Related tracks: Wherever U Go - The Eclectic Collective

I'm not sure which is more maddening these days — the situation in Ukraine or the situation in America. Hell, the middle east is also crap. I'm just mad at it all. 

The air-raid siren was recorded in Kyiv by vkvych (freesound.org).

(This tune is downloadable.)
I compose in MIDI, using Logic Pro and sound libraries from EastWest. 
© 2025 Rebecca Williams All rights reserved.

Run For Cover

Me And Ted We Are Back Again 

Recorded @ Studio B 

beats by https://soundcloud.com/mzrpklps?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
 vocal samples by https://soundcloud.com/bawa-sushil?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
be sure to like listen and follow

HATE CATZ AINT NEVER GUNNA QUIT

DEEP POCKETZ  ft MZRPKLPS & Bawa Sushil

music: mike brosco
image: suzanne rinehart / mike brosco

Downturn

Romantic〔Lylics by Romi   Composed by Romi   Arrenged by Romi , Red＆Blue〕

The third track from my EP CHEMICAL is SCARY TRUTH. 135 BPM. 9m39s. The longest track in this EP. But this is the most psychedelic and rave-like, so this is perfect for listening to while swaying back and forth. In short, this can be used as a good BGM. CHEMICAL Link in Bio!

SCARY TRUTH

I just redid the mix and fixed the drums, and some of the more glaring vocal problems, and got that cool guitar lead to shine a little. It sounds a lot better now.
Please pardon my vocals, this is actually for a female artist. Not autobiographical, just a story. My apologies to Irma Thomas.

You were my angel, and i was under your spell
And you promised life would be a fairytale
But i was no more than your possession
And you put me through hell
Though you called it heaven

And everytime i tried to leave, you’d just wave your hand
And I’d come crawling back on my knees
I would pray you’d treat me better
When you’d smile at me so sad and so sweet

But something’s changed inside, I can see now who you are
and that sweet smile aint gonna get you very far!

Now who’s the one? Who’s down on their knees?
No need to beg, there’s nothing left that you can take from me
You don’t have any power here no more
Well you’ve lost your wings, and I know just what you’re here for
You are no angel, you are a devil, to the core
And you ain’t welcome here no more

Don’t come back inside, don’t put your bags down on the floor
You ain’t welcome here no more

You ain't welcome here no more

I started making this piece with the intention of it being a set of songs that could stand on their own as well as being an open collaboration, but then it took on a life of its own, and things just got out of hand from there, lol! 

But I still managed to control myself and didn’t add too many samples though, haha! 

I was listening to 1985 and 1986 hip hop singles when making this so….

You can download this for free as well as some of the unmixed stems on Bandcamp. The lyrics can also be found on Bandcamp since SC didn’t provide enough space in the song info. I reached my description limit!

Feel free to treat it as an open collaboration if you like. The song list, BPMs, and time signatures are listed below. 

I Like To Sample Old Drums Bandcamp Link: 
https://musiciselation.bandcamp.com/album/i-like-to-sample-old-drums

Funny we are now moving to Portland. Bye, bye Hillsboro. I guess this is now a farewell song. 

Track Credits:

The Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield

I Like To Sample Old Drums
Rap Attack: 112 BPM 4/4
Take The Max Down To Hillsboro: 189 BPM 4/4
Peach ’N Plum: 132 BPM 3/4
What, Would, When: 112 BPM 5/4
I Like To Sample Old Drums: N/A
This One Goes: 101 BPM 4/4
Bllll: 92 BPM 4/4
The Couch Can’t Help It: 87 BPM 4/4

Here are the lyrics just for: 

Rap Attack

I will
Put you in a tourniquet
Bleeding there’s no stopping it
Got a pimple 
I be popping it
Tripple nipple
Don’t be knocking it
I be chopping it off
Now blood is slopping  
I ain’t mopping 
You be dropping
When you slippin’ in it 
Finna sit and watch as I scoff
Maybe lickin’ ice cream soft serve, huh
What cha sayin’ I can only seem to catch ya gurgling brah
Nah, No one can hear you scream 
When you got a severe stream of
Foam bumbling, bubbling from your mouth, tumbling gravitationally south
Bro, i’m feeling bad for your health
See you reeling keeling over looking so sad 
had I know your noncongealinkg slow at healing
I might have
Not tried to put you in a tourniquet 
Tried to put you in a tourniquet
Tried to put you in a

