Name: Amelie Soundtrack - Yann Tiersen by Mai Soun in 2
Duration: 1 h 3 s
Description: Amelie Soundtrack - Yann Tiersen

amo con mi Alma  esta eli y su musica!!♡

Habanera is the popular name for the aria "L'amour est un oiseau rebelle" (Love is a rebellious bird) 

Quand je vous aimerai?
Ma foi, je ne sais pas,
Peut-être jamais, peut-être demain.
Mais pas aujourd'hui, c'est certain!

[sung]
L'amour est un oiseau rebelle
Que nul ne peut apprivoiser,
Et c'est bien en vain qu'on l'appelle,
S'il lui convient de refuser.
Rien n'y fait, menace ou prière;
L'un parle bien, l'autre se tait,
Et c'est l'autre que je préfère;
Il n'a rien dit mais il me plaît.

(L'amour est un oiseau rebelle) L'amour...
(Que nul ne peut apprivoiser,) L'amour...
(Et c'est bien en vain qu'on l'appelle,) L'amour...
(S'il lui convient de refuser.) L'amour...

L'amour est l'enfant de Bohême,
Il n'a jamais, jamais connu de loi;
Si tu ne m'aimes pas, je t'aime;
Si je t'aime, prends garde à toi! (Prends garde à toi!)
Si tu ne m'aimes pas,
Si tu ne m'aimes pas, je t'aime; (Prends garde à toi!)
Mais si je t'aime, si je t'aime;
Prends garde à toi!

(L'amour est l'enfant de Bohême,)
(Il n'a jamais, jamais connu de loi;)
(Si tu ne m'aimes pas, je t'aime;)
(Si je t'aime, prends garde à toi!) (Prends garde à toi!)

Si tu ne m'aimes pas,
Si tu ne m'aimes pas, je t'aime; (Prends garde à toi!)
Mais si je t'aime, si je t'aime;
Prends garde à toi! (Prends garde à toi!)

L'oiseau que tu croyais surprendre
Battit de l'aile et s'envola.
L'amour est loin, tu peux l'attendre;
Tu ne l'attends plus, il est là.
Tout autour de toi, vite, vite,
Il vient, s'en va, puis il revient.
Tu crois le tenir, il t'évite,
Tu crois l'éviter, il te tient!

(Tout autour de toi, vite,) L'amour
(Il vient, s'en va, puis il revient.) L'amour
(Tu crois le tenir, il t'évite,) L'amour
(Tu crois l'éviter, il te tient!) L'amour

L'amour est l'enfant de Bohême,
Il n'a jamais, jamais connu de loi;
Si tu ne m'aimes pas, je t'aime;
Si je t'aime, prends garde à toi! (Prends garde à toi!)
Si tu ne m'aimes pas,
Si tu ne m'aimes pas, je t'aime (Prends garde à toi!)
Mais si je t'aime, si je t'aime
Prends garde à toi!

(L'amour est l'enfant de Bohême,)
(Il n'a jamais, jamais connu de loi;)
(Si tu ne m'aimes pas, je t'aime;)
(Si je t'aime, prends garde à toi!) (Prends garde à toi!)

Si tu ne m'aimes pas,
Si tu ne m'aimes pas, je t'aime (Prends garde à toi!)
Mais si je t'aime, si je t'aime
Prends garde à toi! (Prends garde à toi!)

Andreas Scholl ~ Habanera ~Carmen

Adagio in G Minor --  Albinoni

After 3 months of absence, here's my new cover of Yann Tiersen's La Valse d'Amelie. I hope you liked it.

Music & Production by: Ahmed Emad

Youtube: https://www.youtube.com/channel/UCpDUlLjy9NnVeGsECf-7_oA
Twitter, Instagram & Tumblr: @Emadoforte
Facebook: https://www.facebook.com/AhmedEmadAmin

La Valse d'Amélie - Ahmed Emad - Piano Solo

Yann Tiersen - L'Homme Aux Bras Ballants

HBO's The Leftovers Piano Theme - Max Richter

http://en.wikipedia.org/wiki/Introduzioni_(Vivaldi)

Filiae Maestae Jerusalem RV 638  II. Sileant Zephyri (Antonio Lucio Vivaldi)

The movie  classic "The  fabulous destiny of Amélie Poulin (Le fabuleux destin d´Amélie Poulain, Die fabelhafte Welt der Amelie Poulain, O Fabuloso Destino de Amélie Poulian) and  its  great soundtrack  by Yann Tiersen:  Valse d´Amélie (with Audrey Tautou) interpreted  by Bastian Lee Jones
EARMErecords  LC 29347, ISRC DE-QB2-15-00038
PHOTO source: google search - © owner is the production company of the movie Le fabuleux destin d´Amelie Poulain

"Valse d´Amélie" (movie:"Le  fabuleux destin d´Amélie Poulain")

all buy & follow links

Yann Tiersen "Valse d´Amélie" (movie:"Le  fabuleux destin d´Amélie Poulain")

Recorded at One on One Recording Studio in North Hollywood, by the Instrumental Casting Orchestra, with Ruslan Biryukov (cello soloist) and Dustin McKinney (trumpet soloist).

