Princes_part2

Tremebundo remix del mash up entre "Das Model"  y "Dueños del Pabellón" perpetrado por el colombiano Don Alex!  Para reventar la pista!

Alto Perú - Kraftwerk Damas Gratis Mash Up (DonAlexRMX)

taking afroperuvian folklore to a different direction

Victoria Santa Cruz - Me Gritaron Negra - LCA Dub

A track from Mulatu Astatke's forthcoming album <i>Mulatu Steps Ahead</i>, out on March 29th 2010

Mulatu Astatke - Green Africa

Tema inspirado en esas películas de horrotika donde los gritos son el ingrediente principal para erizar los sentidos ...
acompañados con nuestros camaradas de Sonido Gallo Negro 
presentamos este tema donde en nuestro viaje musical hacemos que revivan los muertos !!!!

LADO B - MATORRALMAN & SONIDO GALLO NEGRO - GRITOS LOCOS

Cumbia Homies ( Dj Neber )

Metropolitan Jazz Affair - Find A Way

The Road From Memphis

Everything Is Everything

Radiodread

Let Down (feat. Toots & The Maytals)

A mediados del 2009 el FRENTE CUMBIERO invitó a Bogotá al legendario productor de dub Mad Professor, como parte del proyecto Incubator del British Council, con el objetivo de realizar un encuentro sonoro entre la cumbia y el dub. Durante 3 días y bajo la orientación de Mad Professor y su hijo Joe Ariwa, se grabaron en los estudios de la Facultad de Artes de la Universidad Javeriana varios temas para ser tratados bajo la estética del dub. Además de grabar composiciones originales del FRENTE, parte importante del proyecto buscaba reunir a músicos claves de la escena bogotana a improvisar y crear juntos en estudio.

De esas improvisaciones salieron 3 composiciones colectivas, que se suman a 4 originales del FRENTE para un total de 7 temas que fueron remezclados con técnicas propias del dub por Mad Professor en su estudio ARIWA en Londres. El resultado de este disco, además de convertirse en uno de los primeros encuentros tangibles entre la cumbia y el dub, aporta un nuevo sonido colombiano al poderoso movimiento de cumbia continental.

¡GUACHARACA TRANSNACIONAL! 
credits 
released 01 November 2010 
°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°

Temas 1,4,5,6 
Mario Galeano Toro: Bajo, guacharaca / Pedro Ojeda: Batería, timbal / Eblis Alvarez: Electrónica / Andrés Martínez: Guitarra / Chongo Puello: Alegre, Caja / Marco Fajardo: Clarinete / Juan Francisco Duque: Trompeta / Oswald Macías: Trombón / Diego Tunjano: Saxo Barítono

Temas 2,3,7 
Mario Galeano: Guacharaca, melódica / Urian Sarmiento (Curupira): Alegre / Pedro Ojeda (Palanca): Batería, Timbal / Lucho Gaitán (Mojarra Eléctrica): Guitarra / Andrés Martinez (Monareta): Guitarra cortesía Nacional Records / Javier Morales (Jipijam y raspacanilla): Acordeón / Jose Miguel Vega "El Profe" (La 33): Trombón / Jairo Alfonso Barrera (Alerta Kamarada): Saxo Alto / Pablo Araoz (Alerta Kamarada): Bajo Eléctrico / Liliana Saumet (Bomba Estéreo): Voz / Javier Fonseca (Alerta Kamarada): Voz / Kiño (Kmusic): Voz / Shaun Turner: Voz

Temas 1,5,6 compuestos por Mario Galeano Toro; 6 por Mario Galeano y Sonido Martines; 2,3,7 Composiciones colectivas.

Versiones Dub (8-14) mezcladas y producidas por Mad Professor y Joe Ariwa en Ariwa Studios (Londres) 
Versiones limpias (1-7) mezcladas y producidas por Manuel Schaller en el estudio Oidos Contentos (Buenos Aires) 
Mural por Mateo Rivano (pintado en el barrio La Macarena-Bogotá) Foto: Juan Felipe Rubio

Grabado en Bogotá el 10, 11 y 15 de Junio del 2009 en los estudios de la Facultad de Artes de la Universidad Javeriana. 
Ingeniero de Grabación: Jefferson Rosas. Asistentes de Grabación: Nicolás Ramírez, Juan Diego Galvis y Tomás Arenas.

