these kinda transitions in a song where it goes to the lead only like this on those last 2 beats in the chorus always makes the song 100x better

final blood prod mage

i know its been a while but i aint come 2 impress. 

lost a little bit of my touch but i still kinda got it

ain't come 2 impress #FOOLZ4EVER# (prod 3foolz)

uhhh just 2 luh songs

prod @magekillstreak

#killswarmswag {prod @magekillstreak)

“off key” w stvn

yung Razenoid-midnight (prod heelbite)

3) MYWORLD

prod me
tribute to @sagesyl369

lyrics:
never saw that girl cry for me
i knew that girl lied to me
but i was just tryna see
if she would die right by me

i saw that girl cry for me
i wish that girl lyd on me
now im just here fighting to see
her dumb world dying for me

theres no point in turning back in the first place

used to live so lavish now im stuck up in the worst day

never thought that i would make it to my birthday

why does everything that i do turn out in the worst way

stoned alone
with no one home
id call her phone
but she wont roam

memory prod me

Template/Sulfur

Suitable Logic


from Sinag - Biraddali, released January 11, 2026
Written, produced, and mixed by Monibi
Safe Space Records
CATALOG NUMBER: SPR 011-S1

Rosie Cheeks is the editor and curator of the music magazine and compilation album called Sinag. It’s named after the universe they come from and will be released in four parts, each focusing on a planet. The first planet release is called Biraddali, an LA-inspired world. It’s a planet that feels like it’s underwater, but it actually isn’t. Coral-inspired architecture and rocky crevices define the landscape, with blue reflections shimmering throughout.

First, the glimmering sounds of jon b raccoon grace the eardrums, with what feels like a vulnerable and emotional intro into Biraddali~like a fragmented memory beacon calling you back from the edge of an interstellar sleep drift. Keshavara's 'Aqua Rāag' is a subaquatic sound trip with bubbly Farfisa, submerged fretless bass, and seashell percussion. It feels like lost library music for a Jacques Cousteau documentary. And then we float over to Monibi's vibey track, where sparse frequencies shimmer like signals trapped between the crevices of Biraddali. Lastly, sq~rn~x uses siren-like calls and eerie productions to tell us a story amongst the ominous drone, forging a lament that trembles with cosmic dread and eager hope.

Rosie Cheeks emerges less like a person and more like an ethereal, glittery lilac aura that symbolizes a bridge. They believe in connection through listening, the power of curated encounters, the legitimacy of not fully understanding, and the longing to grow into a more grounded, confident self ~ a self that Rosie Cheeks already inhabits within the Sinag universe. They will release their debut track via the Sinag compilation album in April, alongside some other Earth-based and Sinag-based artists. 

CURATED BY: Rosie Cheeks
MASTERING: Elyot Trinh
ARTWORK: Doris Treitz
SUPPORTED BY: Kulturamt der Stadt Koln

Monibi - no flute

@magemurder on instagram

mage archive #1: @archive56
mage archive #2: @archive014

final blood prod mage

magekillstreak

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