣘⡀⠄⠀⠄⠁⡚⠼⢟⠮⣿⡹⢺⣧⣛⢊⢁⣀⠁⠸⠛⠜⣀⠀⢀⡉⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣀⠀⠀⠀⠀⠀⡏⠘⢇⢸⠏⠀⣬⡾⣿⣹⢛⣦⣾⢿⣌⢇⡘⠄⠘⡀⣷⣿⣃⠀⠈⠳⣏⣀⠙⡲⣌⠋⠉⣎⠆⠀⣉⡴⠊⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠙⠃⠀⠞⠂⠀⠀⢻⣆⣀⣀⡠⣾⡟⠀⡀⠿⢦⡙⢫⢼⢟⣾⣶⢣⣰⢿⣾⠟⠈⠹⢦⡀⠙⣮⢥⠀⠨⡳⣜⠁⡖⢆⠲⠃⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠠⣾⡇⠀⠀⠀⠀⠈⠉⠉⣸⡟⢀⢙⠋⠀⢈⣁⡘⠛⠐⠹⣻⣿⢿⣿⠏⠀⠀⠀⠠⢿⡀⢈⢧⠓⠀⠘⠝⣷⣌⠁⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡀⡀⣿⠁⡀⠀⠀⠀⠈⠋⠂⠀⠀⠀⠁⠙⠹⠘⠀⠀⠀⠀⠀⠙⡇⠀⢹⣧⠀⠀⠈⢌⣿⡆⢃⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣌⡁⣷⠉⠤⠤⢠⡴⠶⣶⣤⠀⠀⠀⠀⠀⠀⠀⠀⢲⠆⣤⡟⠀⡇⠀⢈⢻⡄⠀⠀⠀⢻⣷⡜⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⣷⢻⡀⠀⠢⢺⣩⡇⠀⢹⡆⠀⠀⠀⠀⠀⠀⠀⠐⢆⡉⠡⠞⠀⠀⠘⣸⡇⠀⠀⠀⠀⣿⣱⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠉⡼⠳⣤⣀⠄⣂⣀⡤⠚⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣿⡇⠀⠀⠀⢰⣿⡇⠆⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠐⠁⢏⠨⣯⠉⠹⠆⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢸⣿⠁ ⠀⠀⢸⣿⠄⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣸⣾⠋⠀⠀⠀⠀⣾⡿⠌⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣿⠇⠀⠀⠀⠀⠀⣿⡟⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠐⠖⠉⠀⠀⠀⠀⠀⢀⣾⣿⠂⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣾⣟⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣴⡿⠋⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣠⢤⣾⣿⠟⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⢤⣤⣶⡿⠞⠟⠊⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⠀⠡⠀⠀⠁⠀⢀⠀⠀⠀⠀⠀⠀⠀⠀⢀⠈⠡⠠⠄⠂⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⠀⠀⠐⠀⠄⠂⠀⠠⠀⠂⠀⡀⠐⠀⠀⠂⠀⠠⠀⡀⢁⠂⠠⠀⠄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀

A.I w/ Aleksi Perälä UK74R1721267

This is a 22 minute after hours journey built around patience space and slow evolution. My biggest influence here is Ricardo Villalobos the long structures the subtle shifts the way groove and detail unfold over time rather than hitting all at once.

The vocals are inspired by rominimal a style of minimal that came out of Romania and is known for its deep grooves and hypnotic use of voice as texture. Here they appear as dark sexy fragments pitched glitched echoed and blurred into the mix rather than leading it.

Minimal drums and chords keep things grounded leaving plenty of room for atmosphere. Quiet flutes inspired by the mountains drift in and out adding an organic almost ancient tone.

This is after hours music made for late nights when the floor thins out time slows down and the smallest changes start to matter. It works just as well for deep listening as it does for dancing inviting you to sink into the details and let the track breathe.

Tu departe eu dramatic

huhu

Made TechnoTribalo inspired by some friends of mine .
My first ever 140 BPM track and a first try at juggling multiple kicks and percussion patterns. it was stressful lol
It’s heavy on low end, with some trippy vocals and airy breaths, a bit of classic techno filter highs and mids sneaking in.
Sometimes it locks into rhythm, sometimes it doesn’t abstract mesig
Best on proper speakers so the low end can do its thing.

