Copy of Disco House Party

Tudo Que Eu Quero Viver Com Vocês

Virando a Noite

Biaton

Scarlet Site

Argentina - Baby, Don't You Break (My Heart)

Written by Giancarlo Cinelli.
Mastered At - Blanco Y Negro Music Studios. Pressed By - GEMA O.D.. Album Created By, Compiled By - Rafael Carmona Pérez. Design [E+D] - Jordi Magaña.01. Mastered By - Quim Quer.

CD :  I LOVE DISCO DIAMONDS VOL.10 https://shop.blancoynegro.com/es/i-love/1660-i-love-disco-diamonds-vol10-8421597032403.html

https://www.discogs.com/sell/item/3249711986?ev=bp_det

Label : Blanco Y Negro
Released : Nov 2001

Blanco y Negro Music : https://www.blancoynegro.com/

https://www.facebook.com/blancoynegromusic

https://soundcloud.com/blancoynegromusic

https://www.youtube.com/@blancoynegro

The song was released for the first time on vinyl 1986.

Argentina, Discogs : https://www.discogs.com/artist/36229-Argentina

Argentina - Baby, Don't You Break (My Heart)

Vinter Mans

Eggyolk Shank

Hip Hop Planet 2004 - Team Rennes vs Project Soul Battle 02

Caipirinha de Laranja

Savory salve Remix/Mashup Grateful Dead Aretha Franklin

Aretha Franklin’s Tower

WRINKLES

WRINKLES (BimBamBoom Remix)

Tutti Balleranno

Memories Of Her Tomorrow

A favourite of mine ever since the GOAT played it on his Boiler Room set. Slight arrangement adjustments and copied the best part of the song.

The BUY link will take you to my BandCamp where you can download it for free.

Thandi Mbongwe - The Beat Is Alright (Luc Kless Edit)

08 - Leandro P. feat. Ed Ramsey - Walls Come Down (Main Mix)

Pra Recordar

Sol do Meu Verão

In 1980, fresh off a weekend stretch of Doctor Who reruns and a slightly expired bag of mushrooms, Billy Noknees burst into a London studio claiming he had finally cracked it.

“I’ve got it,” he shouted, bursting through the door in a galaxy-print cape.
“The answer to life. The universe. EVERYTHING.”

Producer Gavin “Bang” Thimble, accustomed to Billy’s grand declarations, merely sipped his tea and hit record.

What followed was The Message—a three-minute, bass-drenched, celestial soul-funk odyssey in which Billy, despite promising revelations about the meaning of existence, sang nothing but elongated vocalisations.

The track begins with a drum break, the drummer just willing the rest of the band to start. Billy enters like a prophet floating through space, arms outstretched, eyes wide, and mouth full of the divine.

And then…

"Ooooooohhhh… Aaaaahhhhhh… OOOOOHHHH… AAAAHHHHH…"

That’s it.

No verses.
No chorus.
Just Billy, moaning melodically like a man on the edge of revelation but refusing—refusing—to put it into words.

Midway through the track, the band swells into a full-blown cosmic jam, complete with interstellar bass, laser guitar riffs, and a triangle solo played by a man in a silver bodysuit who no one remembers hiring. Billy levitates (emotionally), eyes closed, still singing:

"Ooooooohhh… (rising!) …Aaaaahhhh… (descending!)"

Gavin Thimble begged for lyrics. Any lyrics. But Billy simply whispered:

“Words are too small for what I know now.”

The record label refused to release it, calling it “a choir of sheep in space”, and the master tape was boxed up and shelved. Billy defended it as

“the most honest thing I’ve ever sung.”

For decades, The Message became a whispered legend—The Song With No Words, The Silent Truth, Billy’s Broken Enlightenment.

That is, until 2018, when a master reel labelled “DON’T BOTHER” was discovered in an old studio basement in Kent—right behind a box of disco flutes and a broken coffee machine.

Now remastered with the magic of AI, The Message is presented in all its glorious non-specificity. The original sleeve, designed by Billy himself, features a painting of a pirate ship, for no reason whatsoever.

So sit back. Breathe deep. Let go of meaning.
Because sometimes, the answer to everything… is just a vibe.
“The Message” is here. And it is… whatever you want it to be

The Message

With Moments Between, Amsterdam-based producer Pillek invites you into the quiet pulse that lives between days, seasons, and emotions — those fleeting fragments of time that slip past before you can name them. It’s the follow-up to his 2024 debut Birth, and a bold step forward: warmer, poppier, and more intricate, yet unmistakably Pillek.

Across ten tracks, Moments Between feels like a single, flowing breath — from the radiant simplicity of Grateful Vibes and the cinematic escapism of Holiday, to the tender pulse of Two Souls Apart and Happy Days. The record drifts effortlessly between chillout, electro-pop, and trip-hop, merging acoustic warmth with digital finesse.

Every song captures a snapshot of presence: Spring Is Here beams with sunlight after months of grey; Drift Mode lets you float without direction; Private Groove slips into jazzy nocturnal cool; and Summer’s Calling shimmers with tropical ease. By the time Shadows in Motion fades into Fading Lines, you’ve been taken somewhere both familiar and unplaceable — that soft blur where memory meets melody.

Built with the help of friends, vocalists, and instrumentalists, Moments Between is a deeply human record made with electronic tools — intimate, effortless, and alive.

☀️ Smooth rhythms. 🌙 Cinematic glow. 💫 Real emotion in an artificial age.
This is Moments Between — the sound of life as it happens.

Pillek - Shadows In Motion

Caipirinha de Laranja

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