Voices 1

The beauty and ferocity of the North Cornish coast.  

With stunning lead vocals by Amanda Sanderson.

Listen to Amanda's great album on Bandcamp, 'Spirits Of The Witchwood'
amandasanderson.bandcamp.com/album/spir…-witchwood

St Enodoc

Shimmering shallow sands reflect the sculptured skies
Mirrored moments mask the monumental storrs
Fresh gusts rock the steady metered gait
A hurried pace to beat the tidal time

Over peninsular then climb the weaving steps
Clamber over to handpick the secret path
Cross the grassy landing as the next
Bay reveals its face the livid sudden shine

As Enodoc herself would say, it takes more than sinking dunes to make a saint.

The salty foam projects over our heads away
Mixing with the farms beyond the dry stone walls
While before the ghosts of grey approached
Now the sun scintillates under the frame

There is no map needed here
Just keep the sea to the right
Just don’t lose sight

The ruined lighthouse on the top comes into view 
This phantom figure hails the battleship behind
Draws toward us and with brooding threat
How we anticipate the pricking strikes of rain

Guest: the classical guitar and electric guitar solo on this song were played by Steve Pumphrey.

Saint Enodoc

Written by Frank Loesser and made famous by Danny Kaye in 1952.

The inchworm in my piece is sleepy and somewhat contemplative.  Don't  hold it against him; he can't help it.

Lyrics:
Two and two are four
Four and four are eight
Eight and eight are sixteen
Sixteen and sixteen are thirty-two

Inch worm, inch worm
Measuring the marigolds
You and your arithmetic
You'll probably go far

Inch worm, inch worm
Measuring the marigolds
Seems to me you'd stop and see
How beautiful they are

Inchworm

Here is another little R&B tune.
Vocals, piano strings -Annette
Stay well out there
Thank you for all of your plays and shares!!!

Lumiere 2AM

Lumiere 2 AM

https://www.facebook.com/altafkeerfelhegra
http://altafkeerfelhegra.blogspot.com.eg/

دي مكتوبالي مترتبالي شئ مش بأيدي ولا بأيــدك
شفتك قبالي بلبلتي حالي ومن ساعتها قلبي يريدك

بس ميلي بــس ميلي بــس ميلي 
واتبسميلي اتبسميلي اتبسميلي

طب بس ميلي بس ميلي بس ميلي 
واتبسميلي اتبسميلي اتبسميلي

وبس ميلي اتبسميلي وشاوري ع الجنه 
وارسميلي سكتها وانا اقرب بعيدك

دي مكتوبالي دي مكتوبالي مكتوبالي مكتوبالي

دي مكتوبالي مترتبالي شئ مش بأيدي ولا بأيدك
شفتك قبالي بلبلتي حالي ومن ساعتها قلبي يريدك
دي مكتوبالي مكتوبالي مكتوبالي

ماشي لا بيا ولا عليا طلت عليا م المشربيه
ماشي لا بيا ولا عليا طلت عليا م المشربيه
شفت بعنيا اجمل صبيه الدنيا دارت حواليا 
بيا تهت في بحورها وسرح خيالي 

بس ميلي بــس ميلي بــس ميلي 
واتبسميلي اتبسميلي اتبسميلي

وبس ميلي اتبسميلي وشاوري ع الجنه 
وارسميلي سكتها وانا اقرب بعيدك

دي مكتوبالي دي مكتوبالي مكتوبالي مكتوبالي

دي مكتوبالي مترتبالي شئ مش بأيدي ولا بأيدك
شفتك قبالي بلبلتي حالي ومن ساعتها قلبي يريدك
دي مكتوبالي مكتوبالي مكتوبالي

أنا كنت ماشي أمزمز في حزني من حلم ضايع و حمل مضني
أنا كنت ماشي أمزمز في حزني من حلم ضايع و حمل مضني

ضحكت لي قلت لهواها خدني ياما نفسي اضم 
الوجود في حضني و اسكن معاها نجم العلالي

بس ميلي بــس ميلي بــس ميلي 
واتبسميلي اتبسميلي اتبسميلي

وبس ميلي اتبسميلي وشاوري ع الجنه 
وارسميلي سكتها وانا اقرب بعيدك
دي مكتوبالي مكتوبالي مكتوبالي

مكتوبالي - علي الحجار

This song excerpt from "We Still Have Dreams" speaks about hope, love, and resilience within a relationship. Despite challenges ("tears of love"), the couple believes they can overcome them ("We make it babe, We're strong enough").

The lyrics emphasize the importance of friendship and youthful freedom that lasts until the end ("Young hearts are free until the end"). The narrator expresses their longing for companionship after a long period of loneliness, seeking an "angel" to be their "forever lady," promising unbreakable love and declaring themselves the ideal partner for their beloved.

In short, the song is a declaration of lasting love, commitment, and belief in a shared future despite difficulties.

