During a late night jam at the Kattinge Oldtime Gathering 2013 in Denmark - after alcohol consumption with the always fun crowd (hereby known as The Rowdy Boys & Lucy)- possibilities for somewhat dirty tune names started being shared. 
I composed this little tune and gave it one of those names.

That's Not Where That Goes

Well,...I'm not much of a guitar picker. It isn't really intill about a year ago I kind of started getting into it. I mainly play banjo and fiddle, but try to learn some guitar. I have been working on this, my favorite Carter Family song, for a while. Still alot to smoothen out :-)
I recorded it to test out my new guitar (pictured)

Hello Stranger

Track from my CD "Foreign Soil"

This is an amazing tune is from one of my all time favorite musicians. Edden Hammons (1876-1955) from Webster and Pocahontas County West Virginia. The Hammons family are the sources of so much great music. This tune has been played a lot on CDs and at festivals. But there is some crookedness to Edden's version that is sometimes left out. Edden's nephew, Burl Hammons (1908-1993), also played a great, but more straight, version.
Fiddle: ADae


Shaking Down The Acorns

Track from my CD "Foreign Soil"

In 1927, B.F. Shelton (1902-1963) travelled from his home in Corbin, Kentucky, to record in Bristol on the Tennessee/Virginia border. His recordings are some masterful examples of two-finger-picking banjo. Inspired by another great Kentucky banjo player, Rufus Crisp (1880-1950: Floyd County, Kentucky), I start out playing two-finger but switch to an overhand style.
Banjo: fCFAC

Buy the CD: TobiasEnevoldsen.com



Molly Dear (Oh, Molly Dear)

Song and played on 5-string banjo in a three finger picking style.
From the legendary Virginia banjo picker and singer Dock Boggs.

Thanks to Lasse Høi for EQ and mastering. 

Danville Girl

This is fiddle tune in the huge "Give the Fiddler a Dram", "Dance All Night" family. It comes from Kentucky fiddler James Crase who was recorded in the 1960s by John Cohen. Cohen writes that Crase played the tune by moving the fiddle instead of the bow. My version of the tune is very much inspired by Dan Gellert's take on it. I thought both James Crase and Dan Gellert played it in standard tuning (GDae), so that's the tuning I use. But they actually played it in cross tuning (GDgd).

Thanks to Lasse Høi for EQ and mastering.

Fiddler's Dram

A classic dancetune from the North Carolina/Virginia area. I play it clawhammer style on a fretless banjo tuned gCGCD. The banjo is a Deering Goodtime banjo with the first 8 frets removed and substituted with a peace of brass.

Thanks to Lasse Høi for EQ and mastering.

Backstep Cindy

A classic banjo tune from Hobart Smith of Virginia. This one is endlessly fun to play. Tuning: fDFCD. Played on my Gold Tone Whyte Lady banjo.

Thanks to Lasse Høi for EQ and mastering.

Tobias Enevoldsen