Certain musical patterns are shared among all of humanity, transcending geographical and temporal boundaries. This selection of early spiritual songs originating from the North American continent exemplifies this remarkable unity. Whether it be the music of indigenous peoples displaced by European colonists, the religious songs adapted from folk songs of European origins, the poignant spirituals of the enslaved forcibly brought to America’s shores, or the hymns sung by impoverished rural Southerners, humanity expresses hope through their shared language of music.
This orchestral suite opens with a rendition of a Lakota lullaby titled, “Čhaŋté Wašté Hokšíla (My Kind-Hearted Boy)”. This then transitions into a New England colonial rendition of the traditional song “Wayfaring Stranger”. The song’s sentiment of constant journeying, being a stranger in a strange land yet lifting the eyes in hope toward the promise of a better home, links the stories of all who reside on this continent: European immigrants fleeing oppression, indigenous communities forced upon trails of tears, and African people enslaved against their will.
From this wayfaring song that links them all, a lone trumpet introduces the melody, “I Wade the Water to My Knees”, a traditional ring shout song that recalls the historic 1803 rebellion and subsequent mass suicide at Dunbar Creek on St. Simons Island, Georgia. The lyrics of this call-and-response shout song bring this powerful imagery to life:

I wade the water to my knees.
I’m gonna pray, gonna pray.
I wade the water to my knees.
I’m gonna pray til I die.

Lord, the water’s so cold…
Til my body but not my soul…
I’m gonna sink and never rise…
Won’t rise now but don’t know when…
With my faith I’ll rise again…

Following a brief harmonic transition, a faithful orchestration of “Wondrous Love” is presented. The harmonies are accurately reproduced from those found in the Sacred Harp tunebook of 1844. This distinctly American tradition of harmony and singing-style originated in New England during the late 18th century and was subsequently codified in the aforementioned tunebook, published in the American South.
After this rugged rendition of “Wondrous Love” comes “Idumea”. The melody was initially composed by Ananias Davisson in 1816. Subsequently, it was paired with Methodist lyrics (authored by Charles Wesley in 1753) and included in the shape-note hymnal Southern Harmony in 1835. The hymn was further incorporated into the Sacred Harp collection in 1844.
At long last, our journey culminates in a seamless fusion of the melodies from “Idumea” and the Lakota Lullaby that began this musical narrative — once more, illustrating the striking commonalities shared in the music of our diverse heritages.

Spiritual Songs of the New World (Studio Recording)

Amelie Soundtrack - Yann Tiersen

My attempt to "La dispute" from Yann Tiersen. Known from the movie Amélie.

Yann Tiersen - La dispute

podcast by @bariscanaktepe
..
.
.....
....
.......
..
....
.
artwork by Quetzalcoatl is love (Marco Noto / @metathings)
http://quetzalcoatlislove.tumblr.com/

<a href='https://theartistunion.com/tracks/77cd26'>Download for free on The Artist Union</a>

Download

Mousikē 06 | "Aevum" by Baris

a tribute to Kayhan Kalhor

Original Songs:
Sar Aghaz (Introduction)
Showgh (Joyful Anticipation)
by:
Kayhan Kalhor & Ali Akbar Moradi
Album:
In The Mirror Of The Sky

Mim Rasouli - In the Mirror of the Sky

Ólafur Arnalds  | Day II - Raein

Pedro Meirelles - Van Gogh

Christophe Rezai - Scheherazade's Song
کریستف رضاعی و هاله سیفی‌زاده - شهرزاد
|
این قطعه یکی از قطعات آلبوم موسیقی متن انیمیشن ایرانی آخرین داستان  از کریستف رضاعی  است که در سال 2019 منتشر شد. آخرین داستان برداشتی آزاد از روایت ضحاک در شاهنامه اثر حکیم ابوالقاسم فردوسی است

Amelie Soundtrack - Yann Tiersen

Mai Soun

Recent comments

Dgifty

sanazi

AMax

1 Nicola Berardi

Related tracks