MAKAN PROJECT by Abdellah M. Hassak is a multidisciplinary sound art work that explores the memory of cities in transformation through immersive, site-specific compositions. Created between 2015 and 2019 across four distinct locations—Casablanca, Tangier, Sidi Harazem, and Grenoble—the project blends urban soundscapes, oral testimonies, field recordings, and fictional narratives to engage with disappearing places and the fleeting acoustic identity of cities shaped by social, economic, and political change.

Structured as four "sides," like a double LP, each chapter of the MAKAN PROJECT functions as a sonic meditation and poetic documentation of a city’s memory and present. Far from being a mere audio documentary, each piece is a richly textured, artistic reimagining of space through the lens of sound.

At its core, the MAKAN PROJECT questions how urban sounds—often overlooked or dismissed as noise—are part of our collective cultural heritage. Abdellah M. Hassak approaches sound not only as an artistic medium but as a cultural and political tool. His compositions speak to the urgent need to preserve acoustic environments that are vanishing under the weight of urban development, gentrification, and socio-political shifts.

Side A: Casablanca (2015) – Created during the Masnaa – School of Literature event, this inaugural piece takes place in the decaying remains of a wood factory from the colonial era. Through a blend of ambient textures, voice, and street recordings, Hassak recreates a narrative of a man’s psychological and sensory journey through a disappearing city. Collaborations with writer Mohamed El Khadiri and vocalist Aziz Nadif enrich the work’s narrative depth. The character wanders the urban environment, reflecting on memory, identity, and mortality, culminating in a metaphysical dive into silence as a symbol of peace and transience.

Side B: Tangier (2016) – Produced in collaboration with “Think Tanger,” this chapter explores a city at the crossroads of tradition and accelerated modernity. Inspired by the Beat Generation and literary figures such as Paul Bowles and William S. Burroughs, Hassak investigates Tangier’s layered history and contradictions. The sound piece emerged from a process of archiving and collecting stories, sounds, and interviews that were symbolically sealed into a USB bottle. The resulting narrative juxtaposes the old with the new: slow trains and high-speed rail, traditional markets and shopping malls, cultural legacies and social fragmentation. Performed only once during the Think Tanger exhibition, this piece is a reflection on alienation, displacement, and belonging.

Side C: Sidi Harazem (2018) – In this chapter, the artist explores notions of imaginary geography and collective memory. Set in the site of the Sidi Harazem thermal complex, known for its Brutalist architecture and faded modernist dreams, the work collects oral histories and local stories to weave an acoustic tapestry that speaks to both nostalgia and the surreal. The focus here shifts to a more introspective examination of space and memory—less documentary, more dreamlike. The sounds evoke the naivety and optimism of the past, clashing with today’s socio-economic realities.

Side D: Grenoble (2019) – This chapter was created during a residency at ESAD (École Supérieure d'Art et Design) in Grenoble, marking a turning point in the project through increased audience participation and collaborative creation. Integrating sound experimentation with performative and visual elements, this iteration engaged with the sonic memory of the city and its immigrant communities. It interrogates the resonance of sound in public and private space, bridging the gap between individual perception and shared history.

TAPE 002 - MAKAN

Title: Anthology Soundscape by Abdellah M. Hassak
Recorded between May, 10th and 24th Release on Dec 2020
Length: 15 :37
Side A: Anthology Soundscape A
Side B: Anthology Soundscape B

Mahattat Records #004
Recording, editing and realisation: Abdellah M. Hassak. - 2020
Mix and musical composition: Abdellah M. Hassak. - 2020


Anthology Soundscape 

In a world ravaged by the coronavirus pandemic, the very fabric of daily life has been altered. Once bustling streets now lie deserted. Schools and universities, once teeming with eager students, have fallen silent, their classrooms transformed into virtual spaces. Workplaces, once bustling with activity, have become ghostly realms, their occupants now connecting through glowing screens.

It is within this tumultuous context that the artist embarked on a creative journey from the window of their chamber during lockdown. Recording every sound, every rustle that penetrated this intimate space, the artist captured a symphony of transformed daily life.

The decision to use a cassette recorder, an artifact of a bygone era, carries particular significance. As the outside world seemed to slow to a crawl, the artist chose to confine the recording time to a 60-minute cassette. This decision symbolizes a struggle against the dilation of time, against the erosion of days that seemed to stretch into infinity. By consciously limiting the amount of recorded time, the artist imposed a discipline, a focus on the present moment.

Through this sound creation, the artist invites us to contemplate beauty in the ordinary, to listen attentively to the murmurs of daily life even as the world appears suspended in uncertainty. It is a poignant reminder of our ability to find creativity and connection even amidst isolation and physical distancing.

Anthology Soundscape is a humble editorial endeavor that manifests as a narrative compilation delving into the intersection of aesthetics and politics in artistic practice. Rooted in a specific epistemological framework, it navigates through auditory and perceptual experiences of both spaces and societies, intricately woven with their social, cultural, and architectural contexts.

The curated collection of reflective soundscapes undergoes a nuanced bi-dimensional process, being simultaneously interpreted through interdependent cognitive and perceptual/emotional lenses. This interpretive approach constructs soundscapes not merely as auditory compositions but as conceptual frameworks, practical tools, and tangible objects influencing spatial development. Consequently, they serve as conduits for spatial experimentation across emotional and cognitive dimensions.

However, Anthology Soundscape transcends its role as a mere tool, evolving into an active agent in the transformation of space. Viewing soundscapes through this lens reveals their dynamic nature, shaping and reshaping the spatial fabric and, by extension, influencing identity formation and territorial trajectories.

Encompassing a temporally and spatially specific snapshot, Anthology Soundscape captures the essence of Casablanca - Hay Moulay Abdellah (Ain Chock) during the locked-down Ramadan period from May 10th to May 24th, 2020. Within these recordings, the distortions of both space and time reverberate, further accentuated by the introduction of new sound elements borne out of the reconfiguration induced by the COVID-19 pandemic.

TAPE 004 - Anthology Soundscape by Abdellah M. Hassak

Titre : Sonic Chronicles: Tighmert and Tangier Soundscapes by Abdellah M. Hassak

Side A : Landscape of Tighmert Oasis - 30 minutes
Side B : Echoes of The Mothership - 20:16

Mahattat Records #006
Recording, editing and realisation: Abdellah M. Hassak - 2021/2022
Mix and musical composition: Abdellah M. Hassak - 2021/2022
Designed by Asmae Oumahdi
Mastered by Mahattat Records


These two sonic compositions captivate with their contrasting essence, each recorded in distinct territories both geographically and culturally. The first, captured in the Tighmert oasis, lying majestically about ten kilometers from the city of Guelmim, stands as a timeless vestige among the oldest oases in southern Morocco. Imbued with an ancestral atmosphere, it exhales the whispers of the past, the echoes of caravans, and the secrets of the oases, embodying the very soul of this land where water is life and wisdom is inscribed in the palm groves.