Agradecimientos: 
Al British Council Colombia, Incubator y Facultad de Artes U. Javeriana. A Martin Giraldo y Radio Cápsula por su apoyo incondicional. A Paula Silva, Mad Professor, Joe Ariwa y Manu Schaller. A Catalina y Luita. A todos los músicos que participaron en estas grabaciones. A Eblis, Pedro y Marco por darle tanto poder al FRENTE. A Mateo Rivano por tan tremendo mural. A Rob Ness, Leonor Convers, Oscar Hernandez, Subcopetón Cero, Lucas Silva, Juane, Sonido Martines, Propongo producciones y Names You Can Trust.

La Bocachico

Vinyl/CD/Download/Stream: 

https://sonrompepera.lnk.to/batuco

Born and raised in the deep outskirts of Mexico City, the Gama brothers are keeping alive the rich legacy of marimba music running through their family with their latest project, Son Rompe Pera. While firmly rooted in the tradition of this historic instrument, their fresh take on the folk icon challenges its limits as never before, moving it into the garage/punk world of urban misfits and firmly planting it in the 21st century.

Originally performing alongside their father at local events as kids, they now find themselves at the forefront of the contemporary international cumbia scene with their sonic explorations of the classic marimba. Their absolutely unique blend comes from a typical youthful rebellion, when as teenagers they left behind their upbringing and began to play in various punk, rockabilly and ska bands. Now they’ve gone full circle with the return of the marimba on lead, and mixing all of their influences together with an energetic take on the popular instrument, giving it a new twist never before seen in Mexican folk music.

Formed in 2017, Son Rompe Pera broke onto the potent cumbia scene of today as the marimba duo of brothers Jesús Ángel and Allan Gama (Kacho and Mongo), who inherited this tradition from their father, Batuco. A marimba player by trade, he taught them to play and understand the marimba, which they first used to revive old folk songs for their friends, family, and passers-by on the street. They then incorporated it into the performance of popular Mexican cumbia songs, while spicing things up with an animated identity of their own, creating rhythms of an imaginary repertoire that grows, spreads, and connects the Americas with every passing year.

In their own words: “The basics of Son Rompe Pera have been developing since we were kids, and the music and streets are in our blood. We found the markets flooded with old, forgotten folk music, and so as kids we decided to carry the marimba with us and create this musical project from our own roots, mixing in rhythms which we thought would never be musical brothers, like cumbia, punk, and the sounds of our barrios and our everyday lives.”

Batuco

Son Rompe Pera featuring Chico Trujillo - Cumbia Algarrobera

Los Hijos del Pacífico - La Buluca
Grabado, mezclado y masterizado por DIego Gómez
Llorona Records 2013

Imagen por Karolina Bebop (Boceto diseño para Llorona Records)

Los Hijos del Pacífico - La buluca

ORDER 12" HERE: minyocrusaders.bandcamp.com/album/minyo…yo-cumbiero

*** One million streams for the video for first single Cumbia Del Monte Fuji: bit.ly/3fn0X12 ***

Support also from BBC 6music, Radio 3, FIP, RFI, WNYC New Sounds, WFMU, KEXP, KCRW

Tokyo-based ten-piece and wild Japanese folk-song fusionists, Minyo Crusaders join forces with Colombian cumbia radicals Frente Cumbiero on Minyo Cumbiero, a collaborative release that fuses ancient Japanese folk songs with heavyweight Colombian styles.

Second single Tora Joe (Tiger Woman) is an ancient Japanese festival song given a Shangaan-electro style beat to become a 158bpm canival raver. Faster, harder and more aggressive than the debut single from the project - a reworking of the cumbia classic Cumbia Del Monte with Japanese vocals which has now been streamed over a million times – the differing styles of the two lead tracks shows the diversity of this EP. Other tracks are Mambonegro Daisakusen a chicha and salsa-styled boogaloo and Opekepe, the oldest traditional Japanese rap song here given a bubbling dancehall-reggaeton beat, rumbling dub FX and beguiling flute hook.

Recorded across two days in Bogota in August 2019 Minyo Cumbiero captures a thrilling exchange between two radical and triumphant groups. Japan and Colombia may be cultural opposites on different sides of the world, yet the countries are bursting at the seams musically and on this EP both groups stridently drive their respective music cultures and histories in exciting new directions with powerhouse horn sections, rippling dub basslines and rampant Afro-Latin polyrhythms creating carnival grooves, released here via London-based label, Mais Um.

For an uncompromisingly contemporary and inventive take on traditional Colombian cumbia, look no further than Frente Cumbiero. Headed by Colombian songwriter and producer Mario Galeano Toro (also a founding member of Ondatrópica and Los Pirañas), the Bogota-based crew have spearheaded Colombia’s thriving new-look cumbia movement for well over a decade, fusing cumbia rhythms and bass weight electronics with releases featuring collaborations with the legendary London-based dub producer, Mad Professor and US-based Kronos Quartet.

