wunderschön... sehr traurig, dass es kein Ende gibt😉

Copy of Ded Person

Written, produced & performed by Nicolas Otisi.
Published by Sities edition.
Artwork by Cleverkids ©
© 2016 Sities edition. All right reserved.

Closing day

Fixing A Hole

https://www.youtube.com/watch?v=U070h3El9Ns&pp=ygUIbmFuYWlncHQ%3D

Hyoscyamus - Tau Mu(B3)

For Now

Envenomated

one step ahead

Color 35 | October 3.2024

The Lost Low

https://www.beatport.com/release/iii-lp/3590439

MMXXIVVRTRT

Espaciados

alien - potato - REC_0098_N

This week's task is rather serendipitous in that I am actually engaged in some minor wood working this weekend. I recently built a small Buchla 100 system (and its case), consisting of what is shown in the image and the as yet unhoused (and not shown) 114 touch control module, which is what the piece of unstained pine sitting on top of the Buchla is destined for. I selected pine because my woodworking skills are still rather rudimentary so working with higher priced and more difficult lumber makes me nervous. Plus, there is something comforting about pine's ubiquity and approachability. Making a mistake with pine seems excusable. Doing so with walnut or oak less so. That said, I got to thinking about the pine that I picked up at my local lumber shop in terms of the conditions under which it is grown and the vast quantities of trees that are stripped from the land so that people like me can make boxes for their vintage synthesizers. Sonically, I imagined this as a somewhat discordant drone, with peaks and valleys and occasional moments of harmony. The trees grow, mainly in a state or quietude, before they are cut down and processed to the sound of chain saws and saw blades. And then everything goes quiet again as the next crop is planted.  Graphically, I notated this imagined scenario as a series of constant lines, punctuated here and there with peaks, valleys, bright and dark spots, representing in part the knots and impurities in the pine but also the experience of the piece of wood in its transition from tree to commodity. Everything you hear was created on my humble System 100, which was first fed through the Empress Zoia pedal using the "soft focus" effect created by Christopher H.M. Jacques and then further transformed in Logic using "fragments," and "motion" from Arturia, with hints of the unprocessed Buchla emerging here and there. And there was panning. Lots of panning, so headphones are the preferred listening approach.

disquiet0690

κάθαρσις

Trapped at the wrong time

Vaporize

it’s December already? Damn, here’s a lil chill lofi hip-hop song will the album is developing (happy late thanksgiving!)

one step ahead

magmol

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