ooh anyone know the this track ID? sure clarkee plays this at 45 at DS20

craig walsh. only ever heard one other set by him. this was best techno set from 90s. i was there also

From discogs: 

Underground Resistance is probably the most militantly political outcropping of second-wave Detroit techno. Combining a grubby, four-track aesthetic, an almost strictly DIY business philosophy, and an oppositional, militaristic ethos similar to Public Enemy without the drama (or the familiarity; the members refuse to be photographed without bandanas obscuring their identities), UR have redirected their portion of the Detroit techno legacy to social activist ends, trading mainstream popularity and financial success for independence and self-determination. Begun in the early '90s by Detroit second-wave trinity Mike Banks, Robert Hood & Jeff Mills, UR adapted the flavor and kick of early Detroit techno to the complex social, political, and economic circumstances in the wake of Reagan-era accelerated inner-city decline, and was formed as an outlet for uncompromising music geared toward awareness and change.

The early UR catalog is defined by a typically Detroit combination of Motown and Chicago soul, and ruthless, at times caustic lo-fi techno, acid, and electro (Mills' background is in, among other things, Chicago industrial and EBM-style electro-techno, with Banks and Hood both coming from a solid house and techno base). Much of the label's early output was the product of various permutations of Banks, Mills, and Hood, both solo and in combination, before Mills and Hood left UR in 1992 to pursue (and achieve) international success. Banks continued to operate UR in the wake of the split, releasing EPs such as "Return of Acid Rain," "Message to the Majors," and "Galaxy to Galaxy" under the UR banner, as well as 12-inches by increasingly renowned artists such as Drexciya, Suburban Knight and Scan 7. The first actual full-length credited to Underground Resistance was 1998's Interstellar Fugitives. When the UR and Submerge Recordings Headquarters moved from 2030 Grand River to 3000 E Grand Blvd., the UR 'family' transformed again by assigning new members such as DJ 3000, S², Aquanauts, Buzz Goree and most notably the live band Los Hermanos.

01. [00:00:00] Underground Resistance - Greater Than Yourself - UR020 (1992)
02. [00:04:49] Underground Resistance - Cosmic Traveler - UR020 (1992)
03. [00:08:57] Galaxy 2 Galaxy - Hi-Tech Jazz (The Elements) - UR025 (1993)
04. [00:12:07] Scan 7 - Password Soul - UR031 (1995)
05. [00:19:41] Galaxy 2 Galaxy - Astral Apache (Star Stories) - UR025 (1993)
06. [00:23:50] UR - Untitled - UR038 (1997)
07. [00:29:01] UR - The Mighty Asteroids Of Jupiter - UR028 (1994)
08. [00:31:50] Underground Resistance - The Storm - SW1008 (1992)
09. [00:34:32] Andre Holland - Inversions - UR032 (1995)
10. [00:40:15] DJ Rolando - Aztec Mystic - UR035 (1996)
11. [00:43:31] Underground Resistance - Fuck The Majors - UR023 (1992)
12. [00:49:01] UR - Acid Fog (The Mystery) - UR024 (1993)
13. [00:52:04] Underground Resistance - The Lightning - SW1008 (1992)
14. [00:55:01] Underground Resistance - The Seawolf - WPA-002 (1992)
15. [00:59:22] The Aztec Mystic A.K.A DJ Rolando - Jaguar - UR049 (1999)
16. [01:05:05] Underground Resistance - Kamikaze - WPA-001 (1992)
17. [01:09:51] UR - Communications Silence - UR028 (1994)
18. [01:11:53] UR - Logic Bomb - UR033 (1995)
19. [01:18:22] UR - Ain't No Sunshine (The Sign) - UR024 (1993)
20. [01:20:25] UR - Orbitals In Motion - UR028 (1994)
21. [01:23:44] UR - Cyberwolf - UR028 (1994)
22. [01:28:00] Mad Mike - Planet X - UR022 (1992)
23. [01:31:05] UR - Turbulence (The Warning) - UR024 (1993)
24. [01:32:50] UR - Particle Shower - UR028 (1994)
25. [01:35:00] UR - Low Pressure Front (The Pulse) - UR024 (1993)

[Detroit Techno] Essential Guide To Underground Resistance (1992-1999)

Dave Angel – The Edge - Technotunes Volume 9

Derrick May aka Long Ago, Mayday, Rhythim Is Rhythim 
Sometime in the past, the future began. In 1987, a shrink-wrapped record titled, “Nude Photo,” started appearing on the shelves of a few idiosyncratic dance shops throughout Europe. The techno uprising was underway. The music sounded other-worldly: sub-aquatic basslines raced with hi-hats constructed from welding sparks. It was like listening to the liquid electricity of one man’s soul. A part of the original Detroit “Holy Trinity” with Juan Atkins and Kevin Saunderson, Derrick took the Euro-electropop crystals of Kraftwerk, Depeche Mode and New Order beyond its own horizon, infusing it with house, experimental synthesizer work and just plain soul. Songs and albums like "Nude Photo", "Strings Of Life", "It Is What It Is", "Beginning", "Relics" and “Icon” run deeper than genre molds can grasp. Referred to as the "Miles Davis of Techno", Mr. May has worked with some of the most experimental and creative musical artists in the world, such as ABC, Depeche Mode, Fine Young Cannibals and System 7. 