On the other hand, the second piece, developed in Tangier, this cosmopolitan and mixed city, stands as a cultural beacon at the tumultuous intersection of the Atlantic Ocean and the Mediterranean Sea. In its labyrinthine alleys resonate the voices of the world, the songs of sailors, and the enchanting sounds of bustling souks. Tangier, a crossroads city, bears the imprints of the multiple civilizations that have trodden its cobblestones, thus weaving a rich and varied sonic tapestry.

Despite these apparent differences, these two compositions share a singular similarity. They were shaped during a unique encounter between artists from diverse backgrounds, a true symphony of cultures blending, intertwining, and feeding off each other. This meeting transcends geographical and cultural boundaries, offering a space where creators can exchange, meet, share their experiences, and mutually inspire one another.

Thus, these sonic pieces are not merely recordings, but living testimonies to the magic that occurs when art and culture meet in a fertile and harmonious dialogue, transcending barriers to weave universal bonds of emotion and understanding.

Face A: Landscape of Tighmert Oasis
"Landscape of Tighmert Oasis" is a sound piece created by Abdellah M. Hassak as part of the Caravane Tighmert project, initiated in 2015 by architect Carlos Pérez Marín. This project explores the culture and environment of the Tighmert oasis in Morocco, inviting artists to engage with its history, current challenges, and local communities. Hassak captures the sounds of nature, nomadic life, and daily activities through field recordings and audio archives, reimagining recording as a creative, active process. Using immersive recording techniques and directional microphones, the piece highlights the subtle sounds of the oasis, while offering a reflective approach to sound’s relationship with cultural context. The project aims to foster dialogue among artists, local communities, and the public.

Face B: Echoes of The Mothership
"Echoes of The Mothership" is a sound piece created within the Mothership Artistic Residency in Tangier, led by Yto Barrada. The project, inspired by natural dyes and eco-feminist pan-African practices, offers a space for artistic experimentation and knowledge transmission. Hassak’s recording captures the vibrant atmosphere of the residency, focusing on the sounds of nature, birds, and artist interactions. The work explores deep listening, using various recording techniques—stereo, unidirectional, and hydraulophone—to create rich sonic landscapes. Improvisation becomes a meticulous construction, blending mechanical, analog, and digital instruments to craft an innovative and experimental sonic discourse. The piece invites listeners to explore sound as living matter, transforming improvisation into a form of art.


TAPE 6 - Sonic Chronicles - Tighmert and Tangier Soundscapes

Title: Giving Earth & Dividing Waters by Abdellah M. Hassak 

Side A : I – 13 : 52
Side A : II – 8 : 32

Side B : III – 9 : 04
Side B : IV – 10 : 19

Mahattat Records #007
Produced and mixed by Abdellah M. Hassak – 2019 / 2021
Design by …
Mastered by Mahattat Records - 2024

A project initiated as part of the collaboration with Edouard Sors & Amine Lahrach within QANAT and during Training for the Underwater(ed) Land, a 5-days workshop led by QANAT following the invitation of Jeanne van Heeswijk.

Dear Friends,

What lies before you is an amalgamation of sincere and impassioned sounds, captured amidst journeys, interactions, and profound reflections. This experimental sonic work is the culmination of an odyssey between two territories that resonate within me in a deeply personal manner: the Netherlands and my native land, Morocco.

During my engagement in the "Trainings for the Not-Yet" with QANAT at Bak Utrecht in December 2019, I found myself immersed in an environment teeming with art, participatory research, and discussions, all orbiting around the nexus of water, landscapes, and worldviews. The sounds you are about to encounter were ensnared by a hydrophone microphone, seizing the whispers of Moroccan soil and the undulating currents of Dutch waters.

These recordings transcend mere sonic testaments; they encapsulate dialogues with individuals I encountered along the way. Spontaneous exchanges in the streets, discussions delving into the queries that animate my ruminations amidst these two vastly distinct yet intimately intertwined terrains.

The genesis of this album unfolded in Morocco in early 2021. Drawing from these raw recordings, I sculpted distinctive sonic landscapes, infused with reflections, emotions, and revelations. 

With utmost sincerity,
Abdellah M. Hassak

TAPE 7 - Giving Earth & Dividing Waters

In the wake of artistic experimentation, the album "Eaux Plurielles" unfolds like a constellation of sensory evocations, born from the creative fusion of six minds, weaving their visions between Morocco and Quebec, in a temporal ballet stretching from 2022 to 2023.

Like an atlas of sensations, this work stands as an interactive installation project, intertwining video, sound, and body in a singular symbiosis. Emerging from diverse artistic horizons, these six artisans embarked on a common quest: to explore the richness of their diversities and extract a new harmony, a universal aesthetic language.

Thus, throughout this immersion within "Eaux Plurielles," the imprint of each voice, of each gesture, intertwines to sculpt a sonic landscape where echoes of the past, whispers of the present, and promises of the future mingle. In this polyphonic symphony, each note resonates as a reflection of individual reality, weaving an emotional canvas where the meanders of the human soul unfold.

At the heart of this sensory exploration, the primordial theme reveals itself: that of water, source of life and timeless echo of buried memories. "Eaux Plurielles" invites us on a poetic dive into a digital universe, where the body becomes the sacred receptacle of this vital resource, a silent guardian of the immemorial secrets carried by each drop.

The music, the centerpiece of this aquatic symphony, unfolds in acousmatic purity, without digital artifice, revealing the enchanting voice of Émilie Clepper, merging and intertwining with the vibrations of the guitar. Through four pieces infused with this sonic essence, she guides us on an introspective journey, where echoes of time and whispers of infinity intertwine.

Thus, "Eaux Plurielles" presents itself as a living tableau, a work in perpetual metamorphosis, where the nuances of light and the shadows of silence converge. Born from a cross-border collaboration, this project transcends geographical boundaries to better reveal the richness of human diversity, inviting us to plunge into the depths of our most intimate sensitivities, where the echoes of our memories and the whispers of our dreams meet.

Title: Eaux Plurielles by Abdellah M. Hassak

Side A : I – 4 : 14
Side A : II – 3 : 52
Side A : III – 3 : 52

Side B : IV – 4 : 44
Side B : V – 2 : 26
Side B : VI – 3 : 29


Mahattat Records #010
Produced and mixed by Abdellah M. Hassak – 2022 / 2023
Voice on tracks I, III, IV, VI by Émilie Clepper.
Guitar on track V by Émilie Clepper.
Design by Asmae Oumahdi
Mastered by Mahattat Records - 2024


TAPE 9 - Eaux Plurielles by Abdellah M. Hassak

Titre : Carnival in the Casbah by Abdellah M. Hassak
Side A : Carnival in the Casbah - 15:37
Side B : Carnival in the Casbah ‘Slowed Down + Reverb’ - 15:37

Mahattat Records #001
Produced and mixed by Abdellah M. Hassak - 2014
Designed by Asmae Oumahdi
Mastered by Mahattat Records - 2024

Abdellah M. Hassak, a prominent Moroccan sound artist, has pioneered a distinct musical genre that seamlessly blends the rich soundscape and field recording ambiance with the cultural tapestry of his homeland. Renowned globally for his avant-garde approach, Hassak's work delves into the intersection of traditional and contemporary sounds, making his work unique and influential.