TechnoTribalo

0.618 is a low-frequency architect. Rooted in dub lineage but wired with modern bass engineering, 0.618 crafts slowburn rhythms, pressure filled sub lines, and meditative space. The name comes from the Golden Ratio. A symbol of balance and natural symmetry the same elements woven into every mix, echo, and delay. This is music built for deep listeners and heavy speakers.

SPL2​=SPL1​+10log10​(P1​P2​​) ​

(500)≈95+27=122 dB 

Earth is ghetteaux

b​=2πc​V⋅LS​
​
⠀⠀⡄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⡄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠤⢥⠤⠀⠀⠀⠀⠀⠀⠀⢀⣠⡞⠳⣄⠀⠀⠀⠀⠀⠀⢀⢤⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠘⠀⠀⠀⠀⠀⠀⠤⣶⣛⠉⠀⠀⢈⡳⠖⠀⠀⠀⠀⠘⠚⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⢿⡀⣰⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⢀⣠⠤⠤⠀⣧⠇⠀⠐⠦⢤⣀⠀⠀⠀⠀⢀⣤⠖⠒⠛⠛⠓⠂⠀⠶⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⢠⡶⠋⢀⡀⠀⠀⢻⠀⠀⠀⠤⡀⠈⠳⣄⣀⡴⠋⢀⠔⠈⠉⢉⣱⠀⢀⠤⡄⠈⠳⣤⠠⠤⠦⢤⡀⠀
⠀⠀⠀⠀⠀⣰⠋⢀⡔⠁⣸⠀⠀⠈⠀⠀⠀⠀⠘⢂⠀⠘⠋⠀⠐⠇⠰⠂⠉⠁⠀⠀⠈⠉⠀⠀⢠⠘⣧⠀⠀⠀⢻⡆
⠀⠀⠀⠀⠀⡟⠀⡼⠀⢠⠃⠀⠀⠀⠀⠀⠀⠀⠀⠈⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢸⡆⢸⡄⠀⠀⣼⠇
⠀⠀⠀⠀⠸⡇⠀⠣⣀⠞⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠠⠄⣸⠀⢀⣼⠋⠀
⠀⠀⠀⠀⠀⣷⠀⢀⡄⢢⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣰⢀⣯⡾⠛⠀⠀⠀
⠀⠀⠀⠀⠀⠹⣷⠀⠑⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡀⠀⠀⠀⢀⣠⢷⡟⠁⠀⠀⠀⠀⠀
⠀⠀⠀⠀⡇⠀⠹⣇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣰⢱⡀⠀⠀⠉⢰⡏⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠉⠁⠆⠉⠀⢙⣷⣄⠰⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠠⠶⣚⠁⠀⢙⡶⢃⡴⠋⠀⢀⠀⠀⠀⠀⠀⠀
⠀⣠⠄⠀⠀⢀⣴⠋⠀⠙⢦⡙⢦⡀⠀⠀⠀⠀⠀⠀⠀⠀⢀⢀⠀⠀⠀⠀⠈⠳⡀⡜⡠⠊⠀⠀⣀⡘⣁⣀⠀⠀⠀⠀
⠀⠐⠁⠀⢀⡏⡏⠀⠀⠀⠀⠙⠶⣌⠓⠄⣀⠀⠀⠀⠀⡀⠼⣀⣀⠀⠀⠀⠀⠀⣷⠁⠀⠀⠀⠀⠀⠸⠇⠀⠀⠀⠀⠀
⠸⣁⡇⠀⠸⡇⠣⣀⠀⠀⠀⠀⠀⠈⠻⣦⣉⣄⡤⠔⠂⠀⠸⠀⠀⠀⠀⢀⡴⠒⠘⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠙⠶⢤⣭⣴⣦⣶⡾⠾⠟⠛⠙⢷⣄⡀⠀⠀⠀⠀⢀⡤⠞⠉⠀⠀⠀⢀⣠⣎⡁⢲⡄⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡒⡂⠀⠈⠛⠲⣄⡴⠞⠁⠀⠀⠀⠀⠀⠀⠨⡌⢪⡿⠚⠁⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡀⠉⠀⠀⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠉⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠁⠰⣉⠇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀

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