Comments, hints and suggestions are always welcome!

Derrick May @  Slam In The Park, Bristol, U.K.  1990

A part of the very fabric of the UK techno scene, Dave Angel’s status as an erudite for electronic culture is not based upon hyperbole or smothered in exhausting superlatives but cemented in facts and encased in the endless memories of those who have lived, loved and danced to the astonishing output of music he has created over the years.

Born the son of a Jazz musician and elder brother to British hip-hop artist Monie Love, Dave’s path in music came to the fore during the explosion of the acid house scene in London back in the late 80’s. Hosting one of the zeitgeist shows of its time, Dave’s weekly broadcast on pirate radio station Phaze One saw him champion a new sound that was gradually captivating the youth of the country and which would later catapult him into the media spot light with notable publications like Mixmag, DJ Magazine and The Guardian all proclaiming Dave as a one of the major forces in the UK techno/acid house scene.

DJing formed a natural progression into the recording process and in 1989 after tinkering at home with a basic set-up of a keyboard and two tape decks Dave’s first attempts at production created a somewhat controversial remix of Eurhythmics ‘Sweet Dreams’, which Dave called his ‘Nightmare Mix’.

https://soundcloud.com/daveangel

Comments, hints and suggestions are always welcome!

Dave Angel @ The Orbit, Morley, Leeds, U.K.  08.1992

CRAIG WALSH & DAVE ANGEL-DREAMSCAPE 20 - THE BIG OUT DOORS 09.09.95

Billy Nasty @ 'Final Frontier' Club UK London 1994

An epic four-hour acid megamix from I Love Acid and Balkan Vinyl's Posthuman.

For more information and tracklist, head here: http://www.factmag.com/2018/05/08/posthuman-fact-mix/

FACT Mixes

FACT mix 652 - Posthuman (May '18)

Dreamscape 21

COLIN FAVER--DREAMSCAPE 21 - THE FINAL COUNTDOWN NYE 95-96

Eddie Flashin Fowlkes dj set at DEMF May 28 2000

So this is a mad one for me , back in the days of early Kiss FM  ( 1990/91) - I would religiously record the shows of the 2 Colins . Needing a soundtrack for a Rave journey - on this occasion the short drive to Slough to a warehouse party  called Zen - I very roughly patched together a kind of mixtape from a few of the shows I had recorded around that time - trying to edit out the talking and adverts with the use of the pause button on my dads double tape deck HiFi -  for a nice seamless mix ( LOL - not quite ! ) ( and sorry Colin ) - but this one goes out to the convoy crew and the drivers , and also to the 2 Colins - Colin Dale , and Colin Favor RIP

any help on IDing tunes on here is welcomed - I know a few and will list them out soon , but theres some very elusive IDs here ....

Zen Trax _Colin Favor and Colin Dale KissFM 91_92mix

On with the techno mixes, and here's one very dear to my heart. 

Leaving aside S'Express and Technotronic, the first electronica I got into was via the likes of 808 State and Orbital, Sheffeld bleep n' bass, R&S and a bit of Tresor, so I largely missed out on the Detroit scene at the time (circa '90-'92). My critical entry point into falling in love with stateside techno was Plastikman, and once again I need to give thanks to Richard t/e/u/(@user-778760538) and his superb mixtapes, which are largely responsible for this. 
(I've just taken a few off my shelf to reminisce... scanning through a couple there's selections including Wagon Christ, Autechre, Luke Slater, A Guy Called Gerald, AFX, Blake Baxter, Sweet Exorcist, Sabres Of Paradise... lots of awesome stuff. I'd rip these if my walkman wasn't knackered. Maybe they could be future mix tracklists? I digress). 

Through these cassettes Richie Hawtin's minimal - yet spacious, lush, and at times concrete-hard sound was the first to really catch my ear, and Sheet One remains one of my most-cherished albums to this day. Here's a selection of his work mainly under the Plastikman and F.U.S.E. monikers, plus a couple others... yeah, strictly speaking I should have called this the Richie Hawtin mix but Plastikman sounds cooler, doesn't it.

Have fun :)

F.U.S.E. - From Our Minds To Yours
F.U.S.E. - Approach and Identify
Plastikman - Marbles
Plastikman - Psyk
F.U.S.E. - Substance Abuse
Plastikman - Spastik
Plastikman - Plasticity
Circuit Breaker - Open Your Mind
F.U.S.E. - Refused
Plastikman - Fuk
F.U.S.E. - Dimension Intrusion
F.U.S.E. - Technotropic
LFO Versus F.U.S.E. - Loop (F.U.S.E. Remix)
Circuit Breaker - Overkill
F.U.S.E. - Mantrax
Spawn - Tension (Sysex Remix)
F.U.S.E. - Train-Trac 1
Plastikman - Vokx
Plastikman - Smak
Plastikman - Ovokx

Plastikman Mix

Plastikman Mix (27/04/2020)

for your listening pleasure...hardcore..oldskool...early hardcore...bouncy techno..happy hardcore..jungle...oldskool hardtrance..hardcore techno...gabber..breakbeat hardcore..4beat.. if any one or artists have any objection to any of the sets that i have up just pm me and i can take them down. enjoy the memories and sets from the past...

CRAIG WALSH & DAVE ANGEL-DREAMSCAPE 20 - THE BIG OUT DOORS 09.09.95

magpie303

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