This is a mixed down composite version of Browser Music 4.

The individual parts and instructions for playing them are as follows:

Open each link below in its own web browser tab or window and press play on each. The four parts are meant to play at the same time but don’t have to start together. You can stop / re-start individual parts and change their respective volumes as you wish. Like the components of a mobile sculpture, each part can be considered on its own or in any combination.

Part One:
youtu.be/4fE2awB7_d0

Part Two:
youtu.be/kT9ZastGvqE

Part Three:
youtu.be/Hzd_ydrGCqE

Part Four:
youtu.be/EpPkit3i8Vg


This is music without development, where nothing much happens (or rather: the happening is evenly distributed throughout). This is also quiet music – perfect for playing in the background on your web browser while you are doing something else on your computer. You can even listen to other music / watch other videos / make Zoom calls, etc. while playing Browser Music in the background.

Bandcamp

Browser Music 4

quatre pistes
quatre portables
ou plus

** * -—--—----—**—_

à lire en simultané

out of sync

layer 2

>.tick.<

For RA.1000, DJ Sprinkles' first mix in over a decade is a powerful meditation on the genocide in Gaza.

Dance music often relies on simple narratives: release, escape, unity. But those narratives can often feel inadequate, and even at times, hollow. Or, as Terre Thaemlitz might bluntly put it, just "shitty."

For her first mix in around 15 years, Terre Thaemlitz AKA DJ Sprinkles, challenges us to think differently. "I felt this 1000th podcast should reflect the moment in which it was made," she told us in her Q&A.

And what is this moment? Every day since Israel's 2023 assault on Gaza began, an average of 28 children have been killed. That's an entire classroom, every day, for over 600 days (at the time of writing). It's a staggering figure that only captures a fragment of the listless cruelty imposed on the strip.

Faced with such a genocide, what can music really do? How political can it truly be?  For their RA.1000, Thaemlitz gives us an unflinching rebuke to the idea that music should provide escapism. The mix weaves ambient fragments and jazz passages, woven around samples from Israeli media and the voices of outspoken Jewish critics like Gabor Maté and Norman Finkelstein. 

The result is not just a protest, but a document of our time. For Terre Thaemlitz, music is never just music. Her RA.1000 serves as a reminder that in an age of relentless suffering, the most political act is to reject the illusion of escape, and search for something greater.

Read the interview and find the tracklist at ra.co/podcast/1013. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Terre Thaemlitz / DJ Sprinkles

Disruptive Muzak Clip (out now on Death of Rave)

2LP 180gr
Chatam Square (USA) 1975
Song Cycle Records 2016 – CY999
First reissue ever
Musician, visual artist, composer, writer, sculptor, Michael Snow is also one of the world’s most highly acclaimed experimental filmmaker.
In 1975 he released some albums under the record company Chatham Square. The label was founded by the owner of the Michael Snow’s gallery, the Bykert Gallery, which also issued the first Philip Glass recordings.

http://www.songcyclerecords.com/music-for-piano/

Michael Snow - Music for Piano, Whistling, Microphone and Tape Recorder

Aeolian wind harp sounding in Elqui Valley of Chile (exactly in the "Reservoir Puclaro”, 70km from La Serena).

This wind sculpture is facing the wind and 4 cords are vibrating. You can find more info about the sculpture on http://www.sonidocreativo.cl/?p=624

The project is called "Imagenes Eolicas del Elqui" and has been done by Mario Arenas Avarrete in La Serena, January 2006.

The boom is located behind the first piece of metal, in the middle.
Sound recorded by a MS setup Schoeps Microphone CCM41&CCM8;
Cinela Zephyx Windscreen.
Sound Devices 744T Recorder
MS is encoded in STEREO Left-Right
recorded in february 2012
Sound Reference: @CAM120203T011
24bit / 96kHz (recorded in 192kHz)

Another sound on Freesound:
http://www.freesound.org/people/felix.blume/sounds/147260/

A very similar sound of the same sculpture recorded with a contact microphone on
http://www.freesound.org/people/felix.blume/sounds/147370/

more sounds on http://www.felixblume.com


Aeolian wind harp sounding in Elqui Valley (Chile)

Saru are very pleased to announce that Trichromatic Moiré, a new double CD featuring realisations of a graphic composition by Thomas Martin Nutt, is now available. 

Martin’s work with the physicality of interference takes place within the beating patterns of a multi-sensory field, a Moiré, and to celebrate his wonderful compositions, SARU invited a number of artists from around the world to realise his work.

The release features interpretations by Tetuzi Akiyama, Harriet Butler, Sarah Hennies, Ryu Hankil, Ko Ishikawa, David Lacey, Sally Ann McIntyre, Will Montgomery, Joseph Clayton Mills, Shirley Pegna, Rie Nakajima & Marie Roux, Samuel Rodgers, Lo Wie, and Keiko Yamamoto.

www.sonicartresearch.co.uk

Sarah Hennies

Wahono - ‘Prambanan / Mabad’ (D62-07)
Written and produced by Wahono. 
Mixed and mastered at Studio Oposisi - Jakarta, Indonesia.

Purchase: 
https://divisi62.bandcamp.com/album/prambanan-mabad-2

Subscribe to the DIVISI62: Pengumuman Bebas mailing list:
http://eepurl.com/c3RXVb

DIVISI62:
Soundcloud: https://soundcloud.com/divisi62
Bandcamp: https://divisi62.bandcamp.com/
Facebook: https://www.facebook.com/divisi62
Instagram: https://www.instagram.com/divisi62/

2. Wahono - Prambanan

From the split release with Hideki Umezawa "Two Views of Amami Ōshima". 
Full length album: https://andrewpekler.bandcamp.com/album/two-views-of-amami-shima
Limited edition LP via Edições CN: https://edicoescn.bandcamp.com/album/two-views-of-amami-oshima

layer 2

octave magescas

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