The First Album

We Still Have Dreams [vocals] (Remix) version Dreams new

للتواصل
www.facebook.com/MahmoudAdel.Page

أنوشكا - أبيّن زين

البحر -حنان ماضي

محبتك جنون - مدحت صالح - كوكب تاني

يا ليل - هشام عباس

01 - Native Instruments - Noire Pure - Sparkling Chords
02 - Spitfire Audio - Albion - NEO - Brunel Loops - Light Above The Cloud
03 - Spitfire Audio - Aperture Strings - Refractions - Tremolo
04 - Spitfire Audio - Fragile String Evolutions - A Fragile Start
05 - Sonuscore - The Orchestra Complete - Violin 1 Staccato - Violin2 Staccato - Viola Staccato - Cello Staccato -Double Bass Staccato
06 - Soundiron - Voices of Rapture - Soprano Phrases French
07 - UVI - FALCON - VOKLM - Angelique
08 - UVI - FALCON - VOKLM - Spectrally Distant
09 - UVI - FALCON - World Suite - Celtic Twelve Strings
10 - UVI - World Suite - Bagpipes

Fragile Tales [Part 1]

راحل معايا الليل - حميد الشاعري

هشام عباس _وبتقولى

نكبر يا دوب..
نحلم نعيش بجناح و ريش ..
بين الدروب و الازمنه..

مصطفى قمر _ العم نوح ( البيانولا )

حنان_الشمس الجريئة 1987 من البوم حلوة جودة عالية

1987 حنان_الشمس الجريئة

اميرة وحميد الشاعري_زي الطيور 1993 من البوم اول كلامي جودة عالية

1993 اميرة وحميد الشاعري_زي الطيور

For my Friend (Improvisation)

Listen to Korima songs at www.korima.net


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Samhain
The púca
Of all the ghosts and fairies abroad on Halloween, the púca (or pooka) was the most feared and October 31st was known as Púca Night in parts of Ireland. The púca, meaning 'goblin', can be malevolent or benevolent and is not solely associated with Halloween. It's a mythological fairy and the ultimate shapeshifter, capable of appearing in a variety of forms but most commonly as a dark horse or part dog.

Spring Solstice


Winter Solstice 
The Winter Solstice is an astronomical phenomenon that marks the shortest day and the longest night of the year. In the Northern Hemisphere, the Winter Solstice occurs on 21 or 22 December, when the sun shines directly over the tropic of Capricorn. At sunrise on the shortest day of the year, for 17 minutes, direct sunlight can enter the Newgrange monument, not through the doorway, but through the specially contrived small opening above the entrance known as the ‘roof box’, to illuminate the Chamber.

Samhain
The púca
Of all the ghosts and fairies abroad on Halloween, the púca (or pooka) was the most feared and October 31st was known as Púca Night in parts of Ireland. The púca, meaning 'goblin', can be malevolent or benevolent and is not solely associated with Halloween. It's a mythological fairy and the ultimate shapeshifter, capable of appearing in a variety of forms but most commonly as a dark horse or part dog.

October 

Night migration of birds.

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September

Barn swallows bury themselves in mud in lakes



August

Barn owls and birds of prey on the move
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July

Watching bats emerge at dusk.

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June

walking in meadows




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May
The Dawn Chorus:  Ireland 5 am.
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April
First swallow of the year
Welcome, welcome
From out of mud in lakes
Were you resting there?



March

Unveils like a first thought
A whisper



February

"Nothing stands out yet", you said
As you looked over your shoulder
Broad and rounded, square and hunched
I thought I heard you say, "We are water
And over time we solidify"

Concept Art by SuZanne Ledwith
Photography by something&knot Productions 
Graphic Design by Simon

January
Snow white egret
among fields of greenandbrown
Are you lost in its vastness?
Bubulcus ibis.

DE-cem- ber
Silver EEL migration 
down river to the sea
on a moonless night

through
an obstcale 
of nets
Cutting blades
pollution
And 
Par -a -sites
White egret



December
Mild to touch, not yet winter
snow drop dropping still
daffodil 

November, can I surrender to your dying
Are you truly dying or surrendering



Is it not enough to be ALIVE, autumn 
As birds migrate thousands of miles, autumn
Of an inner stirring and outward knowing

Is BE-ING
to Our Mind
bor -ing

As summer turns, it turns
To autumn, autumn
The slugs and worms live at the root; 
The slugs eat the juice of carrot
Is it good for their EyEs too...?

I buried a 'th' in the soil
With vowels and nettles
And I, this eyE, aye, oh
This What...?
This sometimes
Known thing
Doesn't kNOW oh oh

Winter take, take these
Sor rows, lay them
Deep ee eep
To become worms
for the birds to eat


ever ever
Denied to

.
Concept Art by SuZanne Ledwith
Photography by something&knot Productions 
Graphic design by Simon

أنوشكا - أبيّن زين

Mahmoud Adel

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