One of his seminal creations is the piece titled "Carnival in the Casbah," a sonic journey born out of his participation in the 'MAM - Maroc Artist Meeting 2014,' an event that brought together artists from Morocco and around the world. This composition immerses the listener in the bustling streets of the Marrakech's medina (the old city), weaving together musical improvisations, poetry, and frenetic movements.

At the core of Abdellah's artistic practice lies a profound engagement with field recording, a technique he employs to capture the ambient sounds of his surroundings, subtly integrating them into his creations. His exploration of field recording as a musical and sonic creative practice extends beyond the practicalities to delve into theoretical inquiries, questioning the relationships between music, noise, composition, sound environment, soundscape, and archiving. 

The piece "Carnival in the Casbah" serves as an exploration of field recording based on the concept of sonic fictions, offering a multifaceted examination of the environment. It prompts us to reflect on the transformative power of sound experiences in influencing spaces and their representations. These speculative sonic fictions require an active, participative, and directed listening to fully unfold their capacity for reimagining reality.

Abdellah's collaboration with a diverse array of artists from different genres enriches the soundscape of "Carnival in the Casbah." The playlist features contributions from Praisedelic, Farnatchi Warmth, People Mentioned, Sacred Pomegranate, Sounds of Reverse Universe, Jemaa El-Fnaa, and Chalaba Trance, with notable collaborations such as Gnawa Music - Mohamed El Soudani, Poetry - Aaliwika, Theatre - Said Bougrine, Violin - Laura Unger, Vocal - Aaliwika, and Clarinet - Aziz Boumediene.

00:00 - Praisedelic
01:04 - Farnatchi Warmth (feat. Gnawa Music - Mohamed El Soudani)
03:06 - People Mentioned (feat. Poetry - Aaliwika)
05:20 - Sacred Pomegranate
06:22 - Sounds of Reverse Universe (feat. Theatre - Said Bougrine, Violin - Laura Unger, Vocal - Aaliwika, Clarinet - Aziz Boumediene)
09:22 - Jemaa El-Fnaa (feat. Clarinet - Aziz Boumediene)
11:10 - Chalaba Trance (feat. Gnawa Music - Mohamed El Soudani)


In his pursuit of speculative sonic fictions, Abdellah aims to connect the sensory dimensions of listening and field recording with narratives of sound speculation. The treatment of these recordings opens avenues for exploring alternative conditions, augmenting the sonic landscape.

“Carnival in the Casbah" exemplifies the potential of sound art as a medium for both capturing the essence of a place and expressing artistic vision. Abdellah's work not only demonstrates the mediating role of field recording in music but also underscores the intricate relationship between sound, music, environment, and sonic intimacy. His artistic practice emphasizes the crucial aspect of archiving and documenting sound environments, ensuring that the unique sounds of a place endure the test of time while preserving their intimate connection to the human experience.


Mahattat Records #001
Produced and mixed by Abdellah M. Hassak - 2014
Designed by Asmae Oumahdi
Mastered by Mahattat Records


Abdellah M. Hassak - Carnival in Casbah

Carnival in Casbah ‘Slowed Down + Reverb’

Side A : Casablanca (2015)

Side D : Grenoble (2019)

Side C : Sidi Harazem (2018)

Side B : Tanger (2016)

Journey Through the Vault of the Hammam
By Abdellah M. Hassak

Side A: Journey through the Vault of the Hammam – 25 minutes
Side B: Journey through the Vault of the Hammam ‘Voiceless’ – 25 minutes
Language: Moroccan Arabic | Speaker: Mohamed Soudani Marrakechi


Journey Through the Vault of the Hammam is a sound documentary by Moroccan sound artist and researcher Abdellah M. Hassak. Through a carefully crafted sonic narrative, the piece explores the hammam not only as a physical location but also as a symbolic, spiritual, and social cornerstone of Moroccan life. Structured in two parts—one featuring narration and one entirely voiceless—the work invites the listener into a profound auditory experience shaped by field recordings, hydrophone captures, and the voice of Mohamed Soudani, a Marrakechi speaker who guides us through the nuances of hammam culture.

The hammam—public bathhouse—is a key site of communal life in Morocco and holds a deep-rooted place in Islamic tradition. It exists at the intersection of the corporeal and the spiritual, embodying purification, healing, and social communion. In this project, Hassak examines the hammam as both a real and imagined space through ethnographic research, geosocial analysis, and speculative narrative techniques. The result is a rich acousmatic composition that reveals the multiple layers of meaning embedded in the hammam’s architecture, rituals, and oral histories.

From the outset, the hammam is introduced as a sacred space where architecture and ritual merge. Every structural element—from the salt and lime spread across the floors to the location of the boiler—is infused with symbolism. The basement, or al jouf, and the step-by-step construction of the vaulted ceilings reflect spiritual alignment and reverence for ancestral knowledge. These architectural details resonate with the metaphysical energy that permeates the space, creating a mystical dialogue between voice and echo, body and stone.

Hassak’s composition incorporates environmental sounds—water dripping, steam rising, walls speaking—to form a sonic tapestry that blurs the boundary between reality and fiction. In "Voiceless," these ambient sounds speak for themselves, evoking the breath of the hammam in its purest form. The inclusion of hydrophone recordings offers a unique auditory texture, allowing listeners to feel immersed in the invisible and inaudible elements of the hammam environment.

The voice of Mohamed Soudani brings additional depth, linking oral storytelling to communal memory. Through his narrative, listeners are drawn into a mental cartography of the hammam, where real-life anecdotes, spiritual myths, and social customs intertwine. His words illuminate the hammam as both a personal sanctuary and a communal theatre—a place for transition, initiation, healing, and bonding.

Particularly poignant are the reflections on spiritual beliefs surrounding the hammam. It is not only a place for cleansing the body, but also for protecting and realigning the soul. Traditional rituals, such as the bridal bath marking the passage into adulthood, or the respectful silence kept to honor spirits believed to inhabit the space, highlight the hammam’s role as a liminal zone between the earthly and the otherworldly.

The hammam is also revealed as a space of feminine power, intimacy, and ancestral heritage. It functions as an oral archive where stories are passed, secrets are shared, and identities are affirmed. In this way, the hammam becomes both a site of resistance and resilience—preserving cultural memory and offering spiritual refuge in a modernizing world.