Following the release of their acclaimed debut album, Echoes of Japan in 2019, Minyo Crusaders - or MinCru as their Japanese fans know them as – have won-over a global audience with their unique take on Japanese folk music. A debut debut European tour in 2019 saw main-stage performances at Le Guess Who and Transmusicales and was soon followed by shows at WOMADelaide and WOMAD New Zealand in early 2020 that saw audiences intoxicated by their mix of traditional Japanese folk songs (min’yō) and Afro-funk, Thai pop, Ethio-jazz and reggae. Fronted by singers “Freddy” Tsukamoto (his nickname comes from his hero, Freddie Mercury) and Megu, with guitarist and bandleader Katsumi Tanaka, the members of the ten-piece are drawn from Tokyo’s vibrant and diverse jazz and Afro-Latin scenes.

Minyo Crusaders + Frente Cumbiero - Tora Joe

New MIS Album

A love letter to Distrito Federal, now CDMX. His latest album DF features collaborations with: Dan The Automator (Gorillaz) a Graham Coxon (Blur), Sergio Mendoza, Duckwrth, BIA, Cuco, Banda Misteriosa, La Perla from Colombia.
“My Favorite album of the Year” - David Gilmour “
Camilo is a Real Connoisseur of music who knows about all kind of weird stuff” Mike D (Beastie Boys)
“The Mexican Herb Albert” Ed O ́Brien (Radiohead)

Mexican Institute of Sound, the brainchild of Camilo Lara, creates irresistible beats for the global dance floor. At home in Mexico City, Sao Paulo, Lagos, Mumbai or New York, Camilo ́s music is the sound of the new capitals of world culture, thumping into the night. Brash and bright, his live shows can only be described as punk performances that bring down the house every single time. This ethos has taken him around the globe, performing in every single continent. His work has landed him 1 Grammy and 4 Latin Grammy nominations, and he has produced artists ranging from Los Angeles Azules (scoring the best selling Mexican album of the last 25 years, 8 times diamond certified sales), Lila Downs, Norah Jones and Band of Horses. He has remixed Beck, the Beastie Boys, Interpol, among others. He has collaborated with a wide range of artists including Cuco, Ludmilla, Bonde do Rolé, Sly & Robbie, Toots and the Maytails, Gogol Bordello, Tom Tom Club. He hosts his own radio station on the best selling game of all times, Grand Theft Auto V. He was the musical consultant for Pixar’s Coco (where he even had a cameo!), and his music has been featured in Narcos, Breaking Bad, Y tu mamá también, Californication, Ugly Betty, to name a few. Numerous brands have used his music for major US national campaigns including Apple, Target, H&M, Lexus and Best Buy. Spanish newspaper El Pais named him one of the “50 Most Influential People in Latin America". Quien magazine named him one of the "50 People Who Are Transforming Mexico" He stays busy.

Dios

Album "Isle Of Magic" LP/CD/DIGI // Agogo Records/!K7

Vocals – Anthony Joseph
Marimba – Pasquale Mirra
Clarinet - Guglielmo Pagnozzi
Bass – Salvatore Lauriola
Percussions – Andrea Benini, Danilo Mineo, Lorenzo Gasperoni

Arranged and Produced by Andrea Benini 
Mixed by Mo Stern, Andrea Benini
Mastered by Kelly Hibbert
Artwork by Gianni Rossi

*iTunes: ‪bit.ly/10mOen3‬
*Amazon: ‪amzn.to/17KS6OT‬
*Juno Records: ‪bit.ly/ZwKADT‬

*The Sunday Times*
“Breathtaking, simply breathtaking. The most exhilarating cross-border raid since the Ethiopian composer Mulatu Astatke teamed up
with that wayward London collective the Heliocentrics. Hallucinogenic.”

*The Financial Times*
“Mop Mop conjure an impeccably retro island retreat for themselves and for an array of friends. 4/5 stars”

*Mojo Magazine*
“Martial rhythms, spooky grooves and out-there atmosphere make this a spirited, spellbinding set. Put that in your gris-gris. 4/4 stars”

*The Crack Magazine*
(Album Of The Month)
“An organic, percussion-led contemporary world jazz masterpiece”

www.mopmop.com
www.facebook.com/mopmopofficial

Minyo Crusaders + Frente Cumbiero - Tora Joe

Mais Um

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