off the album "Kiriké" by Kassé Mady Diabaté 
(P)2014 NØ FØRMAT!

Preorder on iTunes : http://bit.ly/1sRC8jf

www.kassemadydiabatemusic.com
www.facebook.com/pages/Kasse-Mady-Diabate/1394821944093272


TOUR DATES 
21/11 Paris (FR) - Festival Africolor
23/11 London (UK) - Purcell Room - London Jazz Fest.
26/11 Amsterdam (NL) - BimHuis
27/11 Gröningen (NL) - Oosterport
28/11 Utrech (NL) - Rasa
29/11 Brussels (BE) - Muziekpublique – Théâtre Molière
30/11 Nijmegen (NL) - Music Meeting
02/12 Paris (FR) - Café de la Danse

Ko Kuma Magni

Ghoula: Gumbri/Piano/fx
Nuri: Drum/Percussion/Guitar
Xavier Descarpentries: Trumpet
Bornholm 2014

Ghoula ft Nuri- Le het le khoudh menni  لا هات لا خوذ منّي

Tinariwen - Imidiwan Ahi Sigdim (Jugurtha - Remix )

taken from: Tamikrest - Kidal
Order direct:
https://goo.gl/jpnbkM
Streaming, iTunes & Amazon:
https://idol.lnk.to/Kidal

All around Kidal, the Malian desert stretches in every direction. Endless horizons of rock and sand, barren and parched. This is the southwestern edge of the Sahara, the home of the Tuareg people, and the town of Kidal is one of their main cultural centres. Fought over, conquered and re-conquered, it remains the symbol of Tuareg defiance and hope, the spiritual home of a dispossessed people.

It is also the town in which Tamikrest first came together as a group, and on Kidal, Tamikrest’s fourth studio album, the band pays homage to this place that’s nurtured them and their people.

It’s a cry of suffering and the yell of rebellion. It’s power and resistance. This is pure Tuareg rock’n’roll.

“Kidal talks about dignity,” Ag Mossa says. “We consider the desert as an area of freedom to live in. But many people consider it as just a market to sell to multinational companies, and for me, that is a major threat to the survival of our nomadic people.”

The Tuareg have always been nomadic people, their lives in motion across the desert, sometimes taking with them only the bare essentials. But for one brief moment they possessed a home after the Tuaregs rose up in 2012 and declared the independent state of Azawad in the northeast of Mali. It lasted less than a year, as first al-Qaeda conduits swept in from the north, imposing Islamist rule, and then the French military arrived to liberate the area - once again leaving the Tuareg with little or no chance for self-determination. But the dream remains, still trapped between governments and the greed of global corporations.

“Kidal, the cradle of all these uprisings, continues to resist the many acts perpetrated by obscure hands against our people,” notes band associate Rhissa Ag Mohamed. “This album evokes all the suffering and manipulation of our populations caught in pincers on all sides.”
The songs on Kidal evoke a long history. And for all the electricity, as Ag Mossa observes, “It’s very traditional if you go deeply into what I’m playing.”

Everything here is focused. Everything burns. Ag Mossa punctuates his lyrics with inspired bolts of guitar. Even an acoustic song like “Tanakra” maintains a luminous edge.

With Kidal, that blaze is roaring. Recorded in Bamako, Mali in the summer of 2016, the album was produced by Mark Mulholland (Afro-Haitian Experimental Orchestra) and mixed by David Odlum, who received a Grammy for his work with Tinariwen. It’s an album that’s taken two years to make, Ag Mossa says, “because we share the same difficulties of our people.” And the songs here mirror their joys, their pain and their unwillingness to accept things as they are.

There’s a raw beauty in Tamikrest’s rock’n’roll. It’s there in the driving, insistent groove that powers the songs, the lean, snaking bass lines and the guitars that twine and twist around the melodies, and the utterly natural musical blending of Sahel Africa, the Maghreb, and the West – a reflection of influences as diverse as Pink Floyd, Rachid Taha, and flamenco. Yet the Sahara, and the people who live there, is always firmly at its heart.

“This music was founded on a very precise cause, the Tuareg cause,” Ag Mossa told journalist Andy Morgan in 2013. They might be threatened on all sides, but they won’t give up, and this album celebrates who the Tuareg are, the Kel Tamasheq (“those who speak Tamasheq”), the keepers of an ancient and endangered cultural voice.

Tamikrest’s new album is the music of defiance, of hope. It’s rock’n’roll from the Sahara, the sound of the Tuareg dream, a dream that will be renewed again, in their ancestral town: Kidal.

Kidal

Ehad Wad Nadorhan

Tamikrest - Ehad Wad Nadorhan

Reggae Rast - رغاي راست

 A remix of the other flamenco al arabia tune tune....

flamenco al arabia in dub

akalé wubé !!! - https://soundcloud.com/akalewube


"The time will come
when, with elation,
you will greet yourself arriving
at your own door, in your own mirror,
and each will smile at the other’s welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you
all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life."

Download

akalé wubé - "marye" & linton kwesi johnson reads derek walcotts „love after love“(chöko aba edit)

dub machine - Offline

The latest of a new series of edits supporting charities around the world, to run alongside our party series in Manchester which will be raising money in tandem. Each month (or so), we will be releasing an edit via Bandcamp and donating the proceeds to a selected charity. 
Thanks to everyone who has supported the edits so far, we have raised over £370 for charity since the start of the year. 

This month, London-based producer DJ Kobayashi reworks French-Lebanese musician Ibrahim Maalouf. 

All proceeds will be donated to the RNLI - rnli.org

Free DL on Bandcamp.

Ibrahim Maalouf - Hashish (DJ Kobayashi Edit)

Five fresh flavours of a live recording session.

Guadeloupe

Tamikrest 
-Tarhamanine Assinegh- album:Toumastin 

Tamikrest -Tarhamanine Assinegh

dub machine est un systeme de son tunisien crée en 2012
***
il est spécialisée dans plusieurs styles et genres de musique electro ( dub , dubstep , jungle , sampling ...) avec la presence d'une touche orientale ou tunisienne dans la plupart des productions
***
depuis sa naissance il s'est mis à travailler et a collaborer avec des artistes connus de scene underground tunisienne
actuellement il a sa propre session dans le web radio tunisen le plus celebre " Radyoon" (www.radyoon.org )

dub machine - Offline

Dub machine - ماكينة

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