Through the act of listening, the audience is encouraged to construct their own mental journey—an inner pilgrimage shaped by layers of sound, memory, and emotion. Whether immersed in the whispered legends or enveloped by the resonance of steam-filled vaults, listeners are invited to reconsider their connection to space, tradition, and collective experience.

A - Journey through the Vault of the Hammam

FACE A

FACE B

For a speculative garden and a collective seed library

Developed in the framework of the collective action-research led by QANAT - قناة in entanglement with the Ateliers Collectifs - الورشات الجماعية of the Dar Bellarj Foundation since 2019, this edible and communal roof-top garden in becoming offers a materialisation of our shared reflections on the pasts, presents, and futures of green spaces in the city of Marrakech, and on the possibilities and conditions to rethink and enroot forms of grass-root food sovereignty within the urban space.
At the heart of the medina, the adjoint seed library is an open pedagogical space, the repository of the polyphonic matters collected and reworked through our research line ‘Entangled Ecologies’ with the Mamans Douées of Dar Bellarj. Through different supports (books, zines, visual and sound installations, etc.), the library offers an evolving rendering of both subjective and collective memories, desires, and imaginaries in relation to what a garden was, is, and could be/come.
Combined, the garder and the library are meant as gestures and spaces of care, re-rooting, and listening, to make emerge and harvest new collective solidarities.

The garden and the seed library have been thought, nourished, and built by the join effort of QANAT (in particular Louisa Aarrass, Noureddine Ezarraf, Sara Frikech, Abdellah M. Hassak, Francesca Masoero, Rim Mejdi), Dar Bellarj (Maha el Madi, Aziz and Hassan Bouyabrine), the Mamans Douées (in particular Amina Bouyabrine, Rachida El Idrissi Lahbali, Rachida Elguendouf, Zahra El Khiraoui, Fatima Ennaoui, Khadija Karbah), Otmane Ouallal, Souhail Tazi/Domaine Sauvage, Le Toit en Vert (Sabrina Hakimm and Rachid Latouri), Ilyass Moussanif, Aba Sadki, and Soufiane Lazrak.

--
QANAT is a collective platform initiated by LE 18, which explores the politics and poetics of water as a way to investigate and sustain different forms and manifestations of being and acting in common in Morocco and beyond.

The Ateliers Collectifs are conceived as an alternative school, a space of horizontal transmission and experimentation conducive to the emergence of ideas, knowledge, and visions in relation to the city and its heritage, by offering a space of dialogue and shared learning between the communities of Dar Bellarj in dialogue with other artists, cultural practitioners, and researchers.

This project has been made possible by a grant offered by StimuleringsFonds - creativitie industrie and by the Foundation Susanna Biedermann.



4 - A drop from the heaven – قطرة من السماء

2 - Gardens and Ethics - الحدائق والأخلاقيات

1 - Histories of Garden, Gardens of History - تواريخ الحديقة، حدائق التاريخ

3 - Seed of Plant and Plant of Seed - بذور النبات ونبات البذور

Side A - Landscape of Tighmert Oasis

Side B - Echoes of The Mothership

Title: Giving Earth & Dividing Waters by Abdellah M. Hassak 

Side A : I – 13 : 52
Side A : II – 8 : 32

Side B : III – 9 : 04
Side B : IV – 10 : 19

Mahattat Records #007
Produced and mixed by Abdellah M. Hassak – 2019 / 2021
Design by …
Mastered by Mahattat Records - 2024

A project initiated as part of the collaboration with Edouard Sors & Amine Lahrach within QANAT and during Training for the Underwater(ed) Land, a 5-days workshop led by QANAT following the invitation of Jeanne van Heeswijk.

There's only 50 hand cut dubs. Strictly for the heads taking pleasure in beautiful things and sound. Published 2024.


Dear Friends,

What lies before you is an amalgamation of sincere and impassioned sounds, captured amidst journeys, interactions, and profound reflections. This experimental sonic work is the culmination of an odyssey between two territories that resonate within me in a deeply personal manner: the Netherlands and my native land, Morocco.

During my engagement in the "Trainings for the Not-Yet" with QANAT at Bak Utrecht in December 2019, I found myself immersed in an environment teeming with art, participatory research, and discussions, all orbiting around the nexus of water, landscapes, and worldviews. The sounds you are about to encounter were ensnared by a hydrophone microphone, seizing the whispers of Moroccan soil and the undulating currents of Dutch waters.

These recordings transcend mere sonic testaments; they encapsulate dialogues with individuals I encountered along the way. Spontaneous exchanges in the streets, discussions delving into the queries that animate my ruminations amidst these two vastly distinct yet intimately intertwined terrains.

The genesis of this album unfolded in Morocco in early 2021. Drawing from these raw recordings, I sculpted distinctive sonic landscapes, infused with reflections, emotions, and revelations. 

With utmost sincerity,
Abdellah M. Hassak




RP - IV

RP - I

RP - VI

RP - III

RP - II

RP - V

HISTOIRE DE L'AQUARIUM / Common Spaces ABC / May 26th - June 5th  2016. (Installation sonore mobile/Conception, Audio recording and editing) par Abdellah M. Hassak

Contact : Abdellah M. Hassak : a.hassak (at)gmail(dot)com

* Histoire de l'aquarium est une enquête, une archive et une création sonore autour de l'ancien aquarium (et de l'ancienne médina) de Casablanca, entièrement menée à partir de réflexions, rencontres et témoignages avec des habitants et spécialistes.

* Abdellah M. Hassak
est un artiste sonore, producteur de musique, archiviste sonore, ingénieur en nouvelles technologies, et en management. son travail sonore est axé sur l'utilisation de la technologie numérique, le codage informatique pour la transformation et l'interactivité sonore, Sa démarche tend a révéler la magnificence des héritages culturels, artistiques, poétiques et leur métissage.
Blog : www.ahassak.wordpress.com

//////

* L'Aquarium
Réflexion collective et participative sur le devenir d’espaces abandonnés et sur le rôle des citoyens dans leur ré-activation.
L’Aquarium de Casablanca – bâtiment inscrit au patrimoine historique de la ville - est fermé depuis les années 80. Il est situé entre la Foire de Casablanca et la Mosquée Hassan 2, et n’est pas accessible au public.
 
Cet espace ludique et éducatif reste mythique pour les casablancais qui y sont particulièrement attachés. 
L'Atelier de l'Observatoire porte le projet de ré-ouverture (éphémère ou non) du lieu, et mène une réflexion utopique collective sur son devenir. http://www.atelierobservatoire.com/aquarium

Le projet en images ici @AtelierObservatoire www.facebook.com/pg/AtelierObservatoire/photos/?tab=album&album_id=962158573902514

Artistes : Mohammad Al Qaq, Ramzy Zahoual, Lukas Matthaei, Nazha Rondali, Susanne Vincenz, Saïd Raïs, Sabine Zahn, Abdellah M. Hassak, Rabah Nouami, Mohamed Fariji et Jake Wiener.

//////

* Common Spaces ABC is an international artist laboratory, in which jordanian, moroccan and german artists have joined in order to develop common strategies of how to address participation in common resources of the city. After camp#1 in Amman last year, Common Spaces ABC will settle in Casablanca in the neighbourhood between the old Medina and the former aquarium next to the mosque Hassan II  between May 26th - June 5th  2016.

Together with our host partners of Atelier de l´Observatoire and local experts from inhabitants to urbanists we want to set up different research and exchange formats in the neighborhood and the aquarium itself. In all three camps we aim to sketch out possible artistic approaches of how public space could be redefined and regained as a venue for local communities. The group is composed out of different artistic disciplines, such as theatre, fine arts and choreography and performance art, out of which we aim to built small scale artistic interventions open to the wider public in the end of each stay. Our last camp in Amman saw the evolving of an opera, the Opera Bibalash on the Ras El Ain flea market. We adopted the original plan of a gigantic opera house by Zahra Hadid on the site of the market and developed interventions that suggested to listen to the already existing voices and stories like a continuous and polyphonic public opera. The camp in Casablanca will be followed by camp#3 in Berlin after which our strategies, partnerships and networks will be collected and mapped out in a virtual open source platform.
 
COMMON SPACES is initiated by Matthaei & Konsorten (Berlin), in collaboration with 7iber & (Amman) and Atelier l`Observatoire (Casablanca) http://www.atelierobservatoire.com/
 and with the support of Heinrich Boell Foundation (offices in Berlin, Ramallah & Rabat), Robert Bosch Foundation / International Theatre Institute, GOETHE Institute Rabat & ifa – Institut für Auslandsbeziehungen (Künstlerkontakte). 

Further info on activities & photos: www.facebook.com/Common.Spaces.ABC

HISTOIRE DE L'AQUARIUM / May 26th - June 5th  2016.  par Abdellah M. Hassak

160,7 M2 DE MEMOIRE / Common Spaces ABC / May 26th - June 5th  2016. «mosaïque» sonore de Susanne Vincenz et Abdellah M. Hassak.

Contact : Abdellah M. Hassak : a.hassak (at)gmail(dot)com

* A l’entrée de l’ancien Aquarium de Casablanca, en face du bassin des phoques, se trouve une mosaïque de céramique fabriquée par l’entreprise Villeroy et Boch. Les artistes se sont mis à la recherche des traces que ces pierres ont laissées dans les archives lointaines de l’entreprise allemande ainsi que dans la mémoire du quartier. La recherche commence par les résonances captées acoustiquement sur les murs de l’Aquarium, et se poursuit par les voix des artisans du carrelage du quartier, de l’ex-directeur de l’institut océanographique , d’habitants, chercheurs, etc. Quelles relations entretiennent les habitants du quartier avec ces pierres ?

* Abdellah M. Hassak
est un artiste sonore, producteur de musique, archiviste sonore, ingénieur en nouvelles technologies, et en management. son travail sonore est axé sur l'utilisation de la technologie numérique, le codage informatique pour la transformation et l'interactivité sonore, Sa démarche tend a révéler la magnificence des héritages culturels, artistiques, poétiques et leur métissage.

* Susanne Vincenz 
est une dramaturge, théoricienne du cinéma et curatrice allemande qui travaille sur de nombreuses pièces de théâtres, festivals, projets performatifs et chorégraphiques, et enseigne a l'inter-University Center of Dance in Berlin, Elle s'intéresse particulièrement aux projets interculturels liant l'architecture, l'espace urbain et les échanges sociaux 

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* L'Aquarium
Réflexion collective et participative sur le devenir d’espaces abandonnés et sur le rôle des citoyens dans leur ré-activation.
L’Aquarium de Casablanca – bâtiment inscrit au patrimoine historique de la ville - est fermé depuis les années 80. Il est situé entre la Foire de Casablanca et la Mosquée Hassan 2, et n’est pas accessible au public.
 
Cet espace ludique et éducatif reste mythique pour les casablancais qui y sont particulièrement attachés. 
L'Atelier de l'Observatoire porte le projet de ré-ouverture (éphémère ou non) du lieu, et mène une réflexion utopique collective sur son devenir. http://www.atelierobservatoire.com/aquarium

Le projet en images ici @AtelierObservatoire www.facebook.com/pg/AtelierObservatoire/photos/?tab=album&album_id=962158573902514

Artistes : Mohammad Al Qaq, Ramzy Zahoual, Lukas Matthaei, Nazha Rondali, Susanne Vincenz, Saïd Raïs, Sabine Zahn, Abdellah M. Hassak, Rabah Nouami, Mohamed Fariji et Jake Wiener.

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* Common Spaces ABC is an international artist laboratory, in which jordanian, moroccan and german artists have joined in order to develop common strategies of how to address participation in common resources of the city. After camp#1 in Amman last year, Common Spaces ABC will settle in Casablanca in the neighbourhood between the old Medina and the former aquarium next to the mosque Hassan II  between May 26th - June 5th  2016.
 
COMMON SPACES is initiated by Matthaei & Konsorten (Berlin), in collaboration with 7iber & (Amman) and Atelier l`Observatoire (Casablanca) http://www.atelierobservatoire.com/
 and with the support of Heinrich Boell Foundation (offices in Berlin, Ramallah & Rabat), Robert Bosch Foundation / International Theatre Institute, GOETHE Institute Rabat & ifa – Institut für Auslandsbeziehungen (Künstlerkontakte). 

Further info on activities & photos: www.facebook.com/Common.Spaces.ABC

160,7 M2 DE MEMOIRE / May 26th - June 5th  2016. par Abdellah M. Hassak & Susanne Vincenz.

MAKAN PROJECT / Abdellah M. Hassak : Conception, Audio recording and editing,  Writing. / Mohamed Elkhadiri : Writing, narration.

Contact : Abdellah M. Hassak : a.hassak (at)gmail(dot)com

* L'artiste réalise une performance s'appuyant sur les nouvelles technologies pour rendre compte des transformations du paysage sonore de la ville de Tanger. Un travail d'écriture à été mené s'inspirant des différents lieux qu'il a visité et capté, d'une mémoire collective se nourrissant des souvenirs des différentes rencontre de l'artiste, de l'héritage de la Beat Generation, et d'autres univers.
L'artiste souhaite faire se rencontrer la mémoire de la ville avec son présent et ses métamorphoses.

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* Think Tanger : A city in mutation
Think Tanger is a project lead by Arty Farty Tanger, in partnership with Technoparc and Racines. The project aims at developing the cultural and artistic awareness in Tanger-Morocco, a city that is witnessing a big urban change, economically and artistically.

´´Think Tanger´´ aims at bringing together artists, cultural operators, thinkers and entrepreneurs in order to create collaborations and help the cultural and artistic sectors to evolve. The project included conference cycles, capacity building and training sessions, and international artistic residencies. The conferences and roundtables addressed issues regarding the topics of Cultural Policies, Tanger as a changing city, etc. Two training workshops about managing and executing cultural projects, took place in April and in July. Moreover, five artists participated in the ´´Think Tanger ´´ artistic residency programme, which included public interventions, visits to location in the outskirts of Tangier, and open studio presentations with talks and discussions.

* List artists : Abdellah M. Hassak, Sara Ouhaddou, Mohcine Nakari, Aicha el Beloui, Nassim Azarzar, Sido Lansari, Youssef Ouechen and Hicham Gardaf.

Source : www.smedcv.net/think-tanger-a-city-in-mutation/

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* CITY MANIFESTO Exposition du projet THINK TANGER 
City Manifesto will take place in Espace Dabatek, from the 7th until the 21st of October 2016 www.youtu.be/q9yhKUYBxVI

MAKAN PROJECT - THINK TANGER / 7th October 2016 (Performance in City Manifesto)

Le “Jouk Attamtil” réunit différentes disciplines, à l’image des membres qui forment un groupe de talents divers entre musiciens, danseurs et chanteurs, bien que tous soient issus du monde du théâtre. Par ce spectacle, monté en cabaret, c’est tout un patrimoine marocain d’art de rue qu’ils cherchent à revitaliser. Parmi eux la halqa, ou les groupes de musique itinérants qui jouaient sur la place publique. La troupe, formée en association, s’est en effet donné pour mission de conserver, interpréter et offrir une seconde vie au patrimoine traditionnel et à son répertoire musical.

“Jouk Attamtil Al Bidaoui”, les cheikhate des temps modernes telquel.ma/2016/10/26/jouk-attamtil-al-bidaoui-les-cheikhate-temps-modernes_1520852

Jouk Attamtil Al Bidaoui - Kabaret Chikhats à La serre

RADIO DE MON QUARTIER - HAY MOHAMMADI

◍◍◍◍◍◍◍◍◍◍◍◍
◍ RADIO DE MON QUARTIER est un atelier de création sonore radiophonique dans les quartiers marginalisés de la ville de Casablanca, qui a pour vocation d’accompagner des jeunes, les habitants et des membres d’associations locaux dans la réalisation émissions radiophoniques, reportages sonores, poésie sonore afin de valoriser l’histoire et la mémoire de leur quartier. Les création seront ensuite mises en ligne sur internet et ainsi disponibles en écoute lors d’un programme radiophonique live lors du dernier jour de l’atelier.

Les créations sonores prendront la forme d’un journal radiophonique, - ou podcasts - relatant la vie du quartier, ses habitants et son histoire. Il permet en faite au participants de travailler sur des projets plus personnels, ou en binôme voire des documentaires, émissions radio, ou micro-trottoir sonore.

◍◍◍◍◍◍◍◍◍◍◍◍
◍ Projet proposé, animé et réaliser par : Abdellah M. Hassak.
www.hassak.net
Air Audio Radio www.hassak.net/airaudioradio

◍ Production et cadre : Le Musée Collectif de Atelier de l'Observatoire.
www.atelierobservatoire.com

◍ Lieu :  Association Initiative Urbaine Hay Mohammadi.
◍ Exposition : Reportage, Radio, Documentaire Sonore, Podcast…
◍ Bénéficiaires et prérequis : Les jeunes membres du Centre Initiative Urbaine, les habitants du quartier de Hay Moahmmadi. Aucun prérequis.

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Si tu peux déplacer l'Hay à un autre pays | إذا كنت تقدر تبدل الحي إلى بلد آخر

Discussion et jeu de cartes | حتيت او كارطة

Souk Shlouh | سوق الشلوح

MUSÉE COLLECTIF DE CASABLANCA // LES RÉCITS CASABLANCAIS - 2018

Dimanche 17 juin à 20h : Ali Essafi | Le cinema marocain remis en perspective
 
Ali Essafi a étudié la psychologie avant de se diriger vers le cinéma documentaire Art & Essai. Il a notamment réalisé  Général, nous voilà! (1997), Le Silence des champs de betteraves  (1998), Ouarzazate Movie (2001), Le Blues des Shikhates (2004), Wanted (2011) et La Septième Porte (2017), son dernier film sur le cinéaste Ahmed Bouanani, présenté à la Berlinale et au Festival Cinéma du du Réel. Il anime régulièrement des ateliers d'écriture de films et milite pour la reconnaissance du cinéma documentaire, tout en conduisant des recherches sur les archives cinématographiques et l’histoire de l’image en Afrique du Nord.
 
  على الساعة العاشرة مساء
 
علي الصافي درس علم النفس في فرنسا قبل أن ينتقل إلى السينما الوثائقية. من بين أمور أخرى ، أخرج
Général, nous voilà !!" ، "Ouarzazate movie" ، "Silence des champs de betteraves" ، "Wanted" ، و Le blues des chikhates"أحدث أفلامه عن المخرج أحمد بوعناني ، قدمت في مهرجان برلين السينمائي ومهرجان دو رييل. يدير بانتظام ورشات عمل للكتابة السينمائية ودعاة للاعتراف بالسينما الوثائقية ، يجري أبحاثًا حول أرشيف الأفلام وتاريخ الصورة في شمال إفريقيا
  
◍◍◍◍◍◍◍◍◍◍◍◍

PROGRAMME 
 البرنامج
 
◍ Vendredi 25 mai à 22h : Ahlem B. | Histoires embarquées dans les taxis de Casablanca
الجمعة 25 ماي  على الساعة العاشرة مساءا
قصص مدمجة في سيارات الأجرة الدار البيضاء
https://soundcloud.com/mahattatradio/ahlem-b-histoires-embarque-es?in=mahattatradio/sets/lesrecitscasablancais2018

◍ Mardi 29 mai à 22h  : Maurice El Baz | Musique juive casablancaise
الثلاثاء 29 ماي  على الساعة العاشرة مساءا
الموسيقى اليهودية من الدار البيضاء
https://soundcloud.com/mahattatradio/maurice-el-baz-musique-juive

◍ Vendredi 1 juin à 22h  : Fattah N'gadi |  L'orchestre des aveugles
الجمعة 1 يونيو  على الساعة العاشرة مساءا
أوركسترا المكفوفين
https://soundcloud.com/mahattatradio/fattah-ngadi-lorchestre-des

◍ Mardi 5 juin à 22h : Souad Guennoun | Casablanca, effacement des lieux et de la mémoire.
الثلاثاء 5 يونيو  على الساعة العاشرة مساءا
الدار البيضاء ، محو الأماكن والذاكرة.
https://soundcloud.com/mahattatradio/souad-guennoun-casablanca

◍ Vendredi 8 juin à 22h  : Mamoun Salaje | Errances d’un artiste orphelin du théâtre municipal
الجمعة 8 يونيو على الساعة العاشرة مساءا
 تجوال فنان يتيم المسرح البلدي.
https://soundcloud.com/mahattatradio/mamoun-salaje-errances-dun
 
◍ Mardi 12 juin à 22h : Zineb Andress Arraki | Le nouveau visage de Casablanca
الثلاثاء 12 يونيو  على الساعة العاشرة مساءا
الوجه الجديد للدار البيضاء.
https://soundcloud.com/mahattatradio/zineb-andress-arraki-le-nouveau-visage-de-casablanca

◍ Dimanche 17 juin à 20h : Ali Essafi | Le cinema marocain remis en perspective
علي الصافي على الساعة العاشرة مساء
https://soundcloud.com/mahattatradio/ali-essafi-le-cinema-marocain

◍◍◍◍◍◍◍◍◍◍◍◍

Un projet mené dans le cadre des Rencontres du Musée Collectif de Casablanca. 

Il est maintenant possible d’écouter les “Récits Casablancais” enregistrés dans le cadre des rencontres du Musée Collectif au Vertigo en juin 2018.  Avec Ahlem B. (auteure), Fattah N’Gadi (Pianiste, compositeur et chanteur, lauréat du conservatoire de Casablanca) Souad Guennoun (architecte et photographe), Mamoun Salaje (chanteur, animateur TV et radio, et comédien marocain), Zineb Andress Arraki (architecte et photographe) et Ali Essafi (cinéaste). Un programme proposé et animé par le journaliste Omar Radi. 

Lors de ces rencontres, le public a pu échanger librement avec les invités autour de l’architecture, l’identité Casablancaise, la place des artistes dans la ville, aujourd’hui et dans les années 70, 80 …. Chaque Récit de vie était illustré par des photos et vidéos évoquant Casablanca et/ou mis en musique par l’invité.

Programme plus d’info . http://www.atelierobservatoire.com/single-post/2018/05/22/R%C3%89CITS-CASABLANCAIS-Rencontres-du-Mus%C3%A9e-Collectif

Ali Essafi | Le Cinema Marocain remis en perspective

MUSÉE COLLECTIF DE CASABLANCA // LES RÉCITS CASABLANCAIS - 2018

Mardi 5 juin à 22h : Souad Guennoun | Casablanca, effacement des lieux et de la mémoire.
الثلاثاء 5 يونيو  على الساعة العاشرة مساءا
الدار البيضاء ، محو الأماكن والذاكرة.
 
Souad Guennoun vit à Casablanca où elle travaille comme architecte. Elle se consacre actuellement à la photographie et à la vidéo documentaire, médiums à travers lesquels elle documente les réalités sociales du Maroc d’aujourd’hui : luttes sociales, émigration clandestine, enfants des rues, luttes des femmes.. Elle a écrit plusieurs livres, et produit des documentaires sur les mouvements sociaux et sur la mémoire.
تعيش سعاد كنون في الدارالبيضاء حيث تعمل كمهندسة معمارية. تشتغل حاليا كمصورة فوتوغرافية و مخرجة لشرائط وثائقية، توثق فيها الواقع الاجتماعي المغربي : حركات اجتماعية، هجرة، أطفال شوارع، نضالات النساء… أنجزت عددا من الكتب و الأفلام الوثائقية عن الحركات الاجتماعية و الذاكرة.
  
◍◍◍◍◍◍◍◍◍◍◍◍

PROGRAMME 
 البرنامج
 
◍ Vendredi 25 mai à 22h : Ahlem B. | Histoires embarquées dans les taxis de Casablanca
الجمعة 25 ماي  على الساعة العاشرة مساءا
قصص مدمجة في سيارات الأجرة الدار البيضاء
https://soundcloud.com/mahattatradio/ahlem-b-histoires-embarque-es?in=mahattatradio/sets/lesrecitscasablancais2018

◍ Mardi 29 mai à 22h  : Maurice El Baz | Musique juive casablancaise
الثلاثاء 29 ماي  على الساعة العاشرة مساءا
الموسيقى اليهودية من الدار البيضاء
https://soundcloud.com/mahattatradio/maurice-el-baz-musique-juive

◍ Vendredi 1 juin à 22h  : Fattah N'gadi |  L'orchestre des aveugles
الجمعة 1 يونيو  على الساعة العاشرة مساءا
أوركسترا المكفوفين
https://soundcloud.com/mahattatradio/fattah-ngadi-lorchestre-des

◍ Mardi 5 juin à 22h : Souad Guennoun | Casablanca, effacement des lieux et de la mémoire.
الثلاثاء 5 يونيو  على الساعة العاشرة مساءا
الدار البيضاء ، محو الأماكن والذاكرة.
https://soundcloud.com/mahattatradio/souad-guennoun-casablanca

◍ Vendredi 8 juin à 22h  : Mamoun Salaje | Errances d’un artiste orphelin du théâtre municipal
الجمعة 8 يونيو على الساعة العاشرة مساءا
 تجوال فنان يتيم المسرح البلدي.
https://soundcloud.com/mahattatradio/mamoun-salaje-errances-dun
 
◍ Mardi 12 juin à 22h : Zineb Andress Arraki | Le nouveau visage de Casablanca
الثلاثاء 12 يونيو  على الساعة العاشرة مساءا
الوجه الجديد للدار البيضاء.
https://soundcloud.com/mahattatradio/zineb-andress-arraki-le-nouveau-visage-de-casablanca

◍ Dimanche 17 juin à 20h : Ali Essafi | Le cinema marocain remis en perspective
علي الصافي على الساعة العاشرة مساء
https://soundcloud.com/mahattatradio/ali-essafi-le-cinema-marocain

◍◍◍◍◍◍◍◍◍◍◍◍

Un projet mené dans le cadre des Rencontres du Musée Collectif de Casablanca. 

Il est maintenant possible d’écouter les “Récits Casablancais” enregistrés dans le cadre des rencontres du Musée Collectif au Vertigo en juin 2018.  Avec Ahlem B. (auteure), Fattah N’Gadi (Pianiste, compositeur et chanteur, lauréat du conservatoire de Casablanca) Souad Guennoun (architecte et photographe), Mamoun Salaje (chanteur, animateur TV et radio, et comédien marocain), Zineb Andress Arraki (architecte et photographe) et Ali Essafi (cinéaste). Un programme proposé et animé par le journaliste Omar Radi. 

Lors de ces rencontres, le public a pu échanger librement avec les invités autour de l’architecture, l’identité Casablancaise, la place des artistes dans la ville, aujourd’hui et dans les années 70, 80 …. Chaque Récit de vie était illustré par des photos et vidéos évoquant Casablanca et/ou mis en musique par l’invité.

Programme plus d’info . http://www.atelierobservatoire.com/single-post/2018/05/22/R%C3%89CITS-CASABLANCAIS-Rencontres-du-Mus%C3%A9e-Collectif

◍◍◍◍◍◍◍◍◍◍◍◍
Récits casablancais - Aujourd'hui le Maroc aujourdhui.ma/culture/pour-se-rememorer-des-lieux-et-habitudes-qui-ont-disparu-de-la-ville-recits-casablancais-au-musee-collectif-de-casablanca

Souad Guennoun | Casablanca, effacement des lieux et de la mémoire

Radio Dar Bellarj / Radio Achoura.
 
Initié entre le programme des Ateliers Collectifs et QANAT, sous proposition de l’artiste sonore Abdellah M. Hassak, ce programme d’atelier radiophonique itinérant a été conçu pour donner la voix aux femmes de Medina de Marrakech et les Mamans Douées en particulier, afin qu’elles puissent partager et transmettre un savoir-faire, un élément de leur patrimoine matériel ou immatériel, une histoire de famille, le récit d’un personnage important, une réflexion ou un imaginaire territorial concernant leur quartier. 
Ce programme d'incubation des idées radiophonique s’est pensé aussi comme premier acte visant à fournir aux habitants la possibilité de devenir acteurs et producteurs de leur propre réalité médiatique. Ainsi, il a ete imagine comme un moment dans un processus de longue-terme qui vise à la création d’une radio de Dar Bellarj qui pourra être directement activé par son public.
 
Les objectifs de ce premier atelier Radio Achoura étaient de :
- Participation à une réflexion et programmation.
- Maîtrise de l'écriture radiophonique.
- Découverte les pratiques liés à la radiophonie et la collecte de mémoire.
- Découverte les pratiques liés à conception des reportages, interviews, session podcast…
 
Deroulement et resultats directs
Ayant eu lieu entre le 2 et le 14 septembre, l’atelier radiophonique s’est construit a partir de la suggestion d’Abdellah M. Hassak que chaque femme puisse mener un mini-projet ou faire des propositions de sujets à discuter publiquement via le medium radiophonique. Ceci afin de permettre à chaque femme participante de trouver une place dans le projet collectif selon ses propres affinités.
 
Pendant les journée de préparatifs d’Achoura, Abdellah M. Hassak a accompagné ce processus, via, parmi d’autres les activités suivantes :
 
Sessions de Podcast
- Achoura, une fête pour perpétuer la mémoire
- Aït Rabaïne, du patrimoine à l’âme du Maroc (Maalam Abderrazzaq Baba)
- Espaces et pratiques du voisinage
 
Balade sonore 
- Pratiques D’achoura - Carnets d'un fragment sonore
 
Archive - Documentation
- Parade « Herma, le voyage d’une peau …» créée avec la collaboration de Awaln’art et des artistes Hocine Bouguerra à la mise en scène, Virginie Chevallier à la création visuelle et Taoufiq Izeddiou à la chorégraphie.
- Conférence : « Responsabilité de l’intellectuel dans l’archivage et la documentation du patrimoine vivant : cas de la Daqqa de Marrakech » Animée par le Dr. professeur et chercheur Hassan Jellab
- Conférence : « Le patrimoine immatériel du Maroc à travers la résalisation de l’Anthologie de l’Aita et celle des Rwayss » animée par Brahim El Mazned, Fondateur de Visa For Music, Directeur artistique du festival Timitar et membre de la Banque d’expertise UE/Unesco.
 
Création poétique 
- Récit - Lala Ghannou
 
 
Les micro-projets menés par certaines participantes ainsi que les sujets de discussion proposées par ces dernières, ont fait l’objet d’un programme de diffusion radiophonique qui a été réalisé en direct à Dar Bellarj le 14 Septembre, lors de festival Achoura. 
 
Radio Dar Bellarj / Radio Achoura - Programme de session radio du Samedi 14 Sep.
10h - 11h / Carnets d'un fragment sonore. 
11h - 12h / Espaces et pratiques du voisinage.
12h - 13h / Art et inclusion sociétale.

Pause 
 
15h - 16h / Lala Ghanou « storytelling ».
16h - 16:30h / Achoura, fête de l'enfance ….
16:30h - 17h / Fête de Achoura, signification et pratiques


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More info :
www.mahattatradio.net
www.achouraa.com

Aït Rabaïne, du patrimoine à l'âme du Maroc (Maalam Abderrazzaq Baba)

Carnets d'un fragment sonore

Les murmures d'artistes // Etat d'Urgence d'Instants Poétiques.


Emission radiophonique en partenariat avec محطات راديو - Mahattat Radio

Entre hier et cet Instant Poétique. C’est à ce moment si particulier que محطات راديو - Mahattat Radio se déplace au Jardin d'Essais Botaniques de Rabat pour enregistrer cette émission plus proche du documentation radiophonique. Une table ronde où les artistes de cet édition 2019 racontent et discutent en immersion au cœur de leurs démarches créative.

Modération : Fatima Zahra Salih, enseignante-chercheuse
Artistes : Amina Agueznay New, Nassim Riad Azarzar, Driss Aroussi, Badr El Hammami, Younes Rahmoun, Abdellah M. Hassak, Bastrioui Khalid, Bouchra Salih

Le samedi 26 octobre 2019 à 15h00 - Jardin d'Essais Botaniques de Rabat (Partie aval)

محطات راديو - Mahattat Radio est une radio éphémère et itinérante de recherche et production et qui se faufile pour écouter des archives, des endroits et des gens à partir de différents lieux publics et privés (café, garage, centre d'art, écoles, festivals, espace public…). La radio a pour objectif de proposer un média alternatif, archiviste et citoyen à destination de la société marocaine.

www.mahattatradio.net

Biographie Fatima-Zahra Salih

Enseignante chercheuse

Née en 1966, à Rabat, Fatima Zahra Salih s’est passionnée tôt pour la littérature, à laquelle elle consacra ses études supérieures. Après une thèse de DES en littérature et psychanalyse, elle rejoint l’université de Béni Mellal comme enseignant -chercheur. Mais éprise de culture, elle ne cesse de monter des projets culturels à l’université et en ville en théâtre, puis en matière de contes et de patrimoine immatériel. En 2002, elle fonde le Festival International Les Nuits du Conte qu’elle dirige jusqu’à présent. En 2014 , elle obtient son doctorat d’état en littérature féminine. Aujourd’hui, chef de département de langue et de littérature françaises dans la même université, elle poursuit parallèlement sa quête du patrimoine immatériel au Maroc. Fatima Zahra a participé à l'édition précédente d'Etat d'Urgence d'Instants Poétiques avec l'installation, intitulée ''Semences''

Les murmures d'artistes // Etat d'Urgence d'Instants Poétiques.

MAHATTAT RADIO is a ephemeral and mobile radio for research and production seeking to listen to archives, places and people from various public and private places (coffee, garage, art space, schools, festivals, public place …). The radio aims to be an alternative media, and a citizens’ archive for the Moroccan society.
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CONTACT
Mahattat Radio | www.mahattatradio.net | mahattatradio(at)gmail(dot)com

Mahattat Radio – محطات راديو

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