I Like To Sample Old Drums

Bandcamp

Russell Sinfield and the Couch King -I Like To Sample Old Drums

Cast of characters:
Llanpsych -- @llanpsych -- Tez – Fender Telecaster electric guitar, mix, production, and composition
Mistermark-- @user-432503709 -- Mark – synthesizer, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson cutom T electric guitar, sometimes with an ebow
J.J. Terrell– @j-j-terrell – organ and synth

This song began as an idea Tez came up with on his guitar while on holiday not far from his home in Wales. It had such a solid form, it inspired Mark to write lyrics and come up with vocal melodies within a few days of hearing it for the first time. The two of them have written several songs like this, making them a solid songwriting source for Eclectic Collective. 
  Once the song had a even more solid form, Ken took added his dynamic, bouncy-groove drums to it. As soon as Ken had the drums down, Josh took his turn, adding the fretless bass and solidifying the groove. Now that the basic framework was done, Stephen added his thrilling electric guitar. Last, but certainly not least, JJ added his dancing organ and the really cool, psych synth lead part in the bridge towards the end. Mark also added some awesome backing synth to it, as well, filling out the sound. At the very end of the process, Tez also dropped in the hot intro and outro solos, as well.
  Once we had it all in the can, it was time to turn it over to Tez for his expert production and mix. He came up with the idea of adding reverb to the drums, as well as some other compression tricks, which he employed with subtle style. 
   This, as mentioned, is a great example of what Eclectic Collective can do in house with the composition and songwriting skills of Tez and Mark. The rest of us really had fun working on this one, too, of course. We hope you enjoy listenig to this as much as we enjoyed making it.
Original lyrics by mistermark:

There’s something I’m seeking that I’ve never found
but the seed that you planted went deep in the ground 
there’s a journey that I’m on and the path is uncertain 
the magic fades when you pull back the curtain 

Wherever you go I will follow
there’s always another tomorrow 

There will never come a time when I do you harm
cause my soul is steady when I’m in your arms
and never have I heard music like your Voice 
when you call me to you I have no choice

Wherever you go I will follow
there’s always another tomorrow 

Like a puzzle on the table all the pieces fit
like I’m standing in the dark and a match is lit 
and what it all means man I just don’t know
but it’s a powerful feeling and it’s starting to grow

Wherever you go I will follow
there’s always another tomorrow

Wherever U Go - The Eclectic Collective

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass, Collings mandolin, Rogue banjo, Roland electric piano, and composition
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken — drums and percussion
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar, Taylor T5z acoustic guitar, production, mix, and mastering
This song began with Josh coming up with it on his electric piano and fretless bass, to which he added some banjo, then mandolin. Once he had a solid basis for the song, he shared it with the rest of Eclectic Collective for them to add their parts. 
  Ken was first up, adding his drums in an such a creative way that matched Josh's bassline perfectly. It was originally recorded to a looper disco beat, but that was blown out of the water by Ken's creative drumming. Tez jumped in next, adding his thrilling guitar to the second half of the song. Not to be outdone, Stephen batted clean up, adding his textural and melodic guitar to the first half. He also added some subtle, but brilliant acoustic guitar to the first half, too. 
  This is a great example of Eclectic Collective coming up with an original band sound out of one of Josh's seeds. We're always pushing boundaries and trying to find fun and exciting ways to build a song. Lots of teamwork in here, too, of course. We hope you enjoy listening to this as much as we enjoyed making it.

The Plot Thickens (Eclectic Collective)

'ghetto falsetto' with Harmful if Followed and sixstring mac 

Isaac and the apple:
Mac: music, lyrics and vocals
Harmful/Shane: lyrics, vocals, backups 

one man verity show:
Scotty: lyrics, vocals, backups, art 

Well the night’s effervescent and I’m on fire
Full of anti depressants to blunt my ire
Well aware of the presence of my desire
It feels very pleasant as I get higher
And I’m clad in a fashion to catch the eye
So why does everyone ignore me as I walk by
It would be a different story for a different guy
But I’ll never find the glory unless I try
So why do I lie so low 
Why don’t I let them know
Let them bask in the glow
Of my ghetto falsetto 

Most are fucked up from the drugs they take,
and don't care to interrupt all the love I make,
but I can't quite erupt so, I'll simply fake,
and make believe
that I have climaxed, because all the noise
that keeps me far from relaxed and trapped in the void, 
I've always had a clean nose but perhaps I'll toy 
with singing in falsetto. 

These streets are full of cackles and high pitched screams
A ghetto manifesto haunting my dreams
Monotone narration to a story I know
A baritone ending won’t leave me alone
I’m not crazy it’s the world around me
I’ll deal with the shit eventually 
Then get past the truth I know
That I’m too low for ghetto falsetto 

But it don’t mater how high or how low 
Unless you mean it nobody will know
All you need is the seed and the get go
Let go of the ghetto falsetto

ghetto falsetto (with Harmful if Followed and sixstring mac)

- Picture - 
Art Cover Editor. Shyntwirl
Colorist. Shyntwirl 
Lightning. Shyntwirl
Quality. Shyntwirl 

- Music -
Producer. Shyntwirl
Composer. Shyntwirl
Programmer. Shyntwirl
Structure. Shyntwirl
Developer. Shyntwirl
Equalizer. Shyntwirl
Quality. Shyntwirl
Reverb. Shyntwirl 
Bass. Shyntwirl
Piano / Keyboard. Shyntwirl
Background. Shyntwirl
Background Synthesizers. Shyntwirl

PROD. Shyntwirl

Shyntwirl - Honey

Roots Machine

Photo from left to right: JJ, Josh, and Ken
Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and compostion
Mistermark-- @user-432503709 -- Mark –- VST Chinese gong and VST cello
J.J. Terrell– @j-j-terrell – light VST Latin percussion, synth, and piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, chant vocals at the end 
TexMex Shaman– @texmex-shaman –Stephen — ebow, production, mix, and mastering

 This song is the fourth Carl has written and composed with a member of Eclectic Collective in mind. This time JJ is being honored, and we all agree that he deserves it, too. Carl is a wonderful singer, songwriter, composer, and musician, and we're all grateful that he's joined our collective. 
  Here's what Carl had to say about it. "The music for this was a personal song written to myself which I never really released as I was trying to say goodbye to my own ego in the song. From that point of view I have always seen the piece as a great bit of personal therapy for me. None of the original lyrics survived and JJ gets painted by the new words .. But I thought it would be nice to reuse the composition for this. There was no big reason for it only when I decided to start a 60bpm song for JJ on piano .. I started playing Goodbye Ego and the rest is history..."
  We tackled this song like we would any other, though. Mark was first up on this, adding his VST magic in the form of a Chinese gong, as well as the cello you hear throughout. The subject of our adulation came next, with JJ adding not only his hot, yet minimal Latin percussion and essential piano, but moody synth, as well. Ken added his spicy drums after that, and once they were down, Josh jumped in with his four string fretless bass to complete the rhythm section. Josh also added the vocal chant at the end.
  All that was left was for Stephen to mix it all down for us, which he did in his always pro manner. But before he did, he also added some subtle, yet stirring ebow on his guitar. 
  As stated above, this is a continuation of our songs about us. Hope no one thinks it's arrogant. When Carl presents us with these little treasures, it's hard not to run with them, though. Always a ton of fun to make music together. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by The Beautiful Dark:

Praying hands
Whatever cause
Once our greater good not lost
Bored children create their fun
We shelve French horn for this fine one
"Nice one lads" We read it all!
Vacation taken
To JJ calls
Neighbour to good Mickey Moore
Find Michigan piano pure

JJ calls
Just for us
Love lit up
Just for us

Down the road city of cars
To Howell front deck
Dad and Guitars
We jam that love then tell the world
Love and service human highway knurled
Good bi-product of happiness sought
With Croatian fun to cloud we court

Terrell Terminator in Jungle
Predator for good
Keys like Mr Bungle
Faith in more like we could
He Thanks you
It's lifestyle
Built from a porch
Good collective friend
Keep lighting that torch

Some moments sealed, marked and moulded
Pure intention
Dark blindfolded
Howl from human to Howell good soul
Keyed keystone as collective role

JJ calls
Darkness falls
Love lit up
Just for us
Love lit up
Just for us
Love lit up
Just for us
JJ calls

JJ calls
Just for us

JJ Calls (Eclectic Collective)

Can't Get Bayou (But I Can't Get By Without You Either)

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Composer & Produccer

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I'm just an Alien in he room composing music and learning.

*[Experimental Alien Boy]*
My music is a way of experimenting and playing with elements.

Birth: 15/07/2008 / 17 Years Old
[Sound engineer, independent producer and sound editor.]

[ • Open Now Collaborations • ]
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Musical Influences:
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• [My favorite phrase is]: 
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Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
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Shyntwirl